The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
Pondering with Pines - Miettii Mäntyjen Kanssa - Funderar med Furor
(2025)
Annette Arlander
This exposition documents my explorations of pondering with pine trees.
Tämä ekspositio dokumentoi yritykseni miettiä mäntyjen kanssa.
Den här ekspositionen dokumenterar mina försök att fundera med furor.
Among signs – propositions from a typographic practice
(2025)
Åse Huus
This exposition gathers a series of visual and linguistic investigations in which signs, form, and the space between them construct expressions that invite multiple interpretations. Here, propositions are understood as attempts, movements, and modes of thought. Between sign and form, a space emerges where meaning can be brought into play – where rhythm, structure, wonder and quietness may interact as an expanded practice of seeing, reading, and listening.
DIVING INTO STRAVINSKY SEA: a personal insight on selected works
(2025)
Corrado Cerutti
An analitical overview over some key works from Stravinsky with the goal of selecting few elements that can help my compositional journey.
recent publications <>
The Oracle of Delphi
(2025)
Despina Papadopoulos
Through a series of photographic assemblages that focus on texture, depth, and atmosphere, “The Oracle of Delphi” documents interactions between these assemblages and AI language models. The work demonstrates specific ways that current AI systems struggle to comprehend material qualities and contextual relationships in personal narratives, particularly when dealing with dimensionality, surface qualities, and emotional resonance. By analyzing these limitations, the work reveals the gap between human and machine perception of materiality and affect, while suggesting potential approaches for developing more nuanced human-machine encounters. Through these material encounters and a deliberate “kinking” of established patterns, the work demonstrates how algorithmic systems might be recrafted from processes of reduction into expansive sites of co-creation and possibility.
Virtuositas noster qui es in Parnaso
(2025)
Susana Castro Gil
This virtual exposition partially concentrates the experimental works developed during the doctorate in musical performance. Based mainly on the theory of transcreation of Haroldo de Campos (1962-2003), the topic of virtuosity is approached from artistic gestures trying to raise the discussion on what it means to be a virtuoso in the contemporary musical world. Paradoxically, iconic piano technique studies were chosen as the main material,this transcreationist interpretation allows traditional material to be permeated not only by contemporary means and aesthetics, but also questions that reflect on the tradition that made the emergence of these studies possible.
