Research Catalogue

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• „N.N-Zwischenliegend“ – non-calculable time, space and body (last edited: 2020) author(s): Erika Matsunami This exposition is in progress.
  Non-calculable time, space and body is the second part of the artistic research “N.N-Zwischenliegend.” This part consists of three main questions: How to create a documentary that is not binary proof? Is it possible to understand an artistic documentation (a work of art) as knowledge? Is it possible to conceive an artistic documentation (a work of art)? These questions refer to the subject of Arti-fact, resp. to the part three „N.N-Zwischenliegend" of my artistic research. In doing so, I attempt to investigate the subject of aesthetic contemplation, which frequently relates to the cultural evolution. For this I require self-reflection on whether a work of art could be a documentation on the topics of space, time and body. The third part of this artistic research is on spatial installation. The three important elements in this part are the photographs which I took in the city of Berlin, the sounds which I recorded in the city of Berlin, and the interviews with Berliners.
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  Zona de Creación Accesible 2020 (last edited: 2020) author(s): Laisvie Andrea Ochoa Gaevska This exposition is in progress.
  Documentación del proceso de investigación pedagógica en danza inclusiva llamado Zona de Creación Accesible Para el 2020 ConCuerpos ha estructurado una investigación pedagógica a profundidad sobre el desarrollo de técnicas en un contexto inclusivo. Realizaremos 4 laboratorios y 4 periodos de asimilación en donde los miembros de la compañía tendrán el tiempo de estructurar entrenamientos que respondan a sus necesidades y deseos específicos. Partimos de la pregunta ¿Qué es ser un/a bailarín/a de nivel profesional en la danza inclusiva? Esta pregunta se aborda de manera subjetiva, concretando competencias específicas que se desean alcanzar. Estudiando técnicas como Piso Móvil, Danza Moderna, Danza Contacto y Pilates, cada quien desarrollará su propio lenguaje, principios y ejercicios para originar una técnica propia. Esta investigación pretende aportar a la profundización de nuestro campo, abriendo posibilidades concretas para la profesionalización de bailarines diversos
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  Untitled (last edited: 2020) author(s): Cecilia Berghäll This exposition is in progress.
  Dear reader, This is an exposition detailing the reality of how making art can produce and cultivate thought. It is a project that started with a methodical approach to natural light and aesthetics, that due to my empathetic response transformed into something bigger than myself. It became a metaphor for changing perspectives, getting out of comfort zones, putting in the effort, humans helping humans, and spreading ideas through aesthetics and curiosity. It has become a tool to connect and communicate with other people about difficult topics, and the dark side of human experience in an environment that is creative and beautiful. The exposition is ordered in linear chapters that you can access through the contents. Since the project itself has become a vessel for a number of topics all extremely significant and important. I have added resources as the last chapter. Nothing within the chapters will be discussed in excess but the exposition does contain the mention of suicide, sexual assault, and racism. - C
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  The Art of Being University/Yliopistona Olemisen Taide/Konsten med Universitet (2020) author(s): Jan Kenneth Weckman published in: Research Catalogue
  Pigment print collection & exhibition and publication, on the occasion of the Symposium The Art of Being University / Yliopistona Olemisen Taide / Konsten med Universitet, in connection to the Centenary of the Åbo Akademi University, Åbo/Turku The Symposium and the exhibition focus on the history and status of the university as an academic learning & research center, while among other questions dealing with the future of the university institution, topics of knowledge and meaning production in joint ventures between art and science are discussed.
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• The hidden voices of the upright bass (2020) author(s): Björn Daniel Rasmus Andersson published in: Research Catalogue
  This thesis will focus on the possibilities of the upright bass as a chord instrument in the genre of composed music. The author will in particular delve into the natural harmonic spectra of the upright bass, utilizing harmonics to create scales and chords in the hopes of discovering ways to seamlessly blend traditional pizzicato playing with harmonics, thus "unlocking" new ways of approaching the upright bass as an ensemble- or indeed a soloinstrument.
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• Losing time (2020) author(s): Daniil Pilchen published in: KC Research Portal
  We usually perceive time as an integral part of our everyday life. We try to wake up at the same time every day, we schedule our affairs and get upset if a train is five minutes late. However, we often face situations that challenge our usual experience of time when we notice an uncrossable gap between this experience and what can be measured by clocks. I believe that music is infinitely capable of providing us with such experiences, and creating that kind of confusing time with music is the main focus of my research. At the heart of this research is the idea of three ways of representing time in music: measured, unmeasured, and immeasurable. Theoretical conceptualization is mainly built upon the works of Henri Bergson and Alexander Vvedensky. However, their works focus mostly on individual experiences of time, but my main question is how one can communicate such an experience to other people through music, and how to make this experience social. I analyze different musical strategies that deal with unmeasured time or challenge the idea of measurement itself. I conclude by presenting my own strategies of creating confusing temporal experiences, mainly through building failing hierarchies of temporal authorities and challenging the possibility of simultaneity. These strategies are presented through the series of pieces called “Songs” on which I have been working while writing this paper.
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Lucia D'Errico
Belgium (residence), Italy (citizenship)

Tatjana Macic

Åsil Bøthun

mari martin
Finland (citizenship)

Otso Tapio Lähdeoja
Finland

Laura Ginström
Netherlands (residence), Finland (citizenship)

Elisa De Toffol
Netherlands (residence), Italy (citizenship)

Lamberto Coccioli
United Kingdom (residence), Italy (citizenship)

Stephanie Murano