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Alterhaug, B. (2004). Improvisation on a triple theme: Creativity, Jazz Improvisation and Communication. Studia Musicologica Norvegica, 30, 97-118. https://doi.org/10.18261/ISSN1504-2960-2004-01-06

Apple. (2024, 7. mai). Logic Pro takes music-making to the next level with new AI features. Apple. https://www.apple.com/eg/newsroom/2024/05/logic-pro-takes-music-making-to-the-next-level-with-new-ai-features/

Berger, J. (1972). Ways of Seeing. British Broadcasting Corporation; Penguin Books.

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Bertinetto, A. & Ruta, M. (2022). Introduction. I A. Bertinetto & M. Ruta (Red.), The Routledge Handbook of Philosophy and Improvisation in the Arts (s. 1-18). Routledge.

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Borgdorff, H. (2012). The Conflict of the Faculties: Perspectives on Artistic Research and Academia. Leiden University Press. https://doi.org/10.26530/OAPEN_595042

Borgdorff, H., Peters, P. & Pinch, T. (2020). Dialogues Between Artistic Research and Science and Technology Studies. Routledge.

Borgo, D. & Kaiser, J. (2010, 1.-3. juli). Configurin(g) KaiBorg: Interactivity, ideology, and agency in electro-acoustic improvised music [Paperpresentasjon]. Beyond the Centres: Musical Avant-Gardes Since 1950, Thessaloniki, Hellas. https://jeffkaiser.com/wp-content/uploads/2021/06/2010-Borgo-Kaiser-Configurin_g_KaiBorg.pdf

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Martinovich, A. (2025). What is sidechain compression? And how to use it. iZotope.com. https://www.izotope.com/en/learn/what-is-sidechain-compression.html

McGuire, P. (2025, 2. januar). What are Stems in Music?: How to Export Stems in 2025. LANDR Blog. https://blog.landr.com/stems-in-music/

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Ålgård, O. P. O. (2023). Spreng (innenfor) grensene! [Masteroppgave, Universitetet i Agder]. AURA. https://hdl.handle.net/11250/3074547