Research Catalogue

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  HALL12 - Encounter Activism (last edited: 2020) author(s): Breg Horemans, Menzo Kircz, Israel López This exposition is in progress.
  This page offers a research diary on the project HALL12 - Encounter Activism, initiated by Breg Horemans and Gert-Jan Stam (founders of TAAT) in collaboration with Liga Zepa, Ieva Dzindza, Menzo Kircz, Israel López, Efrosini Tsiritaki and Jenny Case. The project is based on minimum 20 silent walks, staged as 20 encounters, between people that have never met before. The walks are taking place in Athens, Brussels, Dundee, Amsterdam and Riga between June and December 2020. This page gathers images, texts, theoretical reading, sketches and audience feedback on all the encounters. It's a research environment to share experiences within our team and to continue building on the iterative discourse on our practice from HALL11 onwards.
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  On Klänge for Variation I (last edited: 2020) author(s): Erika Matsunami This exposition is in progress.
  Collective artistic research on "Corona" (1962) by Toru Takemitsu. The start point of this artistic research is an artwork Corona-STEMS-GALAXYOMEGA (May 2020) by Lukas Huisman who a pianist and Ph.D. artistic researcher, he started to interpret "Corona" (1962) by Takemitsu together wit a composer Patrick Housen newly. I collaborate with him as a visual artist for a sound installation in this artistic project. Thereby Joint research subject is on "transculturality of sounds". As a visual artist, I research on the subject of time and space in "Corona" (1962) by Toru Takemitsu for the exploration of new interpretation. Thus theoretical exploration is in terms of ongoing artistic research in the philosophy of sound.
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  Matter, Gesture and Soul (last edited: 2020) author(s): MATTER, GESTURE AND SOUL, Eamon O`Kane, Geir Harald Samuelsen, Åsil Bøthun, Elin Tanding Sørensen, Anne-Len Thoresen, Dragos Gheorghiu, Petro Keene This exposition is in progress.
  A cross disciplinary artistic research project that departs from, and investigates several encounters and alignments between Contemporary Art and Archaeology. Its primary goal is to create a broad selection of autonomous and collaborative artistic, poetic and scientific expressions and responses to Prehistoric Art and its contemporary images. It will seek to stimulate a deeper understanding of contemporary and prehistoric artistic expression and the contemporary and prehistoric human condition. The participating artists and archaeologists will create autonomous projects, but also interact with each other in workshops, seminars and collaborative artistic projects. The secondary goal of Matter, Gesture and Soul is to establish an international cross disciplinary research network at the University of Bergen and strengthen the expertise in cross disciplinary artistic and scientific work with artistic research as the driving force. The project is supported by DIKU, UiB and Global Challenges (UiB)
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• Research Speed Dating (2020) author(s): Pauliina Laukkanen published in: Research Catalogue
  An account of a Research Speed Dating session in the Nordic Summer University's (Dis)Symposium Pleasure and Playfulness in Times of Crisis Helsinki gathering, on 26th July 2020 on Harakka Island.
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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  ***CLICK FOR MORE INFORMATION*** reading as performance / reading as composition (2020) author(s): Paul Norman published in: Journal for Artistic Research
  At the end of ‘Sentences on Conceptual Art’ (1969), Sol LeWitt states: “these sentences comment on art but are not art.” In the same work he also remarks, “If words are used and they proceed from ideas about art, then they are art and not literature, numbers are not mathematics,” thus creating a paradigm. Is writing or talking about artistic ideas art or not? … Let’s say for now that it could be. John Cage famously defined music as the “organisation of sound” perhaps though, reflecting on the origin of the word composition as coming from the Latin componere meaning to “put together”, the ‘organisation of things’, may be a more suitable definition. Not only sound, but all elements of a performance could or perhaps should be organised, put together or composed. Consider the situation where your (yes, you the readers) organisational decisions matter. Maybe it’s as simple as ‘do I read the text or look at the given example first?’ These decisions matter, they effect what is communicated and when, what knowledge or assumptions are carried and for how long. These decisions are thus meaningful and potentially compositional in nature, establishing a new question. Is all reading compositional?… …Let’s say for now that it could be.
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Anna LIndal
Sweden (residence)

Richard Barrett
Serbia (residence), United Kingdom (citizenship)

Nikolaus Gansterer
Austria (residence)

Klas Nevrin
Sweden

Merel Visse

Bobbie-Jane Gardner
United Kingdom (citizenship)

Fjolla Hoxha

Zheng Kuo
Taiwan

MATTER, GESTURE AND SOUL
Norway (residence)