Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Vanessa Ramos-Velasquez
Indigenous Studies, Cultural Studies, cultural heritage, cultural history and theory, environmental artistic research, environmental sciences, Media Arts, Anthropocene, artivism
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Aurora Del Rio
contamination, Rituals, Embodied knowledge, Perception and Consciousness, artistic reasearch
Hiba Masad
Storytelling, Printmaking, reading, belonging, Artistic reserach, public space, public art, libraries, archives, identity, Homeland, home, Pain, collective memroy
Anne Hytta
artistic research, traditional music, Practice-as-research
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism