The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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PD Arts + Creative at PD Day 2025 (2025) PD Arts + Creative
The first edition of the Professional Doctorate (PD) Day took place on Tuesday 18 November at the Social Impact Factory in Utrecht. This event brought together PD candidates and their networks from all seven domains of the Professional Doctorate pilot to exchange ideas, explore crossovers, and strengthen interdisciplinary collaboration. The theme of this first PD Day, '๐˜™๐˜ฆ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜œ๐˜ณ๐˜ฃ๐˜ข๐˜ฏ ๐˜๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ด - ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜—๐˜ณ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ค๐˜ฆ-๐˜ฃ๐˜ข๐˜ด๐˜ฆ๐˜ฅ ๐˜™๐˜ฆ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ง๐˜ฐ๐˜ณ ๐˜“๐˜ช๐˜ท๐˜ฆ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜Š๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด,' focused on the future of urban life. This theme is grounded in the United Nations ๐˜š๐˜ถ๐˜ด๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜‹๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜Ž๐˜ฐ๐˜ข๐˜ญ 11: ๐˜š๐˜ถ๐˜ด๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜Š๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜Š๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด and during the PD day, the theme is structured around five subthemes. Within these subthemes, we reflected on how we can shape cities that are inclusive, safe, resilient, and ecologically sustainable.
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PERFORMATIVE THEOLOGY (2025) Network for Performative Theology
The purpose of this exposition is to collect data of what Performative Theology can be and become primarily within an academic research but also beyond. The expo will be a timespace nurtured by members the Network for Performative Theology, established 6 October 2022 in Oslo.
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Focaris 2025 (2025) Laisvie Andrea Ochoa Gaevska, Leon Diana
Focaris parte de la conexiรณn entre el fuego y el hogar como espacios de encuentro, protecciรณn y transformaciรณn. La obra se desarrolla a travรฉs de un diรกlogo entre la expresiรณn individual y el encuentro colectivo, representado por la reuniรณn en torno a una mesa o una hoguera. Cada bailarรญn expresa su "fuego interno" en solos apoyados por el grupo, generando conexiones y contrastes a travรฉs de la coreografรญa. La narrativa de la obra estรก construida bajo la estructura del teatro griego, donde el coro acompaรฑa, enfatiza y dialoga con las acciones individuales. La accesibilidad estรก integrada en la dramaturgia, transformando la LSC, la audiodescripciรณn y los elementos visuales en recursos estรฉticos.
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Formidling som fagfelt (2025) Anne Szefer Karlsen
The project Mediation as Discipline is an attempt to build bridges between disciplines and make the experience-based knowledge that the contemporary art field can offer relevant to a broader academic community. At the same time, it is an investigation of needs within the field itself, which should be served by a university that prides itself on having an artistic faculty. This report, carrying the same name as the project, is based on a comprehensive survey among contemporary art mediators conducted in 2024 by the project group, and it examines the foundation for specialised education for mediators of contemporary art in Norway.
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Entangled โ€” Texts On Textiles (2025) Anne Szefer Karlsen
The collaborative process that has fostered the texts in this anthology started with two questions: What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? Curatorial practices vary just as much as do curatorsโ€™ interest in and capacity for writing. At the same time, there are prevailing opinions about, and institutional demands on, what kinds of texts curators should provide for audiences, for instance as contributions to art discourses in the form of catalogue essays and the like. The Community of Writers was set up to create time and space to retreat from these outside opinions and demands and to let curiosity and the joy of writing be the driving forces of the writing process. I have had the pleasure of leading this process and am indebted to the individuals who formed the Community of Writers for newfound insights into textile art and the role of textiles in society. The writing process challenged the contributorsโ€™ own writing practices, sparked their enthusiasm, playfulness and criticality pushed the project further. Our conversations have deepened and become more entangled over time, and the reader can find traces of this in the texts in this volume.
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Reflections on Reflecting (2025) lisa hester
This exposition traces the development of a reflective arts and health practice during 2025. It brings together short written episodes, visual documentation, audio notes, and process materials to examine how artists make sense of the emotional, relational, and practical demands of working in care-based and community settings. The work sits alongside a written PDF and expands on it by presenting the reflections in a non-linear, multimodal format suited to artistic research.
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