The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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The exposition explores radical softness as the step-stone for our artistic practices and work produced. The program took place where the forest meets the sea in the Northern Stockholm Archipelago, Sweden.
open exposition
Illuminating the Non-Representable (2024) Hilde Kramer
Illustration as research from within the field is of relatively new practice. The illustrators discourse on representation (Yannicopoulou & Alaca 2018 ), theory (Doyle, Grove and Sherman 2018, Male 2019, Gannon and Fauchon 2021), and critical writing on illustration practice was hardly found before The Journal of Illustration was first issued in 2014, followed by artistic research through illustration (Black, 2014; Rysjedal, 2019; Spicer, 2019). This research project developed as response to a rise in hate crime towards refugees and the targeting of European Jews in recent decade. A pilot project (This Is a Human Being 2016-2019) treated how narratives of the Holocaust may avoid contributing to overwriting of history or cultural appropriation. Asking how illustration in an expanded approach may communicate profound human issues typically considered unrepresentable, this new project hopes to explore representation and the narratives of “us” and “the others” in the contemporary world through illustration as starting-point for cross-disciplinary projects. The participants from different disciplines, have interacted democratically on common humanist themes to explore the transformative role of illustration in contemporary communication. our projects should afford contemplation of illustration as an enhanced, decelerated way of looking; and drawing as a process for understanding - a way of engaging in understanding the other, as much as expressing one’s own needs (McCartney, 2016). This AR project consisted of three symposia and three work packages, and the artistic research unfolded in the symbiosis of these elements. Our investigation of illustration across media and materials continues as dissemination and exhibitions even after the conclusion of the work packages in 2024.
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ÚHEL POHLEDU_ [experimentální expozice] (2024) Matej Hajek
Projekt se zabývá experimentálním přístupem ke vzdělávání, který integruje disciplíny hry a učení skrze umělecké dílo. Realizace záměru proběhla formou interaktivní expozice na vzdělávací platformě Centra současného umění DOX. Experiment vychází z konceptu „funkční plastiky" jakožto fyzického objektu, které slouží jako partitury pro interaktivní učení a hru. Fyzickou instalaci doplňuje libreto prezentované virtuálním (AR) průvodcem. Experiment zkoumá praktické využití krajní stimulace smyslů v kombinaci se spekulativním obsahovým sdělením. Tato synergie nabízí unikátní disharmonickou zkušenost, jež má za účel testovat efektivitu stimulace kognitivních funkcí formou podněcování adaptačního mechanismu na hranici komfortní zóny.
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RÅDJUREN, FLICKORNA, eller PLAY & FAIL (2024) Anna Nygren
My research is a failed writer's failed attempt to become a literary scholar. I'm researching from the position of an amoeba in academia – at certain moments I claim to be a Trojan Horse, a Trixster, or something else subversive. But more often than not it just ends up being: failure. I write from a writing-reading position. Where my reading of literature is infiltrated by my writing practice. This exposition is based on my failed dissertation in literature, which I am now trying to recover in the form of an artistic research project. The literary dissertation is about Monika Fagerholm's novel "Who killed Bambi?" (2019), and my failure is the inability to be scientific and detached, to stay within the framework. In the exposition I examine this from a queer/lesbian and neuroqueer/autistic perspective. I start from an emotional (un)knowledge and try to distort ideas and boundaries between failure and play.
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Possible Connection between the Development of Executive Functions and Music Education According to the Kodály Concept (2024) Orsolya Toldi
This research will focus on comparing tasks that are used to measure the development of executive functions (EFs) and musicianship exercises according to the Kodály concept in order to find analogies and functional intersections between them. EFs are essential for our mental and physical health, for school and job success. Since these skills can be improved and early EFs training might help reduce social disparities in academic achievement and health, pinpointing activities that could develop EFs has become an important research topic in psychology, neuroscience, and education in recent years. The main direction of this research will be a close examination of the tasks used for measuring the three core components of EFs - inhibition, cognitive flexibility and working memory alongside musicianship exercises taken from Kodály methodological books and lesson observations that work in a similar way. This study has found similarities between EF tasks and Kodály musicianship exercises in all the three core components of EFs. These findings could indicate that with Kodály’s music education approach we are not only practising musicianship exercises but we might challenge our EF skills as well. This research, therefore, could be a first step that leads to a more complex investigation into the potential positive impact of music education according to the Kodály Concept on EFs.
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I HAVE THE MOON: aesthetics of contemporary classical music from a composer-performer band retreat. (2024) Samuel Penderbayne
The artistic research project I HAVE THE MOON was an experimental group activity or 'band retreat' for five composer-performers resulting in a public performance in the aDevantgarde Festival, 2019, in Munich. Research was conducted around a central research question stated verbally at the outset of the project: how can aesthetic innovations of contemporary classical music be made accessible to audiences without specialist education or background via communicative techniques of other music genres? After a substantial verbal discussion and sessions of musical jamming, each member created an artistic response to the research question, in the form of a composition or comprovisation, which the group then premiered in the aDevantgarde Festival. The results of the discussion, artistic works and final performance (by means of a video documentation) were then analysed by the project leader and presented in this article. The artistic research position is defined a priori through the research question, during the artistic process in the form of note-taking and multimedial documentation, and a posteriori through a (novel) 'Workflow-Tool-Application Analysis' (WTAA). Together, a method of 'lingocentric intellectual scaffolding' on the emobided knowledge inside the creative process is proposed. Insofar as this embodied knowledge can be seen as a 'field' to be researched, the methodology is built on collaborative autoethnography, 'auto-', since the project leader took part in the artistic process, guiding it from within.
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