Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Tom Milnes
error, media archaeology, 3D scanning, artistic research, online cultures, post-digital, post-internet
Peter Freund
expanded practice, experimental film, oulipo, psychoanalysis, digital performance, topology, historical memory, image-text, algorithms
Barbara Graf
Body based art, artistic research, phenomenlogy, lived experiences, drawing, Textiles
Bob Wijnen
jazz, piano, piano practice, organ, Hammond organ
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Camilla Carlsen
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Lizzie Lloyd
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice
David Bello Arcos
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
Haris Adhikari
poetic inquiry, artistic research, artistic process, threshold concepts, spatiality, postcoloniality, creative pedagogies, qualitative research methods, Advaita as experience, post-qualitative inquiry