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• mnemo-tecture (last edited: 2020) author(s): Raúl Díaz This exposition is in progress.
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  On Klänge for Variation I (last edited: 2020) author(s): Erika Matsunami This exposition is in progress.
  Collective artistic research on "Corona" (1962) by Toru Takemitsu. The start point of this artistic research is an artwork Corona-STEMS-GALAXYOMEGA (May 2020) by Lukas Huisman who a pianist and Ph.D. artistic researcher, he started to interpret "Corona" (1962) by Takemitsu together wit a composer Patrick Housen newly. I collaborate with him as a visual artist for a sound installation in this artistic project. Thereby Joint research subject is on "transculturality of sounds". As a visual artist, I research on the subject of time and space in "Corona" (1962) by Toru Takemitsu for the exploration of new interpretation. Thus theoretical exploration is in terms of ongoing artistic research in the philosophy of sound.
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  Writing (simultan) (last edited: 2020) author(s): Hanns Holger Rutz This exposition is in progress.
  The second reconfiguration of the piece 'Writing Machine' (2011) after Wr_t_ng M_ch_n_ (2018), this time attempting of implementing all aspects within a Mellite workspace. It is an exercise in understanding the concept of reconfiguration (algorithmic and not), conducted within the Algorithms that Matter framework.
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• Research Speed Dating (2020) author(s): Pauliina Laukkanen published in: Research Catalogue
  An account of a Research Speed Dating session in the Nordic Summer University's (Dis)Symposium Pleasure and Playfulness in Times of Crisis Helsinki gathering, on 26th July 2020 on Harakka Island.
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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  ***CLICK FOR MORE INFORMATION*** reading as performance / reading as composition (2020) author(s): Paul Norman published in: Journal for Artistic Research
  At the end of ‘Sentences on Conceptual Art’ (1969), Sol LeWitt states: “these sentences comment on art but are not art.” In the same work he also remarks, “If words are used and they proceed from ideas about art, then they are art and not literature, numbers are not mathematics,” thus creating a paradigm. Is writing or talking about artistic ideas art or not? … Let’s say for now that it could be. John Cage famously defined music as the “organisation of sound” perhaps though, reflecting on the origin of the word composition as coming from the Latin componere meaning to “put together”, the ‘organisation of things’, may be a more suitable definition. Not only sound, but all elements of a performance could or perhaps should be organised, put together or composed. Consider the situation where your (yes, you the readers) organisational decisions matter. Maybe it’s as simple as ‘do I read the text or look at the given example first?’ These decisions matter, they effect what is communicated and when, what knowledge or assumptions are carried and for how long. These decisions are thus meaningful and potentially compositional in nature, establishing a new question. Is all reading compositional?… …Let’s say for now that it could be.
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Paul Landon
Canada (residence), Canada, United Kingdom (citizenship)

Kevin Fairbairn

Åsil Bøthun

Dora Isleifsdottir
Iceland, Norway (residence), Iceland (citizenship)

Yiorgos Hadjichristou

Iddo van der Giessen
Netherlands

Karin Timmerman-Deddens
Netherlands (residence)

Björn Larsson

Arne Bock
Denmark (citizenship)