Research Catalogue

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  Performing with Plants - Att uppträda/ samarbeta med växter (last edited: 2020) author(s): Annette Arlander This exposition is in progress.
  EN This exposition documents and archives the artistic research project performing with plants. SVE Denna exposition dokumenterar och arkiverar det konstnärliga forskningsprojektet att uppträda/samarbeta med växter.
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• Exposición fotografica Endanzante (last edited: 2020) author(s): Jhon Alexander Barreto Guerra This exposition is in progress.
  Exposición fotografica Endanzante
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  Zona de Creación Accesible 2020 (last edited: 2020) author(s): Laisvie Andrea Ochoa Gaevska This exposition is in progress.
  Documentación del proceso de investigación pedagógica en danza inclusiva llamado Zona de Creación Accesible Para el 2020 ConCuerpos ha estructurado una investigación pedagógica a profundidad sobre el desarrollo de técnicas en un contexto inclusivo. Realizaremos 4 laboratorios y 4 periodos de asimilación en donde los miembros de la compañía tendrán el tiempo de estructurar entrenamientos que respondan a sus necesidades y deseos específicos. Partimos de la pregunta ¿Qué es ser un/a bailarín/a de nivel profesional en la danza inclusiva? Esta pregunta se aborda de manera subjetiva, concretando competencias específicas que se desean alcanzar. Estudiando técnicas como Piso Móvil, Danza Moderna, Danza Contacto y Pilates, cada quien desarrollará su propio lenguaje, principios y ejercicios para originar una técnica propia. Esta investigación pretende aportar a la profundización de nuestro campo, abriendo posibilidades concretas para la profesionalización de bailarines diversos
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  An Analytical Study on Pierre Boulez’s Le Marteau sans maître (2020) author(s): Saman Samadi published in: Research Catalogue
  Since its 1955 premiere, Le Marteau sans maitre, by Pierre Boulez, has consistently been regarded as one of the more important modernist compositions of the post-war era. Certainly, it ranks among the best-known works of Pierre Boulez and our purpose is to see if we can uncover some of its structures. This composition, based on a text by René Char, was written for alto voice, flute, viola, guitar, vibraphone, and percussion. Before Le Marteau, Boulez had created some other serial works: Structures I for two pianos, Polyphonie X for eighteen instruments, and another tour-de-force, known as the Second Piano Sonata which gained him an international reputation back in 1950. Although many have attempted to analyze Le Marteau's serial organization, Lev Koblyakov has been considered successful in analyzing it. Boulez’s multiple serial compositional techniques have been greatly illuminated through Koblyakov’s work; taking this as my touchstone, I will herein discuss a few of the compositional strategies utilized by Boulez.
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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• The otherness of the self - how to curate a seventeenth century opera and sing all the roles yourself (2020) author(s): Elisabeth Holmertz, Jonas Howden Sjøvaag, Elisabeth Laasonen Belgrano published in: Norwegian Academy of Music
  The Otherness of the Self - how to curate a Seventeenth century Opera and sing all the Roles yourself. (or: -how to connect and disconnect the roles of the Baroque soprano and her postmodern Otherness. ) (or - a Voce sola in dialogo) -Is it possible to perform an opera and sing all the roles yourself? Is it even possible that we’ll come closer to the core in the music and the narrative if everything is anchored in one single person? -Can I use the interpretation of opera characters to better understand my different roles as a musician - the baroque soprano and the new music singer? - Am I two (or three, or fifty) different singers/musicians/roles depending on what genre or style I’m performing? What divides them? What ties them together? What factors determine how the voice will work, or not? - What can I use from my knowledge of early music in my practice as a performer of contemporary music, and vice versa?
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Gerhard Eckel
Austria (residence)

Johannes Boer
Netherlands

vincent roumagnac
Finland (residence), France (citizenship)

Linda H. Lien
Norway

Wieke Karsten

Brynjar Åbel Bandlien
Norway

Jacob Anderskov
Denmark

Daniil Pilchen

Nathan Riki Thomson
Finland (residence), Australia (citizenship)