Exposition

CHARMS — re-imagining the body in motion: the embodied armoured flesh and the biomechanics research lab (2025)

MARIANA Barrote

About this exposition

In this study I elaborate on how Charms unfolds as a plastic experimentation rooted in an initial vision of the body. It is grounded in a reimagined body image, constructed from other imagined bodies, such as the anatomical flayed figure and protective devices. This study explores the notion of the body turned upside down —both literally and conceptually — reconfigured through an armor-like structure in which flesh paradoxically assumes the role of an external layer. The resulting image is of a body that is both armored and exposed, charged with contradictions that disrupt binary oppositions such as inside/outside, alive/dead, human/animal, and powerful/fragile. This hyperbolic Charms, constructed from two distinct costumes, is offered for visual contemplation, recurring within contemporary visual culture as a manifestation of the scientific body still subjected by imagination and visceral sensation. The work, a multichannel video installation, also investigates the body’s capacity to generate imaginaries through movement, employing measurement tools from the biomechanics research laboratory to visualize this dynamic relationship.
typeresearch exposition
keywordsbody image, armor, artistic processes, Subversion, costume design, imagination, memory, biomechanics, anatomical flayed figure, anachronism
date29/05/2025
published11/12/2025
last modified11/12/2025
statuspublished
affiliationI2ADS
copyrightMariana Barrote
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/2425578/3723269
doihttps://doi.org/10.22501/ruu.2425578
published inRUUKKU - Studies in Artistic Research
portal issue23. Re-Imagining


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