Mapping the Unseen(the virtual Mapping)
(2022)
author(s): Katrin Ackerl Konstantin
published in: SAR Conference 2020
Mapping the Unseen investigated unseen, undiscussed topics - topics that are absent from public discourse, because of their implicit social taboo potential.
The artistic research was carried out by means of mapping, encompassing performative interventions and an interactive archive. It was realised with artists and art groups in four countries: Croatia, Iran, Bangladesh and Austria. The research method was interwoven with transdisciplinary methods. Enabling a visualisation of the respective topics and generating dialogue through participatory processes were at the core of this project.
Asymmetries in the Urban Space
(2022)
author(s): Ramon Parramon
published in: SAR Conference 2020
Art project using research and cross-disciplinary work, applied to contexts in transition and defined by asymmetries, in which ways of living, locations or activities are the result of instability, transience or fragility, circumstances which at the same time demand projects which open up to change these situations.
ASYMMETRIES is founded upon applied research, and will attempt to generate projects based on methodologies combining the analysis of spaces with proposals which incorporate structures, components and various agents working to resolve them.
This presentation introduces the artistic research carried out in collaboration with social groups in the Ciutat Vella district of the city of Barcelona and that has taken the name of Asymmetries-Abecedarium (2019).
Sonic Complexion
(2022)
author(s): Jacob Anderskov, Niclas Hundahl
published in: Rhythmic Music Conservatory, Copenhagen
The Sonic Complexion project has investigated from an artistic perspective the musical dimensions texture and ‘klang’ (harmony), with the aim of creating new music and new perspectives. The outcomes of the project are a number of new albums, methodologies and perspectives, coming from quite different starting point in terms of how to systematically-artistically investigate texture and harmony.
Rooms of Resonance
(2022)
author(s): Lars Greve
published in: Rhythmic Music Conservatory, Copenhagen
This is the final exposition for Lars Greves artistic research project "Rooms of Resonance" (2019-21), undertaken at the Rhythmic Conservatory in Copenhagen.
The project seeks to investigate the artistic potentials in Greves acoustic solo improvisations, the concert room's acoustics and selected objects, which are brought into vibration.
Through experiments and procedural concerts, the research has hoisted artistic, technological and methodological experiences which will be unfolded in this exposition.
Sounds of the Balkan - Editorial
(2022)
author(s): Diana Grgurić
published in: Journal of Sonic Studies
Sounds of the Balkan - Editorial
Listening against "The Transition"
(2022)
author(s): Theodore Teichman
published in: Journal of Sonic Studies
This is an archive of places, but it is even more an archive of the materiality of listening. This constitutes a larger inquiry and fascination with the listening as performance and the various “instruments” and “scores” that shape or encode this sonic event of the performance of the image. In particular, this project uses this arts-based research approach to engage critically with the concept of "The Transition," which has shaped the geography and imaginary of Ex-Yugoslavia. This is a collection of recordings made and then composed into soundscapes between September 2018 and May 2019 in Serbia, Bosnia & Herzegovina, and Kosovo. Through these techniques I propose an approach soundscape practices to engage materially the constitutive world of listening and the narration of time-worlds.
