Playground for Abstract Ideas
(last edited: 2024)
author(s): Annett Busch, Alexander Crilles Tønnesen, prerna bishnoi, Klara Lager Sandberg, Tara Fraser
This exposition is in progress and its share status is: visible to all.
Collaborative Studio Practice, BFA studies at KIT.
From Disco To Disco
(last edited: 2024)
author(s): Annett Busch, Håkon Sandmo Karlsen, prerna bishnoi
This exposition is in progress and its share status is: visible to all.
All around Disco culture _ collaborative project
Sheep Methodology
(last edited: 2025)
author(s): Annett Busch, Joen Vedel, prerna bishnoi
This exposition is in progress and its share status is: visible to all.
Notes about editing, following sheep around, notions of research --- following parallel traces, questions, concerns seeded by the activist intellectuals Henri Lefebvre and Ruth First and we will see where they will lead us and if they could meet ... .
Artistic Entrepreneurship
(last edited: 2024)
author(s): Annett Busch, Ayodele Arigbabu, prerna bishnoi, Sara Shooshtari, Alexander Crilles Tønnesen, Kashmir Saeed, Lillian Fereday, Zijun Gao, Iiv Aavik
This exposition is in progress and its share status is: visible to all.
Artistic Entrepreneurship argues for an agency that involves and engages new combinations and new forms of cooperation among researchers, concepts and ideas, technologies, resources, and machines. It paves the way for a different kind of entrepreneurship in the truest sense of the word: Rather than just a business model, it is the undertaking or new beginning of acting together across sectors, across actors and across disciplines, to inspire people to tackle the challenges society faces.
Trondheim Academy of Fine Art
(last edited: 2025)
author(s): Annett Busch, Liesel Dom, Margarita Torrijos Krag, Jacob Jessen, prerna bishnoi
This exposition is in progress and its share status is: visible to all.
The Trondheim Academy of Fine Art / NTNU and the many layers of educational and research activities happening in parallel and in relation.
Marginal Notes
(last edited: 2024)
author(s): Annett Busch, prerna bishnoi
This exposition is in progress and its share status is: visible to all.
"Marginal Notes" can be read as notes coming from the margins (geographically, socially, institutionally, historically) but also as marginalia, notes made on the margins of a page (of a book, document, journal), Referring to close reading, note taking, learning, highlighting, processes of understanding and critical engagement. In whichever context, “on the margins” is always a relative concept that shifts and moves in relation to what is considered central and can form an altering power from aside or below.
Marginal Notes starts to take shape by looking at collective (innovative) and cooperative forms of organising, and an understanding of sustainable entrepreneurship that develops out of needs, on the margins, and creates something new by recombining and repurposing. We apply the same approach to the proposed artistic research. Transposing and assembling as an editing method (spatial, audio-visual and text-based) that shifts and creates relations/conversations and geo-temporal analogies.
