UNHEARD LANDSCAPES
LISTENING | RESONATING | INHABITING
10TH FKL/ENP/AAU_CRESSON INTERNATIONAL SYMPOSIUM ON SOUNDSCAPE
BLOIS | FR | OCTOBER 27 -30 | 2021
PAPERS
Justyna ANDERS-MORAWSKA | PL |
"Different Waves": listening to the unheard soundscape of Northern Adriatic Sea
Marc BREVIGLIERI, Noha GAMAL SAÏD, David GOEURY | FR |
RÉSONANCES OASIENNES: approches sensibles de l’urbain au sahara
listen to the sounds that invade us
Anastasia CHERNIGINA, Raphael BRUNI | FR |
La pratique « Balades et créations sonores » en Sibérie comme pratique d’éco-formation émancipatrice
Joanne CLAVEL, Lucile WITTERSHEIM | FR |
LE GESTE SONORE Du légume au maraîcher, enquête ethnographique au c½ur de la récolte.
M.COTTET, V. BOGDANOV, C. MARQUIS-FAVRE, F. PERRIN, D. DUMORTIER, W. ELLERMEIER | FR |
Sébastien DE PERTAT ; Thomas BONNENFANT ; Nicolas TIXIER ; Olivier LABUSSIERE | FR |
Le son du fond de l’air. Capter, reproduire et façonner le silence.
Soundscape composition in Hungary
How to study the feeling of safety?
Concevoir le logement de demain par l’expérience des sonorités
Francesco MICHI, Mechi CENA | IT |
Pensieri sparsi per un ascolto "sentimentale" / Scattered thoughts for a "sentimental" listening
Silence as listening opportunity: a communicative approach in soundscape composition
Martino MOCCHI, Lorena ROCCA, Carlotta SILLANO, Silvia STOCCO | IT |
Sensorial safety: control tools and perceived serenity
A Smart Soundscape? New environmental sounds (Uno Smart Soundscape? Nuove sonorità ambientali)
The Potential of Sound Systems – Processional Shunt from Thailand to France
Radical Listening as Climate Action
Nadine SCHÜTZ (((Echora))) | CH / FR |
(Re)politiser l'écoute (musicale)
Sounds of the garden: (Spatial) experiments in listening. The example of Murin-An (Kyoto)
Une écoute atmosphérique des milieux de vie / An atmospheric attunement to lifeworlds
SOUNDWORKS
Anita CASTELINO, Sherry OSTAPOVITCH | CA |
Hubert GENDRON-BLAIS, DEVENIR-ENSEMBLE | CA | Résonances manifestes
Audio excerpts from Sāk vitt ok vītt of verǫld hverja
Studio II: sui silenzi sonori d'Abruzzo
Nadine SCHÜTZ (((Echora))) | CH / FR |
Intertidal Room - a Soundwalk through Timescapes of Vancouver Coastline
Unheard landscapes: this metaphor leaves space to imagination, to the un-thought, to the un-known, to past and future, as well as unexplored sound scenarios. It also reaches the field of auditory perception, the acoustic domain. Sound, through auditive qualities, acoustic phenomena, design practices, artistic creations, and listening experiences, offers an inspiring transversal entry onto landscapes and ambiances.
Beyond the discussions on “soundscape”, approaching ordinary environments through sounds increases the awareness of our own capacities to feel, while we inhabit and move across different worlds. From an ecological perspective, resonance appears a key word, too. It puts sound and space together. It implies the idea of a plurality of bodies, things and living beings vibrating all together, sharing common contexts of time and space. The act of listening bypasses the passive meaning it usually receives. It contains in itself a completely unexpressed potential, connoted with «project», «pro-action» and «active decision» by individuals.
What will be the sounds of the future and the soundscapes in which we will live, or would like to? How can listening practices evolve, how will we listen or how differently could we listen to the world around us, tomorrow? Inhabiting the world brings to us questions about how we want to manage our being in it. How do we want to inhabit the world sonically? How sound and listening do actually affect our way to inhabit it? Have we lost some of our abilities to resonate with the world? What remains to be heard? Where could the practices of listening and attuning take us to?