The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
LANGUAGE-BASED ARTISTIC RESEARCH (SPECIAL INTEREST GROUP)
(2025)
Emma Cocker, Alexander Damianisch, Lena Séraphin, Cordula Daus
Conceived and co-organised by Emma Cocker, Alexander Damianisch, Cordula Daus and Lena Séraphin, this Society of Artistic Research Special Interest Group (SAR SIG) provides contexts for coming together via the exchange of language-based research. The intent is to support developments in the field of expanded language-based practices by inviting attention, time and space for enabling understanding of/and via these practices anew.
Year of the Rabbit - Performing Landscape as Artistic Research 10
(2025)
Annette Arlander
This is an exposition presenting the project Year of the Rabbit, which took place on Harakka island off Helsinki in 2011 and was presented for the first time in Gallery Jangva in 2013.
Year of the Tiger - Performing Landscape as Artistic Research 9.
(2025)
Annette Arlander
This is an exposition presenting the project Year of the Tiger, which took place on Harakka island off Helsinki in 2010 and was presented for the first time in Gallery Jangva in 2012.
recent publications <>
All Tomorrow´s Parties: post pandemic dancing
(2025)
Brynjar Åbel Bandlien
All Tomorrow´s Parties: post pandemic dancing is an artistic research that undertakes the task of discovering how hiv and aids has affected the Norwegian dance scene in the 1980´s and 1990´s and all the way up until today. Many dancers got infected by the virus, lived with hiv, and died of aids. Who were they? What were they dancing? And what kind of dances would they have danced had they not died too early? By interviewing the survivors, this project aims to map out how the Norwegian dance scene was affected by this pandemic, outline the hole left behind by this generation that disappeared, and try to fill it by creating dances that they could have danced.
