The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
Untitled (What's the last word You never heard?)
(2025)
Gianluca Di Francesco, FRANCO RIPA DI MEANA, MengYao Zhu, Xueying Wang, Mauro Palatucci, Maria Cristina Reggio, Alessia Tessitore, Elena Giulia Rossi, Claudia Digrandi, Veronica Di Geronimo, Teodora Ricci, Eleonora Scarponi, Gauri Abbattista, Ahzi Gaytan Monzani, Xaioxi Wang, Andrea Guidi, Livia Viola, Ming Lu, Valentina Saggio, Francesca Paganelli, Devrim Kadirbeyoglu, Veronica Lilli, Giulia Tucciarelli, Caiyi Li, XiaoQi Wei, ZeHao Li, Jiayi Guo
A silence lingers where words once stood, a fragile pause between what was said and what remains forever untold.
I’m gonna build the cemetery of echoes, words suspended in time, each gaze a question, each absence a weight.
Fragments of lives held in stillness, unfinished moments longing for release. Across the space, words rise like shadows.
Memory dances with loss, the tangible and the fleeting entwined. It is not closure we seek, but the tender acknowledgment of incompleteness.
Transmutations: a staged concert / Transmutações: um concerto cênico
(2025)
Pedro Pablo Cámara Toldos
Transmutations seeks to redefine the term transformation through a staged concert — a concert conceived as a work of art in itself.
The traditional concert format and conventional performance practices are showing signs of stagnation, thus calling for the emergence of a voice adapted to this transformation.
The boundaries of music, especially within the classical realm, have gradually blurred in recent times. Increasingly, artists are exploring the concert as a form of expression that not only integrates other artistic disciplines but also embraces technological advancements. This approach challenges traditional aesthetic conventions and the notion of genre and musical style. The omnipresence of technology in contemporary society underlines the need for research that explores the many possibilities of the concert format.
This staged concert aims to redefine the concept of transformation by avoiding any stylistic boundaries. The works of Richard Strauss, John Cage, and Alexander Schubert are included not only for their artistic value but also for their contribution to the very notion of transformation.
LGP Performative method
(2025)
Lorena Croceri
Art-therapy & business guidance for creative entrepreneurs ready to break shame, detach from limiting contexts and become their XXL selves. Contextual art.
recent publications
THE PERFORMATIVE POWER OF MATERNAL METAMORPHOSIS IN CONTEMPORARY ART
(2025)
Yvonne Grul
Thesis of the Royal Academy of Art, The Hague, 2022
BA Fine Arts
In this thesis, I explore the phenomenon of maternal metamorphosis in the context of performance art. It looks at the lived experiences of mothers against the light of the radical changes they face, altering their form and way of being. This can be under the influence of natural or external events, such as death and the passing of generations or having to deal with the maternal consequences of political forces. It also considers portraying a mother as something or someone else through performance and play with literal and figurative meaning. Maternal metamorphosis can be portrayed in terms of metaphor, like ‘the mother as intangible heritage’ as an image for the metamorphosed deceased mother. Expressing maternal alterations metaphorically by performance can lead to growth and change, and contribute to the broadening of maternal representations and experiences within visual art.
THE BENEFIT OF INCONVENIENCE- Revealing public space by walking and mapping
(2025)
Shuk Wun Li
Thesis of the Royal Academy of Art, The Hague, 2023
MA Interior Architecture
From the moment we wake up in the morning, we are triggered by the loud alarm, travel to work on crowded trains, and make thousands of decisions every day. Inconveniences can arise in every situation, and while most people accept them, very few try to fix them. The COVID-19 pandemic is undoubtedly the biggest inconvenience experienced by everyone on the globe simultaneously. People's way of life has been affected by it, and the world has been shut down for more than two years since December 2019. Despite the destructive effects of the virus, it has given everyone a chance to pause and reflect on their lives. The topic of my thesis is based on the idea that I benefit from the inconveniences of daily life. After moving to the Netherlands, I realized that it takes me more time to complete daily tasks than it used to, and my life has become less hectic. So, I started reading articles on the benefits of inconvenience. Kawakami writes that “the benefit of inconvenience cannot be derived from mere nostalgia for 'the good old days or by thinking positively about the inconvenience.” He also thinks that convenience does not necessarily satisfy people and enrich human life. Yet, we have become so dependent on convenience that we no longer pay attention to its consequences. While the purpose of this paper is mainly to identify the benefits of intentionally experiencing inconvenience in our built environment, a discussion of convenience will also be included to compare the different levels of inconvenience. Are there any inconveniences associated with 'too much convenience'? What are the ways in which inconvenience is purposefully incorporated into the everyday environment? This paper will investigate these questions and provide suggestions for implementing beneficial inconveniences in the built environment.
Stranger Danger
(2025)
Mariela Popova
Thesis of the Royal Academy of Art, The Hague, 2022
BA Interactive Media Design