The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
FLAPIBox
(2025)
E Stifjell
This exposition is associated with The paper with presentation: "Inventing a Versatile Platform for Instrument Augmenta-
tion and Electroacoustic Composition" for International Computer Music Conference in Boston 2025.
“Corpo Híbrido. Ato de vestir e despir o efémero”
(2025)
Ana Sousa Santos
A performance “Corpo Híbrido. Ato de vestir e despir o efémero” (2025), procura refletir sobre conexões simbioticas entre seres.
Com o vestir-se de germinados, veste-se o efémero, e o corpo funde-se com o elemento vegetal, uma transformação num ser híbrido, habitante da fronteira entre dois mundos. O corpo transforma-se em paisagem, enquanto a paisagem o acolhe.
Performative paradigm for businesses
(2025)
Lorena Croceri
The concept of performativity applied to liminal transformations because creative business mentoring needs more depth.
Creatives, researchers and innovatives entrepreneurs do not fit into certain cathegories so they need a well grounded paradigm that can be differentiated both from rationalistics approaches and spiritual ones.
recent publications
The Tropical Trauma Misery Tour: Dissecting the ambivalent dynamic of the networked image through an artisticpractice : Reframing Jair Bolsonaro’s media presence
(2025)
Rafael Franceschinelli Roncato
Thesis of the Royal Academy of Art, The Hague, 2022
Master Photography & Society
Welcome to the TROPICAL TRAUMA MISERY TOUR. I invite you to take this tour through aroofless theater called media, the stage representing the farce and media opportunism ofthe Brazilian president and far-right populist, Jair Messias Bolsonaro—The Myth.In 2018, Bolsonaro was stabbed during a presidential rally campaign. Against a backdrop ofpolarization, micro-narratives, and misinformation,The Mythstarred in an online politicalcampaign where he had complete control over his narrative and self-presentation. This tourinvestigates how the ambiguity of the stabbing event exposes the network propaganda in theBrazilian political game.Through a speculative documentary photography practice, this piece overcomes the politicalillusions and dissemination of nonprogressive values of digital populists. The fictionalizationof the real is a form of resistance towards such ideological shams and manipulations. Itdevolves into a meta-play, a farce within a farce.
The Trauma of Looking : Readings and Counter-readings of the representation of femicides in the Greek mainstream media
(2025)
Dafni Melidou
Thesis of the Royal Academy of Art, The Hague, 2022
Master Photography & Society
The "Trauma of Looking: Readings and Counter-readings of the representation of femicides in theGreek mainstream media" is a work that aims to decode the narrative strategies used by the Greekmainstream media to report sensitive topics related to gender inequalities and gender-basedviolence. In this work I explore the tropes and the effects of media cannibalism, a term which I havecoined and it will be explained further in the text, through the lens of intimate femicides - aphenomenon which has recently entered the wider public discourse in Greece. There is a need frommainstream media to commercialize such crimes and exploit personal dramas. They are treatingreal-life stories as a spectacle, as another true-crime series ready to be consumed by the audience.This globalized "life-as-spectacle" approach, which goes beyond Greece, transmutes our collectivemoral principles into a new culture where violence is always legitimized and thus is made acceptablein society.
The Skateable Realm - Revealing New Affordances Within The Public Realm Through Skateboarding
(2025)
Njål Aleksander Vigdal Granhus
Research Paper of the Royal Academy of Art, The Hague, 2023
MA Interior Architecture (Inside)
Public space is defined as “ an area or place that is open and accessible to all people,
regardless of gender, race, ethnicity, age, or socio-economic level. These are public gathering
spaces such as plazas, squares and parks”.
Public spaces that bring together a great diversity of people are therefore
designed as “zero friction” spaces, but when in use, people will experience friction.
This research paper focuses on how one constructs territories within the public realm and how this
can both foster participation for those who can identify themselves with the activities
within the territory and others who do not -to depart from a space. This creates fear
tendencies against the unknown and in order to maintain a certain behavioral control,
objects are being modified, removed and designed to prevent certain behaviors and
user groups from territorializing certain spaces from happening.
One territorial action is found in the action of skateboarding. Skateboarders do not only foresee
opportunities for action through the use of affordances within the public realm, but also
territorialize the space through extractions, additions, and public interactions for their action to
be possible. Skateboarding might be considered an action that excludes certain user groups from using the public space if territorialized by the skating community. Yet, on the contrary, skateboarders see opportunities for action within the public realm through affordances that might not be obvious to
the naked eye and therefore creates another level of interaction and encounters which may alter
the behavioral corollary within the space.
If skateboarders see the user value of public space through affordances and claim elements
within the space through action, does their territorialization of the space actually negatively
impact the space? Or do they introduce a new user value of the space that furthers behavioral actions and introduces new encounters?
Therefore, this research paper reflects on how a skateboarder's perspective of the public realm criticizes how we use space and reveal new design potentials for a multifunctional public space.