Michael Kahr
jazz, Music history, music theory, popular music, artistic research
Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Marike Hoekstra
art education, pedagogy, arts-based research, art-based research, third space
Sophia Efstathiou
Science and Technology Studies, Science and Art collaborations, animal studies, food studies, sustainability, improvisation, sound art, philosophy as art, philosophy
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Diana Ferro
poetry, improvisational scores, collective research in arts, Writing as artistic research, pedagogical research, self-publishing, painting-as-discourse, material based art
Denisa Salontayova
design, textile design, textile print, Textiles, graphic design, graphic art, national identity, textile making, fashion, VISUAL CULTURE, cultural memory, culture, artistic research, art education, heritage, history of ideas, Czechoslovakia, dream as collective matter