The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Meetings with Remarkable and Unremarkable Trees (2020) Annette Arlander
This exposition serves as an archive for the project "Meetings with Remarkable and Unremarkable Trees", where Annette Arlander spends time with specific trees and poses for camera together with them. The exposition is under construction
open exposition
Silence surrounds us, and silence around us (2020) Erika Matsunami
What does silence mean to us now? The silence surrounds us with sound phenomena. We recognise the silence in our living space through hearing. We silently recognise its subjectivity and objectivity day by day. Silence can give us many different meanings, such as distance, coldness, or loneliness. The research question as the starting point for this artistic research is, "What can we see around us in this silence? ". This research question focuses on common sense and the habits of contemporary life. If creativity helps us, how far is the change necessary in the research context of a common space?
open exposition
On Klänge - Space, Time and Body (2020) Erika Matsunami
The start point of this artistic research is an artwork Corona-STEMS-GALAXYOMEGA (May 2020) by Lukas Huisman who a pianist and Ph.D. in performing arts/piano in classic-modern music, he started to embodiment "Corona" (1962) by Takemitsu together with a composer Patrick Housen newly. I collaborate with Housen as a visual artist for a sound installation in this artistic project. Thereby the forthcoming Joint artistic research "variations" which relates to this artistic research on Klänge - Space, Time and Body, I as a visual artist, explore the subject of time and space in "Corona" (1962) for pianist(s) by Toru Takemitsu for the exploration of new interpretations. My practical contribution performance in the site-specific installation for variation I is "Corona" without Pianist for 4 ch discrete sound installation in 2020 is an invisible sense such as literary musical expression in "who is left to drift in the loneliness of the remaining scent." Thus theoretical exploration is in terms of ongoing artistic research in the philosophy of sound. The aim of this artistic research is a new multi-layered open score "Variation I, II and III".
open exposition

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Action vs. Reaction (2020) Jacob Anderskov
"Action versus Reaction - Artistic encounters with an aesthetic otherness", was a research project undertaken at the Rhythmic Music Conservatory in Copenhagen in 2015-2016. The primary artistic output of the project is the album ”Resonance”, released on Sundance Music in September 2016. My ensemble Resonance (previously known as ” Strings, Percussion & Piano”) consists of 3 string players as well as Peter Bruun on drums and myself on piano. The string players all have a background in European classical music and (composed) new music, whereas Peter and I originally came out of improvised music, jazz and its neighbouring regions. In this ensemble, we have been dealing with artistic encounters between our different aesthetics backgrounds for several years. I have realized that my primary curiosity orbits around the questions: 1) How can all members of a cross-genre ensemble stay true to their own musical intuition, developed through decades of full immersion? 2) How can these confident artists then transcend their notion of themselves and meet anew in an aesthetic field different from their respective origins? In 2018, Jacob Anderskov was nominated for the Nordic Council Music Price for the album Resonance.
open exposition
Walking with Soldiers: How I learned to stop worrying and love cadets (2020) Susanna Hast
“Walking with Soldiers” examines an auto-ethnographic moment of marching across the city of Helsinki with first-year cadets of the Finnish National Defence University. In a reparative reading, the walk dismantles boundaries of bodies, critiques, and affects. Through a walking methodology and autoethnography, the present exposition demonstrates how the author began orienteering within military structures through an affective investment. The exposition is a researcher’s journey across subjectivities and difference in a female civilian body. Epistemologically, it brings theory closer to the skin; and empirically, it offers insight into the affective world of belonging. “Walking with Soldiers” is multimodal and polyphonic: it consists of a text for reading, three audio tracks for listening and co-walking, as well as illustrations created by Julia Järvelä based on photographs taken by the author. The provided materials can be selectively attended to. The artistic technique used in the exposition is seduction: the reader/listener is invited into an experience. The exposition is a conversation between critical military studies and artistic research: it gives artistic attention to a military march and places importance on the acoustic and vibrating qualities of academic research. The writing itself subverts the practice of authoritative scholarly writing by presenting descriptive work as theoretical work, and by using citations as companions from the outside.
open exposition

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