C. Green x
Community-Time machine for warp
A. Untitled I a.o.i. - lasting memories
An artistic project
Solo Exhibition on body, 16 –19 February 2023
Improvisation-Performance in the spatial installation with Chris Dahlgren (Jazz composer, instrumentalist), Erika Matsunami (electronics)
Artistic research Untitled* is a platform between academics and art academics, and between art academics and society for sustainable and circular space and time.
With gratitude for the practical and theoretical contributions by
Max Eastley, Partick Housen&Dr Lukas Huisman, Prof. Dr Bence Nanay, Dr Joseph Nechvatal, Dr Valerio Sannicandro, Prof. Dr Martin Supper, also for the authors in the references.
The starting point of Artistic research Untitled* is with two books (Doctoral thesis and Post-doctoral thesis). One is Martin Supper's, which book I explored between 2008–2012, and other one is Bence Nanay's, which book I explred between 2016–2019.
Since 2020, I explore them in the context of cross and interdisciplinary practically and theoretically.
In the context of my profession of fine arts, it works in the context of art representational theories.
From this point of view, I explore 'Semi-Formalism', which is a question for the thesis and an account of 'Semi-Formalism' by Bence Nanay.
I think that the thesis of Wittgenstein works as well in this context. Thereby, I back to the thesis of Wohllheim from the aspect of cognitive science again. – For an aesthetic and an epistemological of the limits that humans perception by seeing-in.
On the design in this exposition:
The visual composition and components without hierarchy in the exposition Untitled*, My artistic approach is, how can the method of fine arts process information. Thereby, the form itself is not the main subject of the visual composition.
Articulation: in theoretical exploration, the alphabet is the main subject. This is a proposal on how to develop from logic (as a methodology) to a thesis by articulation. The research question here is, “Does art become knowledge?”, and if art will become knowledge, “What kind of knowledge is it?” In practical inquiry, articulation is not limited to the alphabet. This is an experimental articulation of the phonetics of my native language hiragana (Japanese) and the alphabet of “x” for the probability of “y”. That means, for a composition of discrete random variables of the spatial installation. Thereby, circle geometry works methodically. The research question is “What is geometry in art?”.
The implementation of an artistic intervention of a.o.i. – lasting memories in the context of interior architecture will take place in a space, that is a solo exhibition on body - installation and graphic notation at frei-raum.berlin in Berlin. The music improvisation performance by Chris Dahlgren (Contrabass, Viola da Gamba)* and Erika Matsunami (Electronics) in the spatial mono 4ch discrete spatial sound installation (original is 4ch diffusion and 2ch mono discrete spatial installation), as well as artists talk in the program. The exhibition duration is from 16 to 19 February 2023.(Change: Untitled I : a.o.i. - lasting memories won't be represented at frei.raum-berlin in February 2023. This artistic research Untitled I : a.o.i. - lasting memories as an art project will be represented, and the project is not started yet.) -> Artistic research Variation (2020–): In a part of artistic research Variation, there is parallel research between research and artistic research on sound and its system. Research is for development, and artistic research is for philosophical and aesthetical commoning, enjoyment, creativity, and so on.
a.o.i. – lasting memories will be advanced in geometric views (spatial installation).
The projects are implementations in the social context that explore new artistic representational methods, which is work in progress and post-conceptual art, however, as an art project, there is a definitive duration of priority.
The research objectives are, “Something x in a new sentence” and its social, cultural, and ecological diversity and sustainability, is an artistic intervention into the (interior-) architecture.
Artistic research Untitled* is practise-based artistic research that deals with the exploration of geometry in drawing, notation and sound composition (virtuality), and spatial installation and performance (physicality).
Its spatiality will be explored in the context of visual arts and architecture in terms of the cross-disciplinarity between Music and visual arts, that is, through an intervention between the two disciplines of visual arts and music towards architecture (design) methodically.
Conclusion in this abstract Untitled*
Es ist klar, daß sich die Ethik nicht aussprechen läßt.
Die Ethik ist transcendental.
(Ethik und Aesthetik sind eins.)
– Ludwig Wittgenstein
This artistic research Untitled* is an exploration of the change from traditional morals to contemporary ethics in and through the arts.
Thereby, I explore an artistic method of meta-epistemological representation practically and theoretically.
Epistemology is the study of knowledge, while metaphysics is the study of reality. Epistemology looks at how we know what the truth is and whether there are limits to this knowledge, while metaphysics seeks to understand the nature of reality and existence.
- Introduction, Metaepistemology
- Conceptual ethics, metaepistemology, and normative epistemology
-> My visual work always has sound and music composition.
In these exhibitions at Dark gallery, there are storytellings parallel to the photographs, which overlap between the mediums of image and writing.
Who cannot see the photographs, through storytelling one can be envisioning and feeling the space at the exhibition (unfortunately, there is no high-tech interactive equipment for the disability.)
Who cannot listen, there are photographs, writing and spatial installation.
My contribution B.O.D.Y. - the second skin for the collective Exhibition SKIN at Dark Gallery in Copenhagen 1. June–20. August 2023 is an artistic intervention into the interior architecture of the gallery space.
This work "Untitled I" - a.o.i. - lasting memories is a contemporary avant-garde, the new mode will come out from the spatial aesthetic in the project space (private space) of frei.raum-berlin. Thus, I encompass the cultural topics on the contemporariness of the body from the genome, and DNA to surrogate mother* abstractly and narrativity, in terms of contemporary cultural identity, as well as gender identity.
The concept for an artistic intervention into interior architecture: "Untitled I" - a.o.i. - lasting memories at frei-raum.berlin
*Today's medical method is different from the habitual. I have never researched, but there was possible to have been an existing surrogate mother in each culture. That is no new idea for humans.
We can never judge whether it is good or bad easily, that is no birth control. The issues are the environment of humanity and human rights.
If human beings cannot contemplate and reflect on it (life) profoundly, humans will be at the level of domestic animals.
– On humanity and survival
The question for the right to live
"es" (it) in the sound composition "es" (it) is my artistic approach, in terms of my open account of telepathic sex (gender), which is unknown organically. That is a new notion towards ecology. It is on 'will' to live in probability (what is happening through the blueprint of own DNA), in which terms of life science. For example, plants grow towards the sun. If I may express briefly and directly, that Love is not sexual desire, but rather the power of live. Thus, I don't think it matters whether it's male or female. - What is the natural being of human(s)?
I will be able to surpass Plato with many other researchers in the 21st century. DNA research (i.e. Human Genome Project) in the 21st is so great for us humans, that is a new notion in the 21st century. Through that, we humans will be able to reset our history of humanity of 2000 years long. In other words, it is a newborn for us humans literary.
'x' is something that occurred naturally through free will intentionally, and that is not a product.
-> "A new notion in a sentence" for a cultural evolution