Mend/Blend/Attend. SAR 2022 Proceedings
(last edited: 2024)
author(s): 13th SAR International Conference on Artistic Research
This exposition is in progress and its share status is: visible to all.
The 13th SAR International Conference on Artistic Research took place from 30th of June until 3rd of July, 2022, for the first time in Germany at the Bauhaus-Universität Weimar. The conference consisted of a 24-hour online event and three days of live, on-site events in Weimar.
Wolfe & Libertad
(last edited: 2024)
author(s): Laisvie Andrea Ochoa Gaevska
This exposition is in progress and its share status is: visible to all.
Wolfe and Libertad is a practice-led research project that combines choreographic and cinematographic ways of working with the aim to locate sources of female strength. Therefore, one strand of the project seeks to develop an expressive device from the kinetic interplay between dance and video projection. The other finds creative energy in the voice of young women instigating social change and in a wolves-inspired bodily state. One major inspiration is the tale La Loba (Wolf Woman) presented by Clarissa Pinkola in the book Women Who Run With the Wolves (1992). The psychoanalytic concepts of Extimacy (Lacan, 2014) and Listening with The Third Ear (Reik, 1956) are repurposed as creative methods that generate movement materials from somatic experiences. As well, those concepts became the analytical way to understand the research discoveries. As part of this project, the video-dance Becoming and the dance pieces WolFloW and Wolfe & Libertad, which involve real-time visual performance, were made. In addition, a vocabulary of interaction between live and mediated dance is presented in this Exposition. One key finding of the project is a potent state of presence nurtured with the use of spoken word and sign language. A variety of tensions emerges from the interaction between this presence and the presence of the projection.
Influences of me
(last edited: 2024)
author(s): Julie J. Hanuliakova
This exposition is in progress and its share status is: visible to all.
Who am I, but collection of memories
A Tricky Performance (I will not give you what you want)
(last edited: 2023)
author(s): Femke Luyckx
This exposition is in progress and its share status is: visible to all.
This is an Integrated Assignment for COMMA, Joint Master Choreography Fontys&Codarts.
A research into expectations of the audience regarding aerial performances.
Expected Research Report
(last edited: 2023)
author(s): Femke Luyckx
This exposition is in progress and its share status is: visible to all.
This is a research into the influence of expectations during the creative process of an aerial performance.
What does a maker and/or performer think an audience expects from an aerial performance? What does an audience expect from an aerial performance?
What does the performer expect from the maker and the creative process?
What does the maker expect from the performer and the creative process?
And what is the (tacit) influence of all this on the co-creative making of an aerial performance?
Are we, creator and performer, aware of the impact of expectations? How do (tacit) expectations manifest themselves in the studio? Can they be identified, dislodged and scrutinized? Where do they come from, are they negotiable, can we deal with them and are we able to let them go?
This research starts from the assumption that (tacit) expectations are an overlooked factor in a making process. An influence that is not considered (enough). An influence that, from outside in and inside out, can stand in the way of a free creative flow, an open mind and therefor has an impact on the final outcome of an aerial creation.
What is your first thought when you read “aerial performance”?
4 sides of a triangle
(last edited: 2023)
author(s): Marjolein Wagter
This exposition is in progress and its share status is: visible to all.
Abstract,
this research was done in the context of the master COMMA, master in choreography for dance, circus and community arts.
Being a performer in outdoor circusarts, I am used to start a creation with an idea for an object, in this case a mobile triangle for aerial performance. I asked my self the question: ‘how to let meaning arise through the practice of creation, using ‘the other’ by listening to reflections and reactions during the creation process.
Breaking boundaries with the audience and ask for feedback during the creation process to get informed about the meaning of the piece is the approach I use
I am interested in how much of influence on the meaning of the piece is the material, the object we work with in itself? I decided to not know what the performance is about until the presentation in May.
