Interviews with Collaborators of Jóhann Jóhannsson
(2025)
author(s): Francesca Guccione
published in: Research Catalogue
This research project gathers a series of interviews with some of the closest collaborators of Icelandic composer Jóhann Jóhannsson (1969–2018). Conducted between 2022 and 2025, the conversations preserve first-hand testimonies of his creative process, collaborative methods, and unique sonic universe.
Through the voices of Echo Collective (Neil Leiter & Margaret Hermant), Francesco Donadello, Viktor Orri Árnason, and Yair Elazar Glotman, the project explores themes such as orchestration, sound experimentation, electroacoustic practices, and the integration of music with film. The interviews have been edited and adapted from their original form in order to ensure clarity and contextual coherence, while remaining faithful to the collaborators’ perspectives.
Taken together, these accounts shed light on Jóhannsson’s aesthetics and working philosophy, offering a multifaceted portrait of a composer whose legacy continues to influence contemporary music.
Trumbemusikken kann reisast att
(2025)
author(s): Åsmund Soldal
published in: NMH Student Portal
Dette masterprosjektet handler om norsk trommeslåttradisjon, nærmere bestemt Sundvortradisjonen. Dette er en tradisjon som befinner seg i et skjæringspunkt mellom norsk folkemusikk og Rudimental Drumming.
Kroppsliga iakttagelser
(2025)
author(s): Aleksandra Czarnecki Plaude
published in: Stockholm University of the Arts (SKH)
After a long-term effort with “the body as an instrument” with the spotlight and focus on acting I was interested in exploring how my experience and practical knowledge of the actors physical skills could be “borrowed” and “translated” in encounters with several artistic disciplines both within and outside the stage area. The body is present in all artistic activity that in some way relates to the story of man. But the thought of the body isn't necessarily the same as a bodily and embodied thought. This nuanced and problematized approach has resulted in the research project Bodily Observations - on the lookout for new physical skills that I conducted in 2013-2015.
Unmaking Abstractions
(2025)
author(s): Magnhild Nordahl Øen
published in: Faculty of Fine Art, Music and Design, University of Bergen
This exposition contains documentation of the artistic result of Magnhild Øen Nordahls artistic research PhD project Unmaking Abstractions. The exposition also contains the artistic reflection for the same project. On the exposition's landing page the reader can access its different components by clicking different sides of the unfolded cube. The rotating cube in the upper right corner will bring the reader back to the landing page.
INTERDIMENSIONAL ARTISTIC REFLECTION: Speculative movements through Spatial, Digital and Narrative Media
(2025)
author(s): Sidsel Ditlev Christensen
published in: Faculty of Fine Art, Music and Design, University of Bergen
PhD Candidate: Sidsel Christensen
Project title: INTERDIMENSIONAL ARTISTIC REFLECTION: Speculative movements through Spatial, Digital and Narrative Media
Period: 2020 - 2024
Host institution: The Art Academy – Department of Contemporary Art, Faculty of Art, Music and Design, University of Bergen
PhD supervisors: Brandon LaBelle, Frans Jacobi and Sher Doruff
How eyes can hear and ears can see: an exposition on experiential translation
(2025)
author(s): Ricarda Vidal, Madeleine Campbell
published in: Research Catalogue
This exposition brings together the epistemologies of art-making and translation. It presents a series of artworks the curators commissioned for a travelling exhibition on ‘Experiential Translation’ (2022-2025). Many of the works were created under the auspices of the Experiential Translation Network, which facilitates collaboration and exchange between translators, writers, poets, artists and scholars from across the globe.
The concept of ‘experiential translation’ as elaborated by Campbell and Vidal (2019, 2024, 2025), highlights embodied, multimodal communication as a performative inquiry into meaning-making. Blending art and translation practices, experiential translation values materiality, participation, and co-creation. Rather than mere transfer of meaning, translation is seen as a process of discovery, research, and knowledge production, embracing the unknown and exploring that which escapes language.
Encouraging a rhizomatic viewing experience, the exposition is structured into three interconnected thematic 'rooms', Serial Metamorphosis, (Un)repetition and Ludic Translation, which can be visited in any order, or even simultaneously.
The exposition includes video art, performance, (interactive) installation, sound art, poetry, painting and photography.
This work was supported by the AHRC under Grant AH/V008234/1, awarded to Ricarda Vidal (PI) and Madeleine Campbell (Co-I) .
Ethical Clearance Reference Number (King’s College London): MRA-22/23-34543
