Research Catalogue

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  Wolfe & Libertad April 22 (last edited: 2019) author(s): Laisvie Andrea Ochoa Gaevska This exposition is in progress.
  This practice-led research project addresses the female topic by combining choreographic and cinematographic ways of working to develop a unique type of dramaturgy. Therefore, one strand of the project refers to create performances lead by subjective experiences and the other refers to the kinetic interplay between live and mediated elements in the production of meaning within contemporary art. Drawing from personal experiences and literature review, the project dives into the notion that being a woman is a subjective and historical construction (Beauvoir, 2011, Butler, 1990) in order to question certain gender expectations that are still harming the place of women in society. Beyond the critic to the patriarchy system, the project aims to locate sources of strength and potency. In this manner, one source of inspiration is the voice of younger woman instigating social change through public speeches. Also, the tale La Loba, presented by author Clarissa Pinkola Estes in her book Women Who Run With the Wolves (1992) has stimulated creative inquiry. In the project, the wolf functions as a trope (metaphor, simile, synecdoche, metonymy or and personification) to investigate the female potency.
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  I See Grief (last edited: 2019) author(s): Jonas Howden Sjøvaag This exposition is in progress.
  Video - I See Grief
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  How to Do Things with Performance? Miten tehdä asioita esityksellä? (last edited: 2019) author(s): Annette Arlander, Tero Nauha, Hanna Järvinen, Pilvi Porkola connected to: University of the Arts Helsinki This exposition is in progress.
  This is the website and the open archive of the four-year research project HOW TO DO THINGS WITH PERFORMANCE? funded by the Finnish Academy. Nämä ovat nelivuotisen Suomen Akatemian rahoittaman tutkimushankkeen MITEN TEHDÄ ASIOITA ESITYKSELLÄ? verkkosivut ja avoin arkisto.
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  Home page JSS (2019) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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  The Emergence of Choreographic Material in 'Silent Pact' (2018) (2019) author(s): Paula Guzzanti published in: Research Catalogue
  About This exposition presents the documentation of the choreographic material of my performance piece 'Silent Pact' (2018). This work is a collaboration with voice artist Una Lee. This Exposition Includes: 1) Visual Essay (10 mins) 2) Photographic Documentation (2 images) 3) My mother's original letter (English version) 4) My mother's poem entitled 'Silent Pact' (English version) 5) Soundtrack version of the screen dance. 6) Essay 'On the Emergence of Choreographic Material in Silent Pact' (forthcoming publication in the Journal Corpografias) 7) GIFs of Choreographic Material Becoming (5 gifs) 8) Screendance 'Silent Pact' (2018) Background to the work The performance evolves from re-visiting an intimate affective trace –a letter from my mother– through dance improvisation and performance-making practice. In June 2015, I received a letter from my mother together with a poem entitled Silent Pact (28/06/1981-28/09/1981). The letter tells the story of my mother having to keep me in secret, as she got pregnant three months before her church wedding. I discover that my real birthday is three months earlier than what I had been celebrating all my life. In 2018, I am commissioned to create a piece as part of the International Women’s Day celebrations in Belfast; the theme was women’s silent voices. After considering various stories of women’s that were close to me, I remember my mother’s letter. This is what choreographer-dancer Silvy Panet-Raymond pointed to me as a ‘radical practice’ . Although I don’t consider myself exploring radical ways of creating performance, it was interesting for me to note that in this work the movement vocabulary contrasts dramatically with the movement in a series of pieces that share the same research focus – the affects of dance improvisation. In Silent Pact, there is a clear moving away from stylish vocabulary, I achieve a strong presence in a performance charged with emotional nuances and textures. I chose this work for discussing the emergence of choreographic material as I found that the resulting choreographic material emerged from a particular set of conditions that was a move towards defining my artistic signature.
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  Topographies of the Obsolete (2019) author(s): KMD, Arild Berge published in: Faculty of Fine Art, Music and Design, University of Bergen
  Topographies of the Obsolete is an artistic research project initiated by Professors Neil Brownsword and Anne Helen Mydland at Bergen Academy of Art and Design (KHiB) in collaboration with partner universities/institutions in Denmark, Germany, Switzerland, France and the UK. In 2012 the British Ceramics Biennial invited Bergen Academy of Art and Design (KHiB) to develop a site-specific artistic response to the former Spode Factory in Stoke-on-Trent as a key element of their 2013 exhibition programme. The project explores the landscape and associated histories of post-industry, with an initial emphasis on Stoke-on-Trent, a world-renowned ceramics capital that bears evidence of fluctuations in global fortunes.
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Ami Skanberg Dahlstedt
Sweden

cheryl.akner.koler@konstfack.se
Sweden (residence), United States (citizenship)

Silje Marie Aker Johnsen

Susanne Rosenberg
Sweden

Chris Cottrell
Australia, New Zealand (residence), Australia, United States (citizenship)

Tyler Payne
Australia

Kate McCallum
United Kingdom, United States (residence), United Kingdom (citizenship)

Milla Kristina Tiainen

Jana Roovers
Netherlands (residence)