PRESENCE / NÆRVÆR
(2024)
author(s): Natasha Barrett
published in: Research Catalogue
Outdoor, site-specific sound installation.
Akershus festning, courtyard outside the Resistance Museum.
Opening event: 15.00, 16th September
Open daily, all weather 10.00-18.00. 17th September – 15th October.
Composed and produced by Natasha Barrett.
Subliminal Throwback complete documentation
(2024)
author(s): Natasha Barrett
published in: Research Catalogue
Subliminal Throwback was a site-specific outdoor 3-D audio sound installation located in the amphitheatre between Gydas vei 8 and Slemdalsveiein 11 at Majorstuen, Oslo. The work was created by Natasha Barrett as part of the Reconfiguring the Landscape Project hosted by the Norwegian Academy for Music in Oslo.
Subliminal Throwback marked the end of a year-long process researching and experimenting on this urban outdoor sound landscape, and includes the application of innovative technical and artistic approaches to investigating its potentially interesting qualities - acoustic features, sounds that pass us by, or qualities too fleeting to pay heed to amidst our other thoughts and activities.
Sansing i Strandsona
(2024)
author(s): Natasha Barrett
published in: Research Catalogue
“Sansing i Strandsona” was a 3-D sound installation sensing the environment of Hvervenbukta - a small bay on the east side of the inner Oslo Fjord. The work was installed inside a beach pavilion dating from 1765 and was played back over 24 small loudspeakers arranged in a 3D dome. “Sansing i Strandsona” played from the 10th-16th August 2020. The work was approximately 20 minutes long and ran in a continuous loop.
UVTOWER
(2024)
author(s): Andrea Guidi
published in: Research Catalogue
The UVTOWER is a generative installation and interactive performance instrument which produces dense post-rave music.
Nothingness in the digital Space
(2024)
author(s): Valerie Messini
published in: University of Applied Arts Vienna
Valerie Messini (Peter Weibel Research Institute for Digital Culture) chooses the phenomenon of emptiness in art as a point of departure for her contribution "Nothingness in the digital Space" and presents her artistic projects operating with different technologies to approach the phenomenon of emptiness in connection with corporeality in digital space. "1-NO1-100.000" uses dance movement to explore emptiness in virtual space, and "Deep Empty - Wide Open" uses deep learning to question the extent to which horizon lines function as mental voids.
Locating Her Kind
(2024)
author(s): Harsha Menon
published in: Journal of Sonic Studies
“Locating Her Kind,” a sonic essay in the form of a 15-minute HD video with sound, is a gender critique exploring female voices as discarded and silenced.
