Research Catalogue

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  Extended Experiences: Film and Performance Practices in XR (last edited: 2020) author(s): Aliki Tsakoumi This exposition is in progress.
  This is a fascinating time of digital media and new technologies. They offer immersion and interaction and they challenge us, as creators, to work in alternative ways, create more space for the audience and develop our ideas across media while staying true to our artistic principles. During my research, I developed a body of work that includes films, VR, AR, film and stand up comedy as a way to investigate cross-fertilisation in the creative field between different formats, practices and individuals.
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  Double Portrait in Rooms (last edited: 2020) author(s): Erik Daehlin This exposition is in progress.
  Denne eksposisjonen er endel av prosjektet Shared Space
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• Arbeidstittel: Lilleaker Folkets Hus (last edited: 2020) author(s): Erik Daehlin This exposition is in progress.
  This project is part of Erik Dæhlins artistic research project
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  An Analytical Study on Pierre Boulez’s Le Marteau sans maître (2020) author(s): Saman Samadi published in: Research Catalogue
  Since its 1955 premiere, Le Marteau sans maitre, by Pierre Boulez, has consistently been regarded as one of the more important modernist compositions of the post-war era. Certainly, it ranks among the best-known works of Pierre Boulez and our purpose is to see if we can uncover some of its structures. This composition, based on a text by René Char, was written for alto voice, flute, viola, guitar, vibraphone, and percussion. Before Le Marteau, Boulez had created some other serial works: Structures I for two pianos, Polyphonie X for eighteen instruments, and another tour-de-force, known as the Second Piano Sonata which gained him an international reputation back in 1950. Although many have attempted to analyze Le Marteau's serial organization, Lev Koblyakov has been considered successful in analyzing it. Boulez’s multiple serial compositional techniques have been greatly illuminated through Koblyakov’s work; taking this as my touchstone, I will herein discuss a few of the compositional strategies utilized by Boulez.
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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• The otherness of the self - how to curate a seventeenth century opera and sing all the roles yourself (2020) author(s): Elisabeth Holmertz, Jonas Howden Sjøvaag, Elisabeth Laasonen Belgrano published in: Norwegian Academy of Music
  The Otherness of the Self - how to curate a Seventeenth century Opera and sing all the Roles yourself. (or: -how to connect and disconnect the roles of the Baroque soprano and her postmodern Otherness. ) (or - a Voce sola in dialogo) -Is it possible to perform an opera and sing all the roles yourself? Is it even possible that we’ll come closer to the core in the music and the narrative if everything is anchored in one single person? -Can I use the interpretation of opera characters to better understand my different roles as a musician - the baroque soprano and the new music singer? - Am I two (or three, or fifty) different singers/musicians/roles depending on what genre or style I’m performing? What divides them? What ties them together? What factors determine how the voice will work, or not? - What can I use from my knowledge of early music in my practice as a performer of contemporary music, and vice versa?
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Eleni-Ira Panourgia
France (residence)

sten sandell

Sanae Yoshida
Norway (residence), Japan (citizenship)

Marko Uzunovski
Netherlands

Betina Abi Habib

ADRIÁN CRESPO BARBA

Britta Benno
Estonia

Sonja Kessner
Germany, Sweden (residence), Germany (citizenship)

Marica Totoquihuatzin
Mexico