Chamrosh
(last edited: 2019)
author(s): Saman Samadi
This exposition is in progress.
This exposition represents a collection of Saman Samadi's solo and chamber works for saxophone. The first four pieces were composed since the year 2015 during which the author explored various techniques to score timely structured improvisational compositions. That same year, these works were premiered by saxophonist Anthony Izzo, pianist Saman Samadi, and LX Saxophone Quartet in Brooklyn's Shapeshifter Lab as well as W10 Performing Arts Center. On the contrary, "Scheherazade", Saxophone Quartet No.2, composed in the Spring of 2017 and dedicated to Clémentine Scheherazade Samadi, was written through a precisely detailed fixed-notated score. This piece was commissioned and premiered by LX Saxophone Quartet at Lincoln Center NYC, on the day Scheherazade was born, the 22nd of June, 2017. On the 17th of July, 2017, the recording of this performance, and on the 7th of December 2018, an album consisting of the audio recordings of the compositions from 2015 has been published on digital music streaming platforms such as Amazon, Google Play, Spotify, and Apple Music, and others.
PhD Meta-Exposé-Entwurf
(last edited: 2019)
author(s): Erika Matsunami
This exposition is in progress.
Dieser PhD Meta-Exposé-Entwurf ist ein Exposé-Struktur für Ph.D. Kunst-Forschung.
From threefoldness to multi-foldness
(last edited: 2019)
author(s): Erika Matsunami
This exposition is in progress.
From threefoldness to multi-foldness: On Personal AI in visual arts and its perception in an artwork – What is an artistic authenticity with AI (Technology and which kind of and how) in arts? Thereby I explore practically and theoretically, particularly rethinking of philosophical reflexion on „A thousand plateaus" (Originally published as Mille Plateaux, volume 2 of Capitalisme et Schizophrenic © 1980 by Les Editions de Minuit, Paris.) by Gilles Deleuze and Félix Guattari, with which I've been dealing in my project since 2000 and its rhizomatic developing continuously. Therefore I agree to the approach "Kunst kommt aus dem Schnabel, wie er gewachsen ist." (the title of an art catalog with 11 disability artists) by Mosaik e.V. in Berlin, 2011.