The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research
. The RC is free to use for artists and
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
B.O.D.Y. - Between auditory fiction and body-reality
The exposition "B.O.D.Y. – Between auditory fiction and body-reality" is a summary of my project `B.O.D.Y. 2010´, which was represented from 2009 (ground work) until 2012 and includes theory, artistic practise, procedure, realisation, representation and perception. Thereby, the theories refer to my artworks and are summed up my artistic thesis. The artworks in this exposition are related to the theses of the academic and scientific fields. The artistic research for the audio and visual works is based on the project `B.O.D.Y. 2010´. This project is an intermedia project; it uses media such as photography and drawing, photography and sound installation, and music (sound/sonority/noise) and drawing. The research field is interdisciplinary in visual arts and music within the expanded scope of the transdisciplinary approach.
In the project B.O.D.Y., I used the time-based mediums of sound and performance which are the mixing layers of design, happening and performing. The act, as well as performance, is conceptual and improvisational which evokes, in contrast, the connotation of the objects with the body in real-time.
In the space design for the installation and performance, the horizontal dimension of this installation is variable. Each exhibition space of the installation and performance will be re-designed by the cross-disciplinary approach in the art such as in the representation's concept and artistic approaches.
This digital exposition is likewise a part of the concept and contemplation for the art book B.O.D.Y. about the conceptualisation for a multimedia art book design with intermedia artwork.
(Human studies in the keywords is not the area of studies such as human science.)
Untitled* [version-copy for maintenance]
Untitled* is practise-based artistic research, which is the exploration of geometry in drawing, notaion and sound composition (virtuality) and spatial installation and performance (physicality).
Its spatiality will explore in the context of visual arts and architecture in terms of the cross-disciplinary between Music and visual arts, that is through an intervention between two disciplines of visual arts and music towards architecture (design) methodically.
From threefoldness to multi-foldness
From threefoldness to multi-foldness: On Personal AI in visual arts and its perception in an artwork – What is artistic authenticity with AI in arts? In this project, I explore practically and theoretically, in particular rethinking philosophical reflection on “A thousand plateaus” (originally published as Mille Plateaux, volume 2 of Capitalisme et Schizophrenic © 1980 by Les Editions de Minuit, Paris) by Gilles Deleuze and Félix Guattari. I've been dealing with this book in my project since 2000. Therefore, I agree with the approach "Kunst kommt aus dem Schnabel, wie er gewachsen ist" (the title of an art catalog with 11 disabled artists) by Mosaik e.V. in Berlin, 2011. This artistic research addresses the issue of technology and humanities in arts. (Theorie und Praxis im künstlerischen Schaffensprozess)
Vietnamese Diasporic Voices: Exploring Yellow Music in a Liminal Space.
Nguyen Thanh Thuy
This exposition seeks to identify artistic strategies and challenges in intercultural experimentation with nhạc vàng (yellow music)—a Vietnamese popular music genre. It builds on the author’s experience as a professional musician and đàn tranh player on the Vietnamese traditional music scene, and on her long-term international and intercultural collaborations with performers and composers, as a member of the Vietnamese/Swedish group The Six Tones. In three video essays, the exposition presents the artistic process developed by the participating artists, and an analysis of how these strategies relate to the rule systems of traditional and popular music in Vietnam.
Tree of Dawn: Translation as a Method
Aurora Del Rio
This research is part of my doctoral project Archetypes of Contamination, which focuses on the relationship between symbolic images and processes of environmental transformation. This exposition, Tree of Dawn, develops by looking for the correspondence between radioactive contamination and the traditional Latvian image of the Sun-Tree as found in the Dainas, an ancient form of poetry transmitted orally through songs. My artistic process uses a re-creation and re-interpretation of ritualistic practices. With a focus on radioactive contamination, my research looks at how the experience of contaminated spaces can be read through specific myths connected to the land to interfere with the creation of personal and collective realities. The exposition moves through methods of translation as a way of reflecting on the limits of knowledge, where translation is thought of in the wider senses of transposition, deciphering, decoding, and reading through.
Ingfrid Breie Nyhus
TRADITIONING, DISSOLVING: What does 'traditioning' mean, what can the 'traditioned' become? On exploring rules and possible spaces in tradition and creation.
To Ingfrid Breie Nyhus, the apparently impossible combination of folk music and grand piano, is a creatively generative musical situation. The rules of the 'slått' tradition are transposed to a new space in the grand piano, and the rules of the grand piano are destabilized in the meeting with the 'slått'. This exposition unfolds questions, reflections and new questions, from a longer process with the music "Slåttepiano".