Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Katrin Ackerl Konstantin
performance, transdiciplinarity, theater, artistic research, psychology, queer theory, Gender studies
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Daniel Blanco Albert
opera, composition, music theater, art and science, interdisciplinary collaboration, engagement, circular economy
Stefan Schäfer
ecological grief, ecological loss, Climate Change, ontological design, Design research, artistic research, Death, death culture, commemorative ritual, ritual, end of life practices, mountains, rocks, Glacier, glacier funeral, Embodied knowledge, anthropocene, ecology, Environment, poetry, scores, invitations, ethics, Artistic reserach
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism