The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Deixar para trΓ‘s. Nothicings on trust and fear (2025) Diana Ferro
on being left behind free scattered together Artist book as a residency report. Residency "Play(the)ground. Informality as resistance" in Trafaria - TorrΓ£o, Lisbon, PT. September 2024 Residency organised by Maisunomaisum and experienced by Diana Ferro, artist.
open exposition
The Institute for Piedilogical Research (2025) Diana Ferro
DoPeopleLikeYourFeet? The first workshop held by the Institute for Piedilogical Research aims to question basic assumptions at the foundations of spatial practice such as how we orient in space, what is the ground we stand on, how we move through space with our feet and so on. As xenofoot research scientists, we propose an intensive training schedule alternating between walking practices in the territory of Calarasi and reflective/ making/transcendental moments on the grounds of EASA community. As walking is really close to doing nothing (Solnit,2000), it opens up a world of possibilities for the participants that allow encounters with local inhabitants, found materials, conversations, random observations and visions of other dimensions to affect what they will make or write or perform or preach throughout the time of the workshop.
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SWEAT - YoNoSudoBrillo (2025) Diana Ferro
SWEAT - YoNoSudoBrillo Two weeks workshop held in Benidorm, Spain, in August 2024. In the context of EASA, European Architecture Students Assembly 2024 event. Tutored by Diana Ferro and Angelo Ciccaglione. πΌπ“‰β€™π“ˆ 𝒢𝓁𝓁 π’Άπ’·π‘œπ“Šπ“‰ 𝑒𝓂𝒷𝓇𝒢𝒸𝒾𝓃𝑔 π“‡π‘’π“π’Άπ“π’Άπ“‰π’Ύπ‘œπ“ƒ. 𝐿𝑒𝓉'π“ˆ 𝑒𝓂𝒷𝒢𝓇𝓀 π‘œπ“ƒ π“‰π’½π’Ύπ“ˆ π’Ώπ‘œπ“Šπ“‡π“ƒπ‘’π“Ž π‘œπ’» π“Œπ‘’π“π“π“ƒπ‘’π“ˆπ“ˆ π“‰π‘œπ‘”π‘’π“‰π’½π‘’π“‡. In a sauna, people meet strangers and exchange stories while absorbing heat being naked and sweaty. In this workshop we brought the sauna to a step further: we absorbed heat, stories, gestures, words, objects, skills, dreams and sweat them out to other people, re-enacting what we have learned. Also naked, why not. We learnt how to live, how to breathe, how to make a kebab, how to embody old wisdom, how to tie shoes the proper way. All you need is a fan, a towel and a body. A kebab stick, a drink, some snackies. Participants developed a deeper perspective on what it means to operate within a complex identity such as the city and gained skills to open their own kebab shop.
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recent publications <>

La Religion d’Économie Mondiale (2025) Tolga Theo Yalur
Les forces religieuses, politiques, culturelles et Γ©conomiques influencent le monde moderne. Il s’agit de conflits et d’antagonies bien rΓ©els, idΓ©ologiquement chargΓ©s, qui dΓ©chirent le monde dans un contexte de formes virulentes de polarisation idΓ©ologique, de nationalisme de droite et de fondamentalisme religieux.
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Borderline Physical: Digital Twintrine (2025) Patrik Lechner
As part of the 'Borderline Physical' PHD Project and the "Spirits in Complexity" PEEK Project, this iteration investigates the auditory landscape of a specific fridge in a specific cafΓ© in Vienna, Austria. The fridge is captured into a physically informed model, recreating its surprisingly complex sound emissions. This model is presented as an installation on-site, next to the fridge whose current working status is unknown (it was broken recently). At the SAR the model is treated as a musical instrument and freely used in complete disregard of physical constraints, leading up to a musical performance that explores a different form of artistic exploration of our sonic environment.
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A Note on the Idea of Networks Like a Contrivance in Epic Theatre (2025) Tolga Theo Yalur
The theoretical wisdom of the Epic theater derives from the conceptual perspective of Bertolt Brecht toward communication and performing arts in "Der Rundfunk als Kommunikationsapparat" (1932). Brecht's version of the radio reminds the participatory politics in the internet, which he later theorizes for theatre-qua-critique of the aristotelian drama of binding the spectator to the fiction ideologically, in the vicious cycles of pre- learned codes, the traditional and phony wisdoms of clans and classes, where the mere potential for change is to turn into a "petit bourgeois".
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