The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research
. The RC is free to use for artists and
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
CCFT Buffer Fringe 2020
Johan Sandborg, Linda H. Lien, Duncan Higgins, Shauna McMullan, Susan Brind, Jim Harold, Yiorgos Hadjichristou, Ana Souto Galvan, andy d lock
Creative Centre for Fluid Territories (CCFT), is a peripatetic international research group that contributes to discussions about interdisciplinary practices and how they articulate critical insights about place making, belonging and occupation.
Building on last year’s contribution to buffer fringe 2019 - ‘The Urban Glenti’ - CCFT proposes to create a unique dialogical and negotiated creative exchange to take place on-line within a dedicated exposition: Images, sounds, texts, interviews, moving image are going to be used to contest the idea of fixed documentation in order to acknowledge how our relationship to places are not static and where conflict/tension/uncertainty also defines the creative process itself.
CCFT’s work methodology builds on an established mutual respect; track record and insight, rooted in a continued collaborative relationship that has emerged through trust and dialogue. Our focus is on practice-based research methods exploiting the creative intersection between image and text, presented as performance, publication, installation, architectural work, design intervention, music works and spatial practice. In the intersection of these formulations, we seek to explore the expanded concept of “the atlas” as a dissemination strategy. ATLAS – the order of memory - simultaneously linear and cyclic, ordered and labyrinthine, open to infinite interpretation and analysis — a form of mnemonic iteration – physical and virtual.
Almat 2020 - symposium on algorithmic agency in artistic practice
Hanns Holger Rutz, David Pirrò, Daniele Pozzi
The ALMAT 2020 Symposium is interested in the genealogical, processual aspects of algorithms and their transformative potential. We seek critical approaches that avoid both mystification and commodification, that aim at opening the black box of "wonder" that is often presented to the public when utilising algorithms. We depart from the assumption that algorithms possess an inherent material agency that emerges from the intra-action between human and machine (K. Barad). In these exchange processes, we experience gaps, breaks and bends in the flow, the reconfigurative nature of the algorithmic which bounces back and reconfigures our thinking and approach to artistic work. When algorithms are inserted in the creative process, they actively shape this process and spread outside the boundaries of a particular medium or artefact. The symposium looks to rethink the relation between humans and algorithms (N.K. Hayles) in terms of an organic or ecological perspective (Y. Hui) in which actors are entangled and co-generative.
The foundation for the symposium is given by the eponymous artistic research project ALMAT - Algorithms that Matter, funded by the Austrian Science Fund (FWF AR 403-GBL) and hosted at the Institute of Electronic Music and Acoustics (IEM) at the University of Music and Performing Arts Graz.
ALMAT 2020 was originally planned to take place (06–07 July) adjoining the 8th Conference on Computation, Communication, Aesthetics & X – xCoAx (08–10 July). xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all. Due to the Coronavirus crisis, xCoAx is going into an online-only mode, and the ALMAT symposium has been replaced by an online assemblage of the submitted proposals only.