Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Michel Roth
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Carmen Raffaela Küster
circus, performance, design thinking, aerial acrobatics, Body Mind Soul, body & object relationship, nature, trees
Srisrividhiya Kalyanasundaram
aesthetics and philosophy, Ecological Consciousness, Eco-ethics, Eco -philosophy and Eco-aesthetics, Arts Education, Visual Design, Illustration, Earth Education, Conservation, Communication, Art History, Creative Writing, Indian art and aesthetics, Indian philosophy, Ecological consciousness, Eco-philosophy, Eco-art and aesthetics
Tamar Zhvania
artistic research, musicology, piano pedagogy, piano practice
Darya Tsymbalyuk
plants, nonhuman, Displacement, repetition, multispecies, trace, migration
Margarida Dias
arts education, identity, decolonial, antidiscriminatory, feminism
Sergej Tchirkov
artistic research, contemporary music, collaborative spaces, Shared Space
Maarika Autio
music, global music, artistic research, balafon, cultural appropriation, artistic identity, african tradition, affordances, kora, africa
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art