Research Catalogue

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  STAGING HAPTICA (last edited: 2020) author(s): Cheryl Akner Koler This exposition is in progress.
  Through touch and haptic engagement, we enter into relationships with the physical and felt embodied world. In this exposition, we demonstrate how we share experiences from our aesthetic disciplines filtered through the perspective of three professional arts: - sculpture - culinary arts and - performative arts. We work together to develop the field of haptics starting with defining 9 haptic attributes of the hand and then transposing these attributes so they suit the nose, mouth and the mediting body. The models and methods presented in this exposition aim to fuse theory and practice together as an aid to the practicing professional in design, restaurant and hotel world. By staging "aesthetic labortions" (A-labs) we araea able to generate....more>
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  ALMAT - Continuous Exposition (last edited: 2020) author(s): Hanns Holger Rutz, David Pirrò This exposition is in progress.
  Continuous Exposition is a dissemination strategy of the project Algorithms that Matter (ALMAT). It serves as an entry point to the mesh of our activities.
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  Meetings with Remarkable and Unremarkable Trees (last edited: 2020) author(s): Annette Arlander This exposition is in progress.
  This exposition serves as an archive for the project "Meetings with Remarkable and Unremarkable Trees", where Annette Arlander spends time with specific trees and poses for camera together with them. The exposition is under construction
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• An Organological Approach to the History of the Flauto Piccolo with a Pre- and Post-Beethoven Analysis, Including the Complete Study of Beethoven’s Implementation of the “Ottavino” (2020) author(s): Rikki Wolpowitz published in: Research Catalogue
  This thesis is an organological approach to the role of the piccolo in the orchestration of compositions from the seventeenth through the nineteenth century, classifying these periods as Pre-Beethoven, Beethoven, and Post-Beethoven. From research and review of the literature, composers and their compositions which specifically called for the use of the piccolo are tabulated and analyzed. The analysis is categorized into the evolution of the debutante piccolo, by observing its accomplishments by the following analysis of what the piccolo accomplished in that role: [1.] As an extender of range and dynamics; [2.] Programmatic effects achieved; [3.] Its inclusion in solo arrangements either within a movement or as the complete soloist; each of these concepts will be built into the Pre-, Beethoven and Post-Beethoven periods. For this thesis, the Pre-Beethoven period ranges from the possibility of Claudio Giovanni Antonio Monteverdi (1567 – 1643) for ‘Flautino,’ written in 1607 to Mozart, including the military music of the French Revolution. The Beethoven period is covered by a discussion of the role of the piccolo in Beethoven’s orchestration dividing his career into his early period that has not been previously examined in any detail in existing research literature. His middle and late period including a re-examination of his symphonic works related to the piccolo from this authors perspective including his symphonic works follows. These include the Fifth Symphony, the Sixth Symphony, Egmont, and the Ninth Symphony. After that, the document examines the post-Beethoven period until its maturity into a solo instrument as conceived by Tchaikovsky in his 4th Symphony.
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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  JSS Book reviews (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  JSS Book reviews
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Hanna Järvinen
Finland

Alex Arteaga
Germany, Spain

Bobby Mitchell
Germany (residence), United States (citizenship)

Bente Irminger
Norway

Michael Kargl
Austria

Becky Gooby

Russell Marshall
United Kingdom

Emilie Gallier
Netherlands (residence), France (citizenship)

Lars Greve