Research Catalogue

an international database for artistic research find out more

• Lisa Sofie Edelman Sæther - Min plante 'Bolla' (last edited: 2020) author(s): LSES This exposition is in progress.
  Dette er en infoside om min plante i faget Fysisk Prototyping IDG1006.
  open exposition comments (0)
• 
  „N.N-Zwischenliegend“ – non-calculable time, space and body (last edited: 2020) author(s): Erika Matsunami This exposition is in progress.
  Non-calculable time, space and body is the second part of the artistic research “N.N-Zwischenliegend.” This part consists of three main questions: How to create a documentary that is not binary proof? Is it possible to understand an artistic documentation (a work of art) as knowledge? Is it possible to conceive an artistic documentation (a work of art)? These questions refer to the subject of Arti-fact, resp. to the part three „N.N-Zwischenliegend" of my artistic research. In doing so, I attempt to investigate the subject of aesthetic contemplation, which frequently relates to the cultural evolution. For this I require self-reflection on whether a work of art could be a documentation on the topics of space, time and body. The third part of this artistic research is on spatial installation. The three important elements in this part are the photographs which I took in the city of Berlin, the sounds which I recorded in the city of Berlin, and the interviews with Berliners.
  open exposition comments (0)
• 
  On Klänge for Variation I (last edited: 2020) author(s): Erika Matsunami This exposition is in progress.
  Collective artistic research on "Corona" (1962) by Toru Takemitsu. The start point of this artistic research is an artwork Corona-STEMS-GALAXYOMEGA (May 2020) by Lukas Huisman who a pianist and Ph.D. artistic researcher, he started to interpret "Corona" (1962) by Takemitsu together wit a composer Patrick Housen newly. I collaborate with him as a visual artist for a sound installation in this artistic project. Thereby Joint research subject is on "transculturality of sounds". As a visual artist, I research on the subject of time and space in "Corona" (1962) by Toru Takemitsu for the exploration of new interpretation. Thus theoretical exploration is in terms of ongoing artistic research in the philosophy of sound.
  open exposition comments (0)

• 
  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
  open exposition comments (0)
• The otherness of the self - how to curate a seventeenth century opera and sing all the roles yourself (2020) author(s): Elisabeth Holmertz, Jonas Howden Sjøvaag, Elisabeth Laasonen Belgrano published in: Norwegian Academy of Music
  The Otherness of the Self - how to curate a Seventeenth century Opera and sing all the Roles yourself. (or: -how to connect and disconnect the roles of the Baroque soprano and her postmodern Otherness. ) (or - a Voce sola in dialogo) -Is it possible to perform an opera and sing all the roles yourself? Is it even possible that we’ll come closer to the core in the music and the narrative if everything is anchored in one single person? -Can I use the interpretation of opera characters to better understand my different roles as a musician - the baroque soprano and the new music singer? - Am I two (or three, or fifty) different singers/musicians/roles depending on what genre or style I’m performing? What divides them? What ties them together? What factors determine how the voice will work, or not? - What can I use from my knowledge of early music in my practice as a performer of contemporary music, and vice versa?
  open exposition comments (0)
• 
  Sonic Affordances of a Sacred Spring. The Urban Courtyard as a Figure of Rehabilitation of the Medina (2020) author(s): Noha Gamal Saïd published in: Journal of Sonic Studies
  This article investigates, from an in situ sonic experience, the rehabilitation project of the Source Bleue in Tiznit, Morocco, realized in 2015 by the architect and anthropologist Salima Naji. As the new architecture has favored the acoustic aspect of the spring, I reflect on the sonic affordances of the rehabilitated space. The study hinges on three concepts – affordances, thresholds, and ambiances – in order to analyze a double focus on sounds: field recordings (fixed points and short journeys) and a text that basically represents the author’s feelings, reinforced through short interviews conducted with users of the space. By using these methods, it is possible to determine the particularities of this soundscape and to comprehend the sonic affordances of the Source Bleue.
  open exposition comments (0)

Erik Daehlin
Norway

Birgitte Oppegaard Pollen
Norway (residence)

Michael Wolters
Germany, United Kingdom

katta pålsson
Sweden

Ricardo Costa Oliveira

Chrysoula Panagiotopoulou
Finland (residence), Greece (citizenship)

Inga Gerner Nielsen

Alexandre Ralston Bau
Norway (residence), France (citizenship)

Todor Rabadzhiyski