Researchers

Ellen Kristine Ugelvik
Piano, piano technique, piano concerto, contemporary music
Sander Hölsgens
Phenomenology, Visual arts, architecture, Film-making, documentary film, activism
Amra Heco
audio-visual, philosophy, phenomenology, art, artistic research, aesthetics, multi-mode epistemological model, multimedia, multiple belonging, multidisciplinary, psychoanalysis, psychology of perception, Jung, gardening, diaspora, quantum field, water; performance; stone;, wind, writing, rhythm language, time, translation, truth, youth, Youth driven, universe, unfinished, unlearned insight, interview, improvisation, interpretation, interactive, orientalism, performance; re-enactment; landspace; site; environment;, participation, Lecture Performance, john cage, jazz, Journal for Artistic Research, holism, harmony, heritage, FILM, food, feminism, doctorate, DIY, sound, Zodiak, criticism, children, Contemporary art, visual art, voice and live electronics, visuals, VIDEO, VISUAL CULTURE, video performance, video installation; performance; landscape; environment;, breathing, new media art, morality
Laura McGough
Media Art, Liveness, New Media
sergio patricio valenzuela valdes
time based media, performance; landscape; video; sound; installation, Action art, artistic research
Anthony JOHN THWAITES
Historically Informed Performance Practice, Brahms, British Chamber Music
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Pedro Pablo Cámara Toldos
contemporary music, interdisciplinary performance, saxophone, extended techniques, concert setting