Research Catalogue

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• weS.A.N.K. (last edited: 2018) author(s): vincent roumagnac, emmanuelle chiappone-piriou This exposition is in progress.
  2016 – 2018 weS.A.N.K. Research Group Vincent Roumagnac and Emmanuelle Chiappone-Piriou in collaboration with guests artists and architects weS.A.N.K. is for we Speculative Architectures of Neganthroposcenic Kronotopias
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• Tracing ghosts: documenting and conserving the performative (last edited: 2018) author(s): sian Hutchings This exposition is in progress.
  Can an interpretation behave as a synergy of a performative act through its documentation and its conservation?
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  weS.A.N.K. (last edited: 2018) author(s): vincent roumagnac This exposition is in progress.
  Research Project
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  Performing the 'Group of the Six' (2018) author(s): Federico Forla published in: KC Research Portal
  Name: Federico Forla Main Subject: Oboe Research supervisor: Wouter Verschuren Title of Research: Performing the 'Group of the Six' Research Question: Which are the common aesthetic aspects found in the Group of the Six? How can one exemplify it in the performance? Summary of Results: A new French style starts to develop at the beginning of twentieth-century. This style will flourish and develop trough all the century. We can find in the 'Group of the Six' a first controversial example of this new aesthetic. In my research I used historical sources, writings of the composers and writers of the time, together with detailed analysis of representative compositions. Merging all this information, I was able to create a clearer picture of the new French aesthetic of the 'Group of the Six'. Performance practice is a central aspect: specific examples of the aesthetic's reflection in the scores are intended as a suggestion for the execution. A case-study at the end of the research shows a practical example of how the collected information can be used and related within a specific piece. Biography: Since the beginning of my musical studies I got really interested in chamber music. It was for me the most direct, simple and democratic way to make music together. In the following years this interest persisted, giving me the urge to explore and experiment new repertoire. My initial period at the Royal Conservatoire was characterized by my first serious approach to French chamber music of twentieth-century. My research was inspired by the issues, doubts and reflections of that period.
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  Ecorchées (2018) author(s): Lisa Salamandra published in: Research Catalogue
  A theoretical linking of my "Raw Women", female figures from the series "Raw Meat" which feature a skinned, cut-up, recomposed body, with the "living dead" figure portrayed in the anatomical charts of the Fifteenth and Sixteenth centuries. I examine how our two images seek the representation of "truths" concerning the human body and its functionning as well as a common truth about the fate of the human flesh, and that of our human condition.
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  PERFORMED REALNESS: On Participatory Art and its Ethics (2018) author(s): Johanna Lecklin published in: University of the Arts Helsinki
  In my study, Performed Realness: On participatory Art and its Ethics, I address questions stemming from my artistic practice and concerning participatory art, the split between documentary and fiction, performed realness, the ethics of the abovementioned, and authorship. I discuss these topics in dialogue with other artists’ artworks and with theories. Nevertheless, my intent is not to execute a comprehensive study on works, that have the same traits as mine. Works with moving image, my own and other artists’, which leave me to wonder and perplex me were a starting point of my research. – Is this true? Are these people performing or are they just being themselves in front of the camera? Can one be in front of the camera without performing?
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Annette Arlander
Finland

Tuija Kokkonen

Johan Sandborg
Norway (residence)

Paul Deneer

Renata Silva Oliveira
Portugal

Lizzie Ridout
United Kingdom

Mariana Nobre Vieira

alaa minawi

ARNAU MILLÀ BENSENY
Spain (residence)