The Tropical Trauma Misery Tour: Dissecting the ambivalent dynamic of the networked image through an artisticpractice : Reframing Jair Bolsonaro’s media presence
(2025)
author(s): Rafael Franceschinelli Roncato
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2022
Master Photography & Society
Welcome to the TROPICAL TRAUMA MISERY TOUR. I invite you to take this tour through aroofless theater called media, the stage representing the farce and media opportunism ofthe Brazilian president and far-right populist, Jair Messias Bolsonaro—The Myth.In 2018, Bolsonaro was stabbed during a presidential rally campaign. Against a backdrop ofpolarization, micro-narratives, and misinformation,The Mythstarred in an online politicalcampaign where he had complete control over his narrative and self-presentation. This tourinvestigates how the ambiguity of the stabbing event exposes the network propaganda in theBrazilian political game.Through a speculative documentary photography practice, this piece overcomes the politicalillusions and dissemination of nonprogressive values of digital populists. The fictionalizationof the real is a form of resistance towards such ideological shams and manipulations. Itdevolves into a meta-play, a farce within a farce.
The Trauma of Looking : Readings and Counter-readings of the representation of femicides in the Greek mainstream media
(2025)
author(s): Dafni Melidou
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2022
Master Photography & Society
The "Trauma of Looking: Readings and Counter-readings of the representation of femicides in theGreek mainstream media" is a work that aims to decode the narrative strategies used by the Greekmainstream media to report sensitive topics related to gender inequalities and gender-basedviolence. In this work I explore the tropes and the effects of media cannibalism, a term which I havecoined and it will be explained further in the text, through the lens of intimate femicides - aphenomenon which has recently entered the wider public discourse in Greece. There is a need frommainstream media to commercialize such crimes and exploit personal dramas. They are treatingreal-life stories as a spectacle, as another true-crime series ready to be consumed by the audience.This globalized "life-as-spectacle" approach, which goes beyond Greece, transmutes our collectivemoral principles into a new culture where violence is always legitimized and thus is made acceptablein society.
The Skateable Realm - Revealing New Affordances Within The Public Realm Through Skateboarding
(2025)
author(s): Njål Aleksander Vigdal Granhus
published in: Royal Academy of Art, The Hague
Research Paper of the Royal Academy of Art, The Hague, 2023
MA Interior Architecture (Inside)
Public space is defined as “ an area or place that is open and accessible to all people,
regardless of gender, race, ethnicity, age, or socio-economic level. These are public gathering
spaces such as plazas, squares and parks”.
Public spaces that bring together a great diversity of people are therefore
designed as “zero friction” spaces, but when in use, people will experience friction.
This research paper focuses on how one constructs territories within the public realm and how this
can both foster participation for those who can identify themselves with the activities
within the territory and others who do not -to depart from a space. This creates fear
tendencies against the unknown and in order to maintain a certain behavioral control,
objects are being modified, removed and designed to prevent certain behaviors and
user groups from territorializing certain spaces from happening.
One territorial action is found in the action of skateboarding. Skateboarders do not only foresee
opportunities for action through the use of affordances within the public realm, but also
territorialize the space through extractions, additions, and public interactions for their action to
be possible. Skateboarding might be considered an action that excludes certain user groups from using the public space if territorialized by the skating community. Yet, on the contrary, skateboarders see opportunities for action within the public realm through affordances that might not be obvious to
the naked eye and therefore creates another level of interaction and encounters which may alter
the behavioral corollary within the space.
If skateboarders see the user value of public space through affordances and claim elements
within the space through action, does their territorialization of the space actually negatively
impact the space? Or do they introduce a new user value of the space that furthers behavioral actions and introduces new encounters?
Therefore, this research paper reflects on how a skateboarder's perspective of the public realm criticizes how we use space and reveal new design potentials for a multifunctional public space.
The Networked Audience : Algorithms, affordances, and why digital photographs are only a small part of digital photography
(2025)
author(s): Will Boase
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2022
Master Photography & Society
As photographers we make, sell and consume digital images, and the digital space and its audiences are growing exponentially. But every conversation on circulating photography centres on the object, about books or exhibitions. It seemed like there are images, and there is photography. Why are the two diverging? Radio evolved into podcasts. TV turned into TikTok. This thesis, then, sets out to ask what it is that photography says it does, or thinks it does, and what it actually does in the age of the smartphone. Critics love to tell their readers that photography is dead, but for some reason you can find all those same critics cheerfully posting their lunch on Instagram. This thesis is an invitation and a challenge to photography, to admit that things have changed and to embrace this as an opportunity rather than a threat.
The Landscape That Should Not Exist
(2025)
author(s): Jonathan Hendrik Tang
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2023
MA Photography and Society
This study examines what roles images can play in the disclosure of discipline within the Dutch political settlement known as the polder model. On November 24, 1982, the Accord of Wassenaar formalised the contemporary Dutch socio-economic and political character by adopting a method of corporatist consensus seeking and decision making between capital, the state, and labour called the ‘polder model’. The polder model has its origin in the creation of a key feature of the rationalised Dutch landscape, reclaimed sections of formerly submerged land known as ‘polders’. This study draws a connection between the signing of the Accord of Wassenaar and the historically rooted labour discipline of residents of the artificial landscape of the Netherlands.
Incorporating archival material, visual experiments, case studies and descriptions of field visits, this study reflects on the role of the praxis of the image maker through artistic research, and emphasizes the disciplined character of the Dutch landscape. These concerns are examined through discussions of the artificiality of nature in the landscape, the grid, the signing of the Accord of Wassenaar, and invisible labour. Through visual interventions in the materiality of cartographic and national archival material, this study argues for a more broadly-encompassing praxis of the representation of power mechanisms in the artificial Dutch landscape. Through the juxtaposition of different visual interventions in the Dutch landscape, an alternative situational understanding of the position of the viewer in relation to the polder is proposed.
The Invisible Women & the myth of the photographic truth
(2025)
author(s): Henriëtte Maria Giovanna Siemons
published in: Royal Academy of Art, The Hague
Thesis of the Royal Academy of Art, The Hague, 2023-BA Photography
This is the search for what is left of the myth of the Witte Wieven, in the landscapes of the Netherlands.
Historically there are theories about who the witte wieven were, and still are. One of them is that they once were wise female herbalists and healers. It was said they had the gift for looking into the future. Another theory is that they stem from forest spirits and goddesses, something our neighbouring countries still believe. In the Netherlands the collective memory of the women is based on the image of scary ghosts, witches or mist figures. History tells us something different.
I use the folktales as a guide and travel to the places mentioned. Strongly intertwined with the history of the Dutch landscapes, ancient nature and the east of the Netherlands, the witte wieven show the magical side of this ‘rational’ country. As the search continues, some themes keep recurring: the memory of the landscapes, the importance of female voices in storytelling and their structural silencing throughout history.
Clues, maps and the original folktales guide me to fairy tale- like encounters and push me to reflect on fact, fiction and the space in between. Using the camera to document the remnants of this myth, another world is created where the borders of what is ‘real’ fade. A new narrative where they are being remembered in a way they still have their magic. To keep the witte wieven close, I started to collect materials from the places where the witte wieven live: pebbles, twigs and water. Trying to conserve and protect the memories they have in them.
The spirits of the women are still there to be found in flowers, trees and rocks. It is important for us to remember, for the women and their story will not fade away over time.
