The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Conceptual map of Research Catalogue Functionality and Workflows (2023) Casper Schipper, Tero Heikkinen
Conceptual map of current Research Catalogue Functionality, including workflows. This map aims to represent the current state of RC in visual and diagrammatic form.
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Pondering with Pines - Miettii Mäntyjen Kanssa - Funderar med Furor (2023) Annette Arlander
This exposition documents my explorations of pondering with pine trees. Tämä ekspositio dokumentoi yritykseni miettiä mäntyjen kanssa. Den här ekspositionen dokumenterar mina försök att fundera med furor.
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LANGUAGE-BASED ARTISTIC RESEARCH (SPECIAL INTEREST GROUP) (2023) Emma Cocker, Alexander Damianisch, Lena Séraphin, Cordula Daus
Conceived and co-organised by Emma Cocker, Alexander Damianisch, Cordula Daus and Lena Séraphin, this Society of Artistic Research Special Interest Group (SAR SIG) provides contexts for coming together via the exchange of language-based research. The intent is to support developments in the field of expanded language-based practices by inviting attention, time and space for enabling understanding of/and via these practices anew.
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Blodet gränserna arkivet (2023) Alexander Mood
In ”Blodet gränserna arkivet” I have continued the exploration of what obligations I have towards the extensive collections of artefacts connected with my family history that my father left me after my his death, and, even more important, the imaginary kingdom that he had been working on since the age of ten and all the way through his life. He abandoned me, partly to instead engage in made up power struggles in a nation that does not exist. Since I inherited his kingdom and his collection I’ve tried different methods to process this heritage in my art, and in this final part of this process I’ve tried fulfil my role as the heir and take the next step, to abdicate. To do so I’ve built a throne, inspired by the throne of Queen Kristina of Sweden. I’ve also dealt with the collection in several video works and photography, and written texts dealing with the deeply personal aspects of growing up with a father king in his own realm. To summon the process I’ve written an essay in which I connect my personal experiences and thoughts and memories with theories of what a nation consists of, using the method of loci both to reconstruct the apartment of my father, stuffed with objects loaded with meaning, and finding the links back in the history of art and poetry.
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ELEKTRISKT HERBARIUM (2023) LIPKA FALCK
från fjäll till hav över under yta färdas elektriska impulser kopplas omkopplas felkopplas dammen skogen myren vilken röst? den första.
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Exkursion – utflykt i ett politiskt landskap (2023) Karin Willén
SV Exkursion – utflykt i ett politiskt landskap är ett praktikbaserat konstnärligt undersökande arbete som handlar om att tänka närmare efter och att byta ståndpunkt. Det handlar om rättigheter och politik, och om ett pågående skifte i hur det som i dagligt tal kallas skog, brukas. Projektet är en del i ett större prövande arbete där konstnärliga verk och en platsspecifik dialog sätter frågor och förhållningssätt kring skog och överlevnad i fokus. Projektets plats, Hållnäshalvön i Norduppland, Sverige, är beläget vid Östersjön i Norduppland. Det rurala och boreala landskapet är inte unikt på något sätt. Små reservat ligger utströdda som öar i ett hav av brukad skog. En bruksskog som bär tydliga spår av ett långvarigt och extensivt råvaruttag, här som annorstädes, och som är ständigt föränderlig i skogsindustrins maskinella kretslopp. De ekologiska systemen framhärdar i att förnya sig, hela tiden i en slags dialog med den skogsvård och det –bruk den är föremål för. Skogen kan sägas existera genom att iscensätta skogsindustrins och samhällets processer och beslut. EN Excursion – an expedition into a political landscape is a practice based artistic research project about second thoughts and change of standpoints. The piece also discusses societal rights and politics, and mirrors an ongoing and possibly crucial shift in forest industry. Excursion is a part of a larger investigative and interactive artistic endeavour where visual art and dialogue focuses on the relations to and in the forest, all within a greater context of global crisis. The site of the project is the Hållnäs peninsula by the Baltic Sea in Norhern Uppland Sweden. The rural and boreal landscape is not unique in any sense. Tiny nature reserves are scattered throughout the peninsula, like islands in the production forests. The forest is heavily characterized by an intense and relentless harvest of wood by the forest industry, here as in the rest of Sweden. The forest performs it´s forestnesss, not by existing as an inter-changing eternal ecosystem, but instead by interpreting the constant chain of change brought about by the machines and processes of the forest industry. The forest exists by performing the processes and decisions of the forest industry and the society.
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