The process
(2024)
author(s): Johanna Schubert
published in: Stockholm University of the Arts (SKH)
Materials, Chaos, and Desire in the Midst of Subconsciousness
The Unimportance of Why - exploring liminal space in narrative gaps
(2024)
author(s): Sara Key
published in: Stockholm University of the Arts (SKH)
Master in Film & Media, Thesis project, SKH/Stockholm University of the Arts - the Art of Impact 2024
Film as doing philosophy, and the liminal experience explored within the narrative gap of character creation, as a space for pre-reflective thought and attention.
Themes of Melancholy and Memory works as architecture for experimenting with spatiality and temporality.
With ideas of Film as Poetic Art, I have explored the How and Now in film acting with a tension dependent non-linear script motivated by the works of filmmaker Chantal Akerman.
What happens with us as filmmakers when we refuse to answer questions? What happens with the spectator when we refuse to give answers? Is there a gap created or are the gaps the magic that happens in between the creation?
THE ART OF THE WALK CYCLE
(2024)
author(s): Rania Ghazali
published in: Stockholm University of the Arts (SKH)
This exploration delves into the potential of emotional storytelling through walk cycles. Moving beyond traditional animation, it utilises the expressive power of modern tools to explore how line, shape, stroke weight, colour, texture, and sound can be manipulated to create abstract narratives that evoke deeper emotional experience for the viewer.
Drawing on a foundation of psychological principles, scientific research, and relevant articles, the walk cycles become abstract narratives, provoking introspection and emotional connection.
Seanergy - Digital Underwater Art Gallery
(2024)
author(s): Michal Lovecky
published in: Stockholm University of the Arts (SKH)
Seanergy Underwater Art Gallery is a digital space that integrates ocean-themed art with technology. It focuses on the co-design of digital experiences with raw nature to foster a genuine connection with the marine environment. This research is my starting point for exploring strategies for incorporating nature into the design process of digital experiences, aiming to enhance engagement and promote environmental stewardship.
Processen
(2024)
author(s): Johanna Schubert
published in: Stockholm University of the Arts (SKH)
Material, kaos och lust i mellanmedvetenheten
Into the Known, a Pathway to Dramaturgy
(2024)
author(s): Picalogy
published in: Stockholm University of the Arts (SKH)
A breakdown of how and why dramaturgy became essential for my artistic work. I go through the development of my dramaturgical thinking starting from the year 2000 when digitalization of media was making its final breakthrough. In this study, I touch on the media field, performing arts, and an online storytelling tool designed to gather and share my practical knowledge of dramaturgy.
