In these works I have explored how I can relate to my environment through my daily practices of teaching, eating, animating etc. I begun the project by improvising lectures for various audiences I wanted to have input from. I have lectured to all possible enteties in the ecosystem I am a part of, from blueberries to colleagues to films. Every time something new continues to take shape. The exposition include essays, paintings and animations.
What would it mean to my artistic practice if there was a built-in limitation for me to use more resources than my share? What would a world look like, where future generations could access and confront the present with its overdraw of resources? Through different forms of “worldbuilding” like the film industry’s “storyworlds” and the “worldings” of material feminist theory these questions will be investigated.
collected stories, scientific viewpoints and impressions merged together into a improbable tale abut the past present and future of a site. The mountain is a key element in a network of storytelling and natural phenomena.
Project investigating the History and future of the geotope and island Gotland. Animating shifts of categorizations such as between the living and the dead, between animal, plant, mineral and between art museum and museum of natural History.