Research Catalogue

A visual map of the RC. Hover over a screenshot to see the title and author. If you click you will see a gallery with a screenshot of each of its weaves. There is a form which allows you to filter based on title, author, keyword and date. For an exposition to appear in this map, it needs to be public (share -> public or published). The map is updated every 24 hours. There is an alternative map that allows you to browse all research by keyword.

Browse all of the public Research Catalogue publications by open keyword.

Here you can browse the archive of research expositions. This includes: - Research projects of all master students. - Publications by the lectorates. - Research by staff members.

This is a guide that explains when an exposition is visible for your supervisor and how to fix when it is not.

This is an exposition showing the changes in the editor since 1st of April 2018.

This is the landing page for the Royal Conservatoire in The Hague.

This is a short report of the lectorate event on 25th of January 2019

For the 10th SAR conference on Artistic Research, the Society for Artistic Research (SAR) is back in Switzerland where the society was founded 10 years ago. The 2019 SAR conference is organized around three topics and two types of session formats for input and discussion. This year’s conference puts the manifoldness of artistic research practices and the discussion of specific aspects in each session at the center of the conference. The three topics are Productive Gaps, Enhanced Dissemination Formats, and Inspiring Failures. To give an overview and deeper insight into the international artistic research activities, contributions take place in a short format of 20 minutes or in a long format of 90 minutes. A keynote presentation are delivered for each of the three topics by Rebecca Hilton, Cathy van Eck and Kristen Kreider. The Conference Committee is delighted about the fact that individual researchers and research groups, 3rd cycle candidates, postdocs, senior researchers and professors alike have taken the opportunity to submit proposals. The conference has a particular emphasis on the development and use of the time available for discussion within sessions.

How to apply for Crisis Collective! Call for contributions to SAR2020 on the research catalogue.

This is the presentation for supervisor day 2019

How to upload your presentation video.

Quick start guide for the text based editor, aimed at students of the class Historical Development.

These are the video tutorials for using the Historical Development template.

This is the master research approval procedure for supervisors

This was made for users within the KonCon portal, topics include: - How to import text from Word ? - How to import an image ? - How to upload a video/audio file ? - How to download a video from YouTube ? - What layout should I use ? - How do I create footnotes ?

This is just a guide for first time RC reviewers within the Conservatoire.

This is an exposition with a brief summary of the Research Catalogue Workshop that is given at the beginning of the year.

This is an exposition only for demonstration reasons.

This is a list of portal admins

An introduction to the Research Catalogue.

This is the abstract of the KC Template exposition. Please refer to the master handbook for the specific text that is expected in the "ABSTRACT" box.

Quick-start instruction for making an exposition using the block editor.

tips and tricks for making your RC exposition

This is a test for PARC platform

Conceptual map of current Research Catalogue Functionality, including workflows. This map aims to represent the current state of RC in visual and diagrammatic form.

this is an exposition for making examples.

Swedish Research Council portal landing page, showing the yearbooks and researchers connected to the RC (work in progress).

Help and documentation videos on different RC tools and workflows.

In this exposition you can find links to various master research presentations.

International Conference on Artistic Research The Hague 28 — 29 April 2016

A good deal of mystery still surrounds some aspects of Arcangelo Corelli's work. Firstly, although he was recognised as the main composer of Sinfonie in Rome around 1700, all of his repertoire of this genre, with the exception of one, seems to have disappeared; secondly, none of his survived orchestral scores contains evidence of the well documented practice of using winds, trumpets in particular, in conjunction with strings. To fill these gaps, speculations have tried to identify, amongst Corelli's works, not only the ones that might have originated as Sinfonie, but also those that might have included trumpets in their original form. This research moves along the same path but sets a slightly different goal: on the one hand it considers that it is virtually impossible to determine if any of Corelli’s survived compositions were originally conceived as Sinfonie with trumpets. On the other hand, it argues that through a study of Lulier's Santa Beatrice d'Este oratorio - a work that preserves the only genuine Corelli's Sinfonia that has survived - and through a comparative analysis of the two Handel's Roman oratorios, it is possible to approach closely the soundscape of Corelli's Sinfonie con trombe. To achieve that goal, in accordance with contemporary Roman examples, newly composed trumpet parts have been integrated into some movements of three concertos from Opus 6. The outcome can be listened in the audio-video material part of this paper. Whether the addition of trumpets on top of a string-only movement could have been improvised, and not planned beforehand with written parts, is open to further speculation.

The diagram of RUUKKU Journal workflow. The diagram shows the path of a submitted exposition through the peer review process.

HOW TO MAKE A MUSIC VIDEO