daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
W. Walker
Art, performance, public art, deconstruction, dance, acting, performance; re-enactment; landspace; site; environment;, masquerade, african cosmologies, Caribbean, carnival
Alžběta Trojanová
performative walk, Non-Place, environmental art, land art, Site-specific;, non-site, singing
Tomáš Moravec
urban space, intervention, transformation, residuals, heterotopia, empty space, public space, mataphore, terrain vague
Abla Mohamed Abd El Naby
Practice-as-research, sound, soundscape, Soundart, practice based research, performance, Performance art, Installation Art, media, media theory, Film studies