The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Silence surrounds us, silence around us - X (2022) Erika Matsunami
This artistic research "Silence surrounds us, silence around us" was started in 2020 after the corona pandemic. "X" is a new beginning of artistic research in the research series "Silence surrounds us, silence around us". I continuously explore the research method of "work in progress" in artistic research from the perspective of biology. (For a new geometry and a new topology in the arts, in the 21st century) Transdisciplinary artistic research in the visual arts with architecture and music, with regard to transversal aesthetics. The keyword "Ageing" in this artistic research is philosophical consideration. For instance, "capital" in Marx's theory, "immateriality" and "materiality" in capitalism, thereby, how is "Ageing" viewed? What gaps between cultural and mental aspects and social conditions? What role can art play in answering these questions? Therefore, my attempt in artistic research is through string theory as well as Einstein's special relativity theory in the 21st century, to explore the new value (as well as, quantum) of ageing towards capitalism of all democratic social systems and their ideologies for something new. This artistic research addresses the study of ecology in the sense through art. "Ecology is the process by which organisms interact with each other and their environment, with the environment as a stage and ecology as the performance." (Ecology: A Very Short Introduction, Jaboury Ghazoul, Oxford: OUP, 2020) On the subject of "interaction" from the aspect of ecology, there are gaps between physical phenomenon and virtual phenomenon, between our sense (perception, cognition and recognition) and measurement, the fact what that is. (Normative and Normativity) Thereby, I deal with these topics through art in the artistic research "Silence surrounds us, silence around us" – X.
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Teleportation and Transformation: approaching the 'impossible' through storytelling and technology (2022) Eirini Sourgiadaki
Throughout human history as we know it, there is a range of stories in the arts and the humanities that meet in variations, which shows an old widespread human desire: a wish for as much life as possible, for being immortal or for getting the ability to be everything and to be everywhere- This wish is opposed to the finite nature of the human existence and the knowing about this fact. It has been and can be approached by forms and tools of narration that engage imagination. For the investigation of the ways such practices signify an embodied experience in daily culture, I am approaching the use of language and especially metaphor and its application in therapeutic tools and trauma treatment methods. For this I am exploiting elements from the fields of hypnosis, meditation, neuroscience and lingusitics, along with storytelling patterns in mythology, religion, fairy tales and science fiction, My focus is not on language alone, but on possible combinations with the potentialities of artistic devices. Both, teleportation and transformation can be understood as a three-step processes compiled by: State 1 (before), the in-between moment (the shift) and State 2 (after). Although State 1 and State 2 (before and after teleportation/ transformation) will be respectively studied, a special focus will be given to the middle part of the process, the in-between moment, including time, space, the (technological) device as well as cultural aspects and possibilities. The in-between moment as a moment of trespassing is a point that not much focus has been given in artistic research till now, unlike State 1 and State 2; what exactly happens after Gregor Samsa sleeps as human and before he wakes up as an insect, or what happens right after Alice steps into the mirror and right before she enters Wonderland, what happens while Clark Kent is inside the phone booth (in Greek “thalamus”) are all invisible. The Greek word for the booth is “thalamus”, the same word used for that part of the brain where all senses end up, the relay station for sensory experiences. How to deal with the presence/absence of the body in terms of time and space during the in-between moment and how to stimulate imagination, memory and engage the senses towards the “impossible” using the means that consist a teleportation/transformation device? The aim of my fundamental research-oriented or knowledge-open (erkenntnisoffenen) PhD project is, to proceed without pre-defining the format of the outcome, but letting it evolve through and within the study, investigation and experimentation instead, working on the following groups of objectives and research questions: i. approaching the ‘impossible’, ii. devices, iii. language storytelling) & other media, iv. possible combinations / experiments. Methods used are: reading connected to the main terms, practicing hypnosis, meditation and relevant practices that use language and engage the body, public presentation(s) and interviews with three groups of peers. As peers I consider persons who experience alternative mind sets, indicatively children, people in love and people with schizophrenia. From the very beginning and to this point, the methodology and the format evolve along with the artistic research.
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Finding the place and time to say goodbye (2022) Madelief van de Beek
By researching crematoria and graveyards I try to break the taboo surrounding grief and death. What are the elements of design at these places that could provide comfort? What are the stereotypes about death culture that prevents us from fully excepting what happens to us when we die?
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Simultaneous Relaying as a Transformative Mode of Artistic Research (2022) Hanns Holger Rutz
Today's situation can be characterised as the result of growing entanglement, simultaneity and proximity within a networked world. At the same time, global instabilities demand new practices of sharing responsibilities. While the data economy stresses the need to interface, to connect, to make compatible, as artists-researchers we look for a new mode of working-together and thinking-with that resists becoming compatible. Individuals should take a respectful and careful distance to one another, and develop a common movement that results in artefacts and propositions that reflect this work process and can coexist in a simultaneous aesthetic experience. The idea of simultaneously relaying as the foundation of a new type of collaborative practice in artistic research for us is captured by the combination of a transformative practice of relaying as described by Isabelle Stengers, and a singularly plural conception of being devised by Jean-Luc Nancy. Relaying then is not seen as a succession of states, as a temporal transition from one to the other, but as suspended in a space of simultaneity, as an ongoing circulation. Presened at SAR Conference 2021.
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