Graphic Storytelling
(2024)
author(s): Pinzón Lizarazo Oscar Daniel
published in: Research Catalogue
Esta página web recoge la memoria del proyecto narración gráfica a partir del proyecto Narración gráfica, laboratorio de objetos, cartografía digital y mediaciones en experiencias con comunidades de artistas migrantes, registrado con Cód. 10160180521 proyecto institucionalizado sin financiamiento del Centro de Investigaciones y Desarrollo Científico - CIDC de la Universidad Distrital Francisco José de Caldas.
Hace parte del proceso metodológico de desarrollo de la tesis doctoral Narración Gráfica de Experiencias: Intercambios en Imágenes de migración.
Como Laboratorio de investigación - creación ha indagado y trabajado en sus 17 años de existencia en procesos de creación, gestión, investigación, formación y producción de conocimiento desde tres líneas de trabajo:
- Imagen, arte y cultura: como campo de prácticas pedagógicas y estudios de la cultura; donde se cruzan diversos discursos sobre la identidad, los procesos de memoria, lo simbólico, es de interés la sistematización de prácticas artísticas en donde surgen experiencias generadoras de conocimiento sensible.
- El conocimiento libre: Trabaja en la elaboración conceptual de talleres y laboratorios de creación con procesos que se desarrollan desde el concepto de cultura hacedora, promueve el aprendizaje activo, la colaboración abierta, el D.I.Y. y su aplicación en diversos escenarios y contextos.
- La narrativa y la lectura: Se han trabajado procesos de mediación y agenciamiento desde hace mas de 15 años, acompaña sus procesos desde el estudio y elaboración de propuestas creativas que refieren a la narración gráfica y los cruces generados entre las nociones de objeto, plataforma, libro, público y sus relaciones en los procesos de difusión, promoción, producción, edición y diseño de piezas interactivas.
Este proceso fue concebido por Daniel Pinzón Lizarazo quien es Doctorando en Estudios Artísticos de la Universidad Distrital, Magíster en Escrituras Creativas de la Universidad Nacional de Colombia, Diplomado en Antropología del arte de Latir A.C. y el CIESAS en México, Diplomado en estudios editoriales por el Instituto Caro y Cuervo; Licenciado en educación artística de la Universidad Distrital, trabaja como docente, investigador y creador, ha sido gestor y asesor en el diseño de políticas referentes a las pedagogías del arte y la cultura.
The application of creative practice as a means of disrupting or re-defining the dynamics of power in, with or for different communities.
(2022)
author(s): Sabrin Hasbun, Gareth Osborne, Rachel Carney, Julika Gittner, Catherine Cartwright, agnes villette, Harry Matthews
published in: Journal for Artistic Research
In this exposition, seven research practitioners investigate how creative practice can be applied as a form of knowledge production in order to disrupt or re-define the dynamics of power in a range of different contexts. These applications of creative practice take varied and complex forms, often transferring creativity from the practitioner-researcher to their participants, increasing participant agency or re-defining existing hierarchies, as they form, empower, and enlighten real and conceptual communities. This collaborative exposition has been developed through presentations and discussions over the course of two years. Although each researcher applies different methodologies to their individual projects, our work as a group followed a pattern of creative practice, reflection, and reformulation, as we responded to each other’s research, creating a research community of our own. We want to emphasize that creative practice can not only disrupt or re-define the dynamics of power in a range of different contexts, but that it can do this in an infinite number of ways. In this variety and adaptability lies the potential of creative research.
Hinges of correlation: Spatial devices of social coexistence
(2015)
author(s): Espen Lunde Nielsen
published in: Journal for Artistic Research
This project investigates the coexistence of and the correlation between the inhabitants within my apartment building, using artistic practices and my own lived experience. These everyday spaces form the primary interface between the individual and the larger social entity of the city. Consciously, or partly unknowingly, one interacts with others through spatial demarcations, using embedded spatial devices (such as squeaking floorboards, peepholes, mailboxes, etc.) that project life and the presence of other people through sound, light, or matter. Most of these devices are partly unintended, often serve other practical functions, and go unnoticed – but nevertheless hold a latent spatial potential for a recalibration of the social dimension of the city and an architecture to come. This exposition features a combination of photography, 3D laser scans, and creative writing, followed by a written account of the practice.
CHOREOGRAPHIC TOOLBOX #1: METAMORPHOSES
(last edited: 2023)
author(s): Janne-Camilla Lyster
This exposition is in progress and its share status is: visible to all.
Choreographic Toolbox #1 is a collection of tools for imagining. It offers analogue technologies that can act as an expanded imagination. As a single user, you can work with them in between productions or processes, with the purpose of sparking new notions and material connections. The tools can also be used by two or more people, side by side, collectively, or as part of a specific process. They are an invitation to engage in exercises and procedures for creation, exploration, and reflection. This publication is a consequence of the author’s continuous excitement for the prefigurative phase of creation: where things are moving from nothing to something.
Welcome to your body
(last edited: 2021)
author(s): Beatrice Zaidenberg, Niamh Schmidtke
This exposition is in progress and its share status is: visible to all.
Our research-project focuses on alternative narratives and methods that try to shed light on miniscule beings which are treated as abject bodies.
i'm vrey into you
(last edited: 2019)
author(s): Francisco Beltrame Trento, Anouk Mirte Hoogendoorn
This exposition is in progress and its share status is: visible to all.
During the Montréal summer of 2018, two creatures met in Canada. One creature came back to Amsterdam, and we decided we needed to continue the conversation through a series of exchanged texts. We created a file on Google Docs, in which we could add our thoughts, not separating where the writing of one ends and where one begins. Sometimes we do not know where one's body starts and ends. This (an)archive exponentially grew and reached more than 100 pages. The collective writing was the development of techniques for living together even apart, and more than, to survive the neurotypical world. We decided to call it I'm vrey into you. It resonates with a book of exchanged missives between the media theorist McKenzie Wark and poet Kathy Acker in the mid-nineties, published as "I'm very into you".
During that summer we watched the last season of the TV series Twin Peaks (1990-1991; 2017), in which one of the main characters' manufactured doppelgangers travelled to this world but kept some tendencies of his past iteration from the black lodge (speaking words back to front - we understood he saying vrey instead of yrev, that would be very in this world). This is a multimodal work that mixes text, images and videos, resonating with the contingency and non-fixidity of being neuroqueer, as Melanie Yergeau states.
i'm vrey into you has several iterations. A tiny modified excerpt was published in Simulacrum Magazine (The University of Amsterdam). Another version, that has differences in its form and content, is going to be published at Inflexions Journal (Senselab, Canada).
Choreographic Toolbox #1 is a collection of tools for imagining. It offers analogue technologies that can act as an expanded imagination. As a single user, you can work with them in between productions or processes, with the purpose of sparking new notions and material connections. The tools can also be used by two or more people, side by side, collectively, or as part of a specific process. They are an invitation to engage in exercises and procedures for creation, exploration, and reflection. This publication is a consequence of the author’s continuous excitement for the prefigurative phase of creation: where things are moving from nothing to something.open exposition comments (0)