Recent publications

author title published
Klaske de Haan From Aural Teaching to Musical Literacy in the Elementary Horn Class 18/09/2017
Patricia Wisse The Mental Effect of the (Temporary) Tonic: a study of tones in jazz tunes through John Curwen's Tonic Sol-fa 11/09/2017
Anne-Linde Visser Seventeenth-century cello playing, focussing mainly on bow technique 11/09/2017
Danny Teong Breathtaking: An alternative approach to breathing for trumpeters 11/09/2017
Marios Spyrou The Philly Joe Jones Rudimental Soloing Style 11/09/2017
Hannah Rose (Kit) Spencer Squalid and Obscure: Timbral Word Painting at the Arpa Doppia 11/09/2017
Johan Smeulders The success of a symphonic transcription 11/09/2017
Enrico Ruggieri The Lamentações para a Semana Santa by José Joaquim dos Santos and Luciano Xavier dos Santos and the music for two violas, voices concertate and low instruments 11/09/2017
Claudio jr de Rosa The Sound of the Big Band: Between evolution and continuity 11/09/2017
Hugo Rodriguez Arteaga Investigating smaller bassoons from the XVIII and XIX centuries, with practical performance on a Baroque fagottino 11/09/2017
Nick Prince The Brass Players Stutter 11/09/2017
Pieter Koster George Lloyd - Music for Brass, from symphony to test-piece 11/09/2017
Emma Jones Learning the altissimo register of the saxophone 11/09/2017
Maria Florencia Gomez The characters of the flute. A performer’s exploration of the dramatic roles of the baroque flute 11/09/2017
Yotam Gaton To be melodramatic: Writing a text to music according to the melodramatic tradition 11/09/2017
Raquel Garzás Garcia-Pliego Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble. 11/09/2017
Maryse Legault Josef Beer - The perfect clarinetist 11/09/2017
Jean-Loup Gagnon To beat or not to beat 11/09/2017
Vasileios Filippou Research Paper 11/09/2017
Gregor Desman Adapting live classical music performance for different venues 11/09/2017
Babylon Quartet Babylon Quartet: Ghosts, Mirrors, and The River 11/09/2017
Gorka Catediano Andrade John Cage's Bacchanale. A reconstruction for percussion ensemble. 11/09/2017
Eirik Brandal On Electronic Sound Sculptures: Circuits and Aesthetics 11/09/2017
Jonathan Bonny IN - The creation of an immerive music performance 11/09/2017
João Lucas Double Bass Home Recordings 11/09/2017
Liesbeth Ackermans Harmony on the violin - internalising harmony for violinists and the role of (tonal) improvisation 04/09/2017
Sara Balasch Lozano Body movement awareness as a path to expression in violin playing 30/07/2017
Wouter Verschuren Fast Notes! 19/07/2017
Jan Willem Nelleke From Phrase to Phrasing - a Classical Perspective 19/07/2017
Johan van Kreij Of Rules and Canons — Raaijmakers' Reflection On Morphology 19/07/2017
Ida Vujović The Power of Long Notes 19/07/2017
Timothy Dowling (KC) Searching for Sattler 19/07/2017
Ilona Sie Dhian Ho Music around the Corner, The district musicians of Morgenstond 19/07/2017
Lex van den Broek CompLex - an OSC and Voltage controlled Signal Path Generator (VC-SPG) 19/07/2017
Janet Krause The art of auditioning 19/07/2017
Johan Jutterström Johan Jutterström - Etyder 17/07/2017
lisa watts Studio Activity Sheets SASs (Watts 2010); a method for recording artistic processes. A case study trialling the SASs in the processing of the art/ performance/ video of the exhibition I am not a decorator…..(2016-17) and exhibition Skittish (2013-4). 14/07/2017
Koosje van Haeringen Violin education in middle childhood 06/07/2017
Vincent Meelberg Editorial: Sound Studies and Politics 04/07/2017
Bryce Peake Listening like White Nationalists at a Civil Rights Rally 04/07/2017
Tara Brabazon The sounds of food: Defamiliarization and the blinding of taste 04/07/2017
Frans Ari Prasetyo “City Noise”: Sound (Art) and Disaster 04/07/2017
Nicola Di Croce “You can hear them before you see them” Listening through Belfast segregated neighborhoods 04/07/2017
Jordan Lacey Silencing Urban Exhalations: a case study of student-led soundscape design 04/07/2017
Hugh Pickering Noise as “sound out of place”: investigating the links between Mary Douglas’ work on dirt and sound studies research 04/07/2017
Ryan LaLiberty Audio Acid: Affective Design and the Psychoacoustic Trip 04/07/2017
Mark Peter Wright Post-Natural Sound Arts 03/07/2017
Juriaan Achthoven Still Moving 27/06/2017
Lucie Strecker “The Performative Biofact” 27/06/2017
Test Author 3 Vienna Test 2 20/06/2017
Jan Schacher Sound Presence (Media Portfolio) 14/06/2017
pekka kantonen Generational Filming. Video Diary as Experimental and Participatory Research 08/06/2017
Otso Kautto Kuvitelmassa ei ole mitään kuvitteellista 07/06/2017
Minna Heikinaho Harjoitus, jossa tekijä vapautuu ja eettinen yhteisöruumis astuu esiin 07/06/2017
Per Anders Nilsson Deliberately Practicing the Saxophone 07/06/2017
Tero Heikkinen Drawing Exercises 07/06/2017
Annette Arlander Practicing art - as a habit? / Att utöva konst - som en vana? 07/06/2017
Gert Germeraad Self Portrait Battered 30/05/2017
Adrien Pièce Practicing with a senventeenth century organ handbook: observations on possible approaches of P. Spiridion’s Nova Instructio pro pulsandis organis (1670) 18/05/2017
Christopher Williams Tactile Paths: on and through Notation for Improvisers 04/05/2017
Ingfrid Breie Nyhus Tradisjoner på spill 28/04/2017
Kit Hammonds This exhibition is an island 27/04/2017
Rob van Leijsen Copy, tweak, paste: methods of appropriation in facsimile artists' books 27/04/2017
Tim Ridlen If film is a language, can birds make movies? An essay and two heretical descriptive systems 27/04/2017
Budhaditya Chattopadhyay Talking field: listening to the troubled site 27/04/2017
Daša Spasojevic Creative practices and public engagement 27/04/2017
Bart van Oort Understanding Classical and Early Romantic Dynamics 1750-1830 31/03/2017
glad fryer images and their agency 22/03/2017
Franz Thalmair Periphrasis (for a ditto, ditto device) 22/03/2017
Michael Kargl Material in the artistic process 20/03/2017
Andrea Pagnes NOTES ON PERFORMANCE ART, THE BODY AND THE POLITICAL 12/03/2017
Lucy Willow The Last Portrait: A microscopic view of transience, mourning and loss 02/03/2017
Norwegian Artistic Research Programme Bulletin No. 3 - NARP 17/02/2017
Marianne Sommer Animal Sounds against the Noise of Modernity and War: Julian Huxley (1887–1975) and the Preservation of the Sonic World Heritage 19/01/2017
Michel Roth Smorzando. Chopin on the MP3 player 19/01/2017
Janina Wellmann Listening to the Body Moving: Auscultation, Sound, and Music in the Early Nineteenth Century 19/01/2017
Monika Dommann Record, Rewind, Rewrite. Acoustic Historiography with the Presidential Tapes 19/01/2017
Julia Kursell Experimental Cylinders – Experiments in Music Psychology around 1900 19/01/2017
Britta Lange Archive, Collection, Museum: On the History of the Archiving of Voices at the Sound Archive of the Humboldt University 19/01/2017
Lucila Nalvarte Maddox Marking the passage of time in space 19/01/2017
Boris Previsic Sound-Essay 2 18/01/2017
Boris Previsic Acoustic Micro- and Macroephemeralities in Literature. Robert Walser’s Microscript 364 (1925) and Peter Weber’s Silber und Salbader (1999) 18/01/2017
Thomas Forrer Phonograph, symbolic. Acoustic Evidence in Arno Holz’ Phantasus 17/01/2017
Boris Previsic Acoustic Ephemeralities: Introduction 14/01/2017
Dieter Mersch At the Margins of the Audible. Morton Feldman’s Ephemeral Compositions 12/01/2017
Simon Aeberhard Writing the Ephemeral. John Cage’s Lecture on Nothing as a Landmark in Media History 12/01/2017
Andreas Aase V. Bach - Sheets and tablatures 10/01/2017
Jan Schacher Moving through the double vortex 06/01/2017
Joe Graham ANCHORAGE: a phenomenology of outline 06/01/2017
Anik Fournier Rudimentariness: a concept for artistic research 06/01/2017
Cécile Colle cONcErn: towards a 'mesology' of art, for art, and through art 06/01/2017
Lisa Stuckey Haunted by last season's video letters: amateur films performing spectrality 06/01/2017
Priska Falin In Between 21/12/2016
Mieke van Dael How can aspects of the Kodály philosophy and methodology be integrated into instrumental education? 02/12/2016
Julian Klein Hans Schleif - Stations of the Biography of an Architecture Historian in German National Socialism – Addenda and Register 01/12/2016
Elisa van Kesteren Vladislav Solotarjow and the Russian way of playing the accordion: a case study 16/11/2016
Marielle Heidekamp Music education in the Teacher Training College 11/11/2016
Marcus Maeder trees: Pinus sylvestris 08/11/2016
Nandita Dinesh Information for foreigners: chronicles from Kashmir 08/11/2016
Jean-Marie Clarke The Rembrant Search Party 08/11/2016
Tormod Dalen Zum Spielen und zum Tantzen 08/11/2016
Julian Klein Artistic Research Does Not Exist … And How She Managed Not to Be Afraid 26/10/2016
Ryuko Reid Apollo’s Banquet for children: Teaching baroque music to the young violinist 25/10/2016
Nikos Kokolakis Spatial awareness in instrumental music: Transformations of attention in a situation, becoming musical structure. 13/10/2016
Yvonne Freckmann Catch and Release: Field Recordings as Source for Instrumental Composition 13/10/2016
Andrius Arutiunian EXTRA-MUSICAL SYSTEMS IN MUSIC: THEIR IMPLEMENTATION IN CONTEMPORARY MUSIC IN THE CONTEXT OF MULTIMEDIA 13/10/2016
Satu Miettinen Sosiaalisen muutoksen muotoilua 03/10/2016
Denise Ziegler A City Never Lies – Situational Irony and the Political Impact of Public Urban Space. 03/10/2016
Tero Nauha Speculation on change from the posture of performance art practice 03/10/2016
Kalle Lampela Poliittisen utopian sinnikkyys – Representaatioanalyysiä piirtämällä 03/10/2016
Maria Huhmarniemi Taideperustainen toimintatutkimus Lapin ympäristökonflikteissa 03/10/2016
Barbara Lueneburg From 'Highbrow Art' to Participatory Culture – A Potential for Change 03/10/2016
Susanna Helke Osallisuus ja Poliittiset Eleet 03/10/2016
Minna Rainio Globalisaation varjoisat huoneet. Liikkuvan kuvan installaatiot eettisen ja poliittisen kohtaamisen tiloina. 03/10/2016
Patrick van der Linden De ontwikkeling van de muzikale taal van Arnold Schönberg tussen 1899 en 1908 21/09/2016
Meric Artac The sound of a character 21/09/2016
Juanga Lakunza THE AFRO-CUBAN DRUM RHYTHMS: Origin, Selection, Analysis and Development of drum patterns applied to Jazz Trombone 21/09/2016
Anna Karpenko Peeter Süda - A way to the ‘heart’ of Estonia through Germany 21/09/2016
Mikaela Gronberg The French cello bowing style from around 1900 21/09/2016
Carmelo Emanuele Patti NARRATIVE APPROACH IN GROOVE-RELATED MUSIC 21/09/2016
Ioannis Rizopoulos Translation of Middle Eastern & Balkan rhythms and meters in my set up, consisting of darbuka, cajon, bendir attached to full drum-set 21/09/2016
Ivan Nogueira Martinez FRIEDRICH GRÜTZMACHER Editions and transcriptions for cello 21/09/2016
Ewan Gibson Singing in the Music Theory Lesson: A model for how singing can be used as an effective teaching tool for a practical approach to the subject of music theory 05/09/2016
Wiesje van Eersel Perspectives on Kodály Cello Teaching 05/09/2016
Patrick van Deurzen Referential Networks, Composing and the "Outside World" 29/08/2016
Koske Nozaki A practical exploration of the historical fingerings of Baroque Recorders in England, France and Germany 23/08/2016
Andreas Siqueland A Place for Painting 28/07/2016
Håkon Austbø The Reflective Musician 28/07/2016
Marcel Cobussen Editorial - Encounters With Southeast Asia Through Sound 18/07/2016
Mark van Tongeren Taiwanese Bush Warblers imitating garbage trucks: a mutual affair? 11/07/2016
Budhaditya Chattopadhyay Being There: Evocation of the Site in Contemporary Indian Cinema 11/07/2016
Andy Fuller Football Soundscapes of Java 10/07/2016
Darren Moore Experimental Music in Singapore 10/07/2016
Lonan O Briain Domesticated Noise: The Musical Reformation of Identity in Urban Vietnam 10/07/2016
Stefan Östersjö The sounds of Hanoi and the after-image of the homeland 10/07/2016
Anja Kanngieser A brief proposition toward a sonic geo-politics: Rajarhat New Town 10/07/2016
Max Haberl SOUNDMEMORIES OF ASIA 10/07/2016
KA HO CHEUNG What do the urban soundscapes of a city represent? Case studies in Bangkok and Hong Kong / 都市聲音有何個性? 考察曼谷和香港之城市聲景 10/07/2016
Mikel Ibanez Reseach: Caprice Basque, P. Sarasate 14/06/2016
Aurore Montaulieu Adrien-François Servais’s contribution to the evolution of the cello technique 14/06/2016
Juan Manuel Cisneros Garcia Frozen Improvisation 14/06/2016
Cody Takacs Developing Vocal Techniques in Contemporary Solo Double Bass Repertoire: A pedagogical approach to developing vocal techniques and coordination in Western classical-contemporary solo double bass repertoire 14/06/2016
Bethany Shepherd Subversive Climes: Exploring the role of exoticism in Les Indes Galantes 14/06/2016
Agnieszka Papierska Holding the violin and how it influences sound and playing in historical performance practice. Historical perspectives. 14/06/2016
Amaya Oses How different techniques bring diverse musical ways to play and teach the repeated chords of Prokofiev's Sarcasms op. 17 n15 14/06/2016
Isabella Mercuri Music as an artificial language - an annotated collection of early music sources mentioning the relationship between instrumental music, singing, and speaking, questioning their relevance for today’s performers 14/06/2016
Pieter van Loenen Performing modern music 14/06/2016
Charlotte Houberg Body Language 13/06/2016
Mariko Goto Forbidden Beauty: Performance Practice of un-notated arpeggio in fortepiano music in late 19th Century 13/06/2016
Isa Goldschmeding Dancing About Music 13/06/2016
Peter Primus Frosch Jazz Drummer Elvin Jones: His Musical Heritage 13/06/2016
Federico Forla Performing the 'Group of the Six' 13/06/2016
Feng Zhou Fingering of the Viennese Double Bass 13/06/2016
Evan Buttar A Study of Basso Continuo Instrumentation in Baroque Cello Sonatas With a Focus on Jean-Baptiste Barrière 13/06/2016
Alexis Bove Exploring the space within intervals: an approach on different ways of shifting on cello 13/06/2016
Paul Landon Intersecting travelogues: Wandering through practices and archaeologies of space, place and image. 25/05/2016
Yves Popow Adapting the marimba into Astor Piazzolla's music 21/05/2016
Eszter Viczian Practical Solfège and Music Theory in Violin Education 17/05/2016
Martha Berit Belt Olivier Messiaen sitt klangunivers 10/05/2016
Itay Ziv "Disabled Art" Escapism as Artistic Tactic 02/05/2016
Danny Butt Colonial hospitality: rethinking curatorial and artistic responsibility 28/04/2016
Bart L. Decroos The Fourth Wall of Architecture 28/04/2016
Elisavet Kalpaxi Self-portraiture: on photography’s reflexive surface 28/04/2016
Heath Schultz Notes on Red76's Occupy Yr. Home 28/04/2016
Christopher Lee Kennedy Mycological provisions 28/04/2016
Rania Khalil Palestinian Wildlife Series: embodiment in images, critical abstraction 28/04/2016
Adesola Akinleye Untitled: Women's Work 22/04/2016
Gert Germeraad About exchanging a portrait • 14/04/2016
Annie Abrahams Trapped to Reveal - On webcam mediated communication and collaboration. 06/04/2016
Gascia Ouzounian Editorial: Recomposing the City: New Directions in Urban Sound Art 09/03/2016
Sarah Lappin Sonic Places: In Conversation with Peter Cusack 09/03/2016
Tero Nauha Documentation for the dissertation 08/03/2016
Norwegian Artistic Research Programme Bulletin No. 2 - NARP 25/02/2016
Michael Schwab Nietzsche 5 : The Fragmentary 05/02/2016
Falk Hubner Hard Times. Lecture Performance as Gestural Approach to Develop Artistic Work-in-Progress 05/02/2016
Tuomo Rainio Reconfigured Image 05/02/2016
Otso Huopaniemi Dear Rita 05/02/2016
Sepideh Karami Interruption as Dissenting Gesture 05/02/2016
Sven Anderson The Incidental Person: Reviewing the Identity of the Urban Acoustic Planner 03/02/2016
Tero Nauha Performance documentations for the dissertation 21/01/2016
Francisco Lopez Sonopolis 20/01/2016
Isobel Anderson Soundmapping Beyond The Grid: alternative cartographies of sound 14/01/2016
Andrea Pagnes sin ∞ fin - The Movie | A performance-based art film project by VestAndPage (Andrea Pagnes & Verena Stenke) 14/01/2016
Christabel Stirling Sound Art / Street Life: Tracing the social and political effects of sound installations in London 13/01/2016
Conor McCafferty Sound Art and Public Engagement in the Built Environment: Reflections from an Architecture Center 13/01/2016
Colin Ripley Instrumental Operations in the Urban Assemblage 13/01/2016
Test Author 3 some test exp 08/01/2016
Tero Nauha Research Appendices 02/01/2016
Markéta Dolejšová A taste of big data on the global dinner table 24/12/2015
Mick Douglas Shuttling 20/12/2015
Karen Savage The slippery trail: The mollusc as a metaphor for creative practice 20/12/2015
David Prescott-Steed Intersections of creative praxis and urban exploration 20/12/2015
Nicole De Brabandere Sticky currents: Drawing folds in serial exhaustion 20/12/2015
Elina Lifländer SPATIAL RHYTHMS Scenographic movements in the intersection of the installation and performing arts. 10/12/2015
Tero Nauha Schizoproduction: Artistic Research and Performance in the Context of Immanent Capitalism 10/12/2015
Suzanne Konings What's in a name? - The relation between pitch notation, note names and sight singing in different forms of pitch notation and in different ways of approaching pitch notation 26/11/2015
Amanda Steggell Mind, the Gap. Synaesthesia and contemporary live art practice. 16/11/2015
Karoblis Gediminas Performer - audience interaction. A potential for dance art? 12/11/2015
Trond Engum Beat The Distance - Musictechnological strategies for composition and production 12/11/2015
Norie Neumark Mapping Soundfields: A User’s Manual 28/10/2015
Anna Symanczyk The Sound of Stuff – Archetypical Sound in Product Sound Design 28/10/2015
Thomas Bjørnsten From Particle Data to Particular Sounds: Reflections on The Affordances of Contemporary Sonification Practices 28/10/2015
Marcel Cobussen Editorial: Mapping the Field 28/10/2015
Morten Riis Where are the Ears of the Machine? Towards a sounding micro-temporal object-oriented ontology 28/10/2015
Anahid Kassabian Sound and Immersion in Timekiller Games 28/10/2015
Nicola Gess Ideologies of Sound: Longing for presence from the eighteenth century until today 28/10/2015
Martine Huvenne Auditory filmic space as a sphere, the audiovisual chord, and the intentional archpassive synthesis in Submarino by Thomas Vinterberg 28/10/2015
Leo Murray Peirce and sound design practice 28/10/2015
Deborah Middleton 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre 31/08/2015
Hilde Blix Divergent voices – Different dialogues in the artistic research project Wikiphonium 31/08/2015
Anna Laine Migration research in collaboration with Tamil Sri Lankan artists in the British diaspora 31/08/2015
Espen Lunde Nielsen Hinges of correlation: Spatial devices of social coexistence 31/08/2015
Anna Walker In and out of memory: exploring the tension when remembering a traumatic event. 31/08/2015
Andreas Aase FolkImproV 24/08/2015
Ruben Sverre Gjertsen Between instrument and everyday sound 13/08/2015
Tone Åse The voice and the machine- and the voice in the machine - now you see me, now you don’t- 13/08/2015
Andrea Pagnes Selected Interviews (2009-2015) 06/08/2015
Andrea Pagnes Reconfiguring Think Tanks as a discursive, social model in contemporary art | Residencies as places of continuity, mutuality, free thinking and independent research 05/08/2015
Andrea Pagnes SPACED, Art Out Of Place 05/08/2015
Andrea Pagnes Interviews with Massimo Cacciari and Franco Rella 05/08/2015
Andrea Pagnes My Body Asking Your Body Questions: VestAndPage (Verena Stenke & Andrea Pagnes) interviewed by Valeria Romagnini & Karlyn De Jong (Personal Structures |GAA Foundation) 04/08/2015
Andrea Pagnes TWO BODIES IN SPACE | DURATIONAL PERFORMANCE: The Quest for Authenticity in the VestAndPage Experience 31/07/2015
Andrea Pagnes In Conversation with Ron Athey 30/07/2015
Maggie Urquhart The Early Violone 14/07/2015
Karst de Jong Navigating through Harmony 14/07/2015
Daniel Salbert Collecting Repertoire for Kodály-inspired Music Lessons in Dutch Elementary Schools 14/07/2015
Johanna Pentikäinen Miksi minun piti kirjoittaa juuri ruusuista? Autoritaarisuus, autenttisuus ja autoetnografisuus kirjoittamisessa 02/07/2015
Hanna Kuusela Collaborative Processes and the Crisis of Attentiveness 02/07/2015
Elina Saloranta Lohdutusten arkisto (An Archive of Consolation) 02/07/2015
Marika Orenius Keinuva käynti ja muutoksen tila 02/07/2015
Assi Karttunen Can one wade twice into the same Seine? 02/07/2015
Anna Einarsson We Can Work It Out - Calibration as Artistic Method 02/07/2015
Katja Hilevaara Making Making Matter: Paper as Paradox in Practice-as-Research 02/07/2015
Emma Cocker Choreo-graphic Figures: Beginnings and Emergences 02/07/2015
Michael Duch Free Improvisation - Method an Genre 29/06/2015
Norwegian Artistic Research Programme Bulletin No. 1 - NARP 22/06/2015
Test Author 2 My exposition 17/06/2015
Inês Serrano Diogo Playing by Heart 02/06/2015
Georgios Kachrimanis The Joy of Practice. A Case study of Keren by I.Xenakis - The pursuit of happiness in our practice room 29/05/2015
David Reschofsky Modern vertical thinking (Triad pairs over seventh chords) 28/05/2015
Paulina Ptak The violin-type fingering and oblique left hand position in the history of cello technique 28/05/2015
Pauls Pokratnieks "Art of drumming within jazz piano trio" 28/05/2015
Priscilla Nokoe AN INTERDISCIPLINARY APPROACH TO JAZZ PERFORMANCE 28/05/2015
Oonagh Lee The Unplayable Notes of JS Bach 28/05/2015
Thomas Heimstad Adapting Telemann’s unaccompanied violin fantasias to the guitar - an investigation of transcriptional methods 28/05/2015
Leonie Freudenberger Approaching jazz composition through the music of Billy Strayhorn 28/05/2015
Raissa Fahlman A More Sincere Brahms: An Exploration of Widening Expressive Possibilities in the Opus 120 Clarinet Sonatas. 28/05/2015
Barbara Bekhof How to use feedback, advice and judgement after an exam 28/05/2015
Mariana Andrade Pimenta The use of Bel Canto singing in the Italian opera of the XVIII century 28/05/2015
Shanti Nachtergaele Examination of mid-nineteenth century double bass playing based on A. Müller and F.C. Franke’s discourse in the Neue Zeitschrift für Musik, 1848 – 1851 27/05/2015
Alistair Sung Performing Classical Music in the 21st Century 27/05/2015
Giuditta Isoldi The advent of the transverse flute in Italy and its use in mixed consorts during the sixteenth and early seventeenth centuries 19/05/2015
Giovanni Bermudez Cardenas Poly-rhythmic structures as frameworks for improvisation. 19/05/2015
Alex Kolassa Composing for the Memory Dealer: New Paradigms for the Immersive Soundtrack 07/05/2015
Rik Lander Experiments in Intimacy and Immersion 07/05/2015
Eva Giraud The cultural politics of pervasive drama: aural narrative, digital media and re-compositions of urban space 07/05/2015
Sarah Hibberd Immersion and proximity: music, sound, and subjectivity in The Memory Dealer 07/05/2015
Elizabeth Evans “It’s probably just me”: The Literacies of Pervasive Sound Narratives 07/05/2015
Nanette Nielsen Preludium: The Memory Dealer 07/05/2015
Michael Schwab Drawing the Trans-body 01/04/2015
Riikka Makikoskela Experience of Resistance -The Potential of Materiality and Spatiality in Artistic Research 01/04/2015
gilda mautone Collision 31/03/2015
Annette Arlander Working With a Witches’ Broom / Att Arbeta med en Markvast 30/03/2015
Esa Kirkkopelto VIRTUAALISEN MATERIAN JÄLJILLÄ 29/03/2015
Ari Kakkinen Co-relation that is not – photography and coming into the materiality 29/03/2015
Monica Raya Spacing matters: Alternative Thinking about the Nature of Space 29/03/2015
Markus Schwander Collapsing Landscapes - From personal experience to collective interdisciplinary research projects 26/03/2015
Lucie Tuma it's doing it – the force of passivity 24/03/2015
Caroline Picard Ghost Nature 24/03/2015
Ainara Elgoibar One Motorbike, One Arm, Two Cameras 24/03/2015
Cynthia Kros A consideration of projects from the FUNDBÜRO art research initiative 24/03/2015
Andreas Aase Transcribing Johann Sebastian Bach's Lute Music for Guitar Bouzouki 23/03/2015
Elina Saloranta Videoteos laatukuvana/ A videowork as a genre picture 13/03/2015
Claudia Hansen What is Music Theater? 18/01/2015
Juan Parra Mulitple Paths: Towards a Performance Practice in Computer Music 05/01/2015
Julian Klein Music is not a Language 31/12/2014
Marc Goodwin Primary 18/12/2014
William Ray Macauley Altisonans 02/12/2014
Douglas Kahn On the Aelectrosonic and Transperception 02/12/2014
Peter Pesic Pythagorean Longings and Cosmic Symphonies: The Musical Rhetoric of String Theory and the Sonification of Particle Physics 02/12/2014
James Wierzbicki The Imagined Sounds of Outer Space 01/12/2014
William Ray Macauley Editorial: Venturing into Sounds of Space 01/12/2014
Trevor Pinch Space is the Place: The Electronic Sounds of Inner and Outer Space 01/12/2014
Tim Boon Music for Spaces: Music for Space - An argument for sound as a component of museum experience 01/12/2014
Johan Stenstrøm The Significance of Electro-acoustic Music in the Space Opera Aniara 01/12/2014
Stefan Helmreich Remixing the Voyager Interstellar Record: Or, As Extraterrestrials Might Listen 01/12/2014
Mäki Teemu A PRACTICAL UTOPIA 20/10/2014
Mäki Teemu KÄYTÄNNÖLLINEN UTOPIA 20/10/2014
Mika Elo What calls for thinking? 13/10/2014
Arild Berg Tactile Resonance in Art 13/10/2014
Priska Falin Connection to materiality: Engaging with Ceramic practice 13/10/2014
girija kaimal Being an A-R-T-I-S-T: Challenges and Opportunities of Connecting Art, Research, Transformation, Imagery & StoryTelling 13/10/2014
Christopher Hollins Echo Theory 13/10/2014
Andrea Pagnes On Performative Actions 12/10/2014
Andrea Pagnes On the ‘State’ of Performance art and What It Is 12/10/2014
Massimo Pianese Complete research 2006 2014 26/09/2014
Daphne Plessner What is a University? 22/09/2014
Jan Schacher sonozones 22/09/2014
Paulo de Assis Con Luigi Nono: Unfolding Waves 22/09/2014
Kaisu Koski Anatomical Self-Portraits as Fieldwork: Observations, Improvisations, and Elicitations in the Medical School 22/09/2014
Vappu Jalonen Stained Black Mirror 22/09/2014
Henrique Gomide Reading Garoto – a study over the legendary musician who changed Brazilian music. 09/09/2014
Joao Carlos Ferreira de Miranda Santos The Performer Composer Relation 08/09/2014
Massimo Pianese YOU ARE NOT A SALMON 06/09/2014
Anna Walker Cranio Sacral Therapy and Singing 05/09/2014
João Diogo Rosas Leitão “Invocación y Danza – Homenaje a Manuel de Falla” - a new light on the piece brought by the manuscript. 05/09/2014
Mikaela Oberg The place of modern technique in historical performance practice. 05/09/2014
Andrea Vasi The influence of some characteristics of Romanian folk music on the Romanian Rhapsody no. 1 opus 11 by George Enescu – An arrangement for 2 pianos 05/09/2014
Jannelieke Schmidt Combining Coco, Arranging for Het Coco Collectief 05/09/2014
Steven Zwanink How Do You Swing a Quarter Note? An Analysis of the Great Walking Bassists of the 1950s and 60s. 05/09/2014
João Guimarães Rival Keyboard transcriptions of orchestral works by M. Marais and J. Ph. Rameau 05/09/2014
Eva Lymenstull Chordal Continuo Realization on the Violoncello: A look at the practice of chordal accompaniment by cellists over the course of two centuries, with a focus on recitative accompaniment practices between 1774 and 1832 05/09/2014
Michaela Kouřilová Jiří Čart (Georg Czarth) and his Flute Sonata in D minor 05/09/2014
Vera Marijt Barry Harris: Exploring the Diminished 05/09/2014
Carlos Leal Cardín Luigi Boccherini: patronage and musical life in Madrid between 1768 and 1805 05/09/2014
Radka Kubinova Italian elements in French music for traverso by J.M.Laclair and M.Blavet 05/09/2014
Mario Garcia Cortizo Proposing Live Electronics as an Alternative to Larger Performance Set-Ups 05/09/2014
Kristen Huebner Comparisons of Perspective in the Empfindsamer Stil: How the music of Carl Philipp Emmanuel Bach represents a microcosm of an emerging cultural initiative 05/09/2014
Martin van Hees A MUSICIANS’ VIEW ON COOPERATING WITH COMPOSERS The influence of composers on the performance practice 05/09/2014
Emilie Bastens Use your personal learning style for playing by heart 04/09/2014
Nuno Atalia Fontegara as researcher 04/09/2014
Christopher Hollins Abating Aesthetic character 01/09/2014
Joao Carlos Ferreira de Miranda Santos The Composer/performer tradition, restoring an old tradition 27/08/2014
Christopher Hollins Two Ways of Seeing: Looking to Recognise or Looking to Unkowing 25/08/2014
Aktas Fatih Erdogan Folk Music and Classical Western Music 21/08/2014
Bert Mooiman Improvisation in 19th century music 07/08/2014
Enno Voorhorst how musicians use their brains 07/08/2014
Suzanne Konings To understand staff notation aurally 07/08/2014
Donna Agrell Searching for the Top Range in Early Nineteenth Century Bassoon Repertoire from Sweden: Issues of Material and/or Technique?' 07/08/2014
Adri de Vugt How Obvious is the Artistic and the Musical Expertise of the Music Teacher? 07/08/2014
Paul Deneer Help! A Talent! The Student-Teacher Relationship in Higher Music Education 07/08/2014
Ida Vujović Between building foundational skills and instilling self-guided learning: Solfège pedagogy in higher music education 07/08/2014
Wieke Karsten (older account) From Potential To Performance. Training Practice and Performance Preparation in Conservatoires 07/08/2014
Héctor García-Jorquera Autenticitet 01/08/2014
Héctor García-Jorquera Autenticitet i Det Offentliga Rummet 04/07/2014
Melle Kromhout An Exceptional Purity of Sound: Noise reduction technology and the inevitable noise of sound recording 26/06/2014
Julia Krause Editorial - Functional Sounds in Sound Art and Popular Culture: Proceedings of the First International ESSA Conference 2013, part I 26/06/2014
Mehdi Mark Nazemi Affective Soundscape Composition for Evoking Sonic Immersion 26/06/2014
Neil Verma A Paleontology of Quiet 26/06/2014
Jeremy Woodruff Remaking Pittsburgh: Permaculture soundscapes 26/06/2014
Francisco Lopez Music Dematerialized? 26/06/2014
Olivia Lucas MAXIMUM VOLUME YIELDS MAXIMUM RESULTS 26/06/2014
James Andean Sound and Narrative: Acousmatic composition as artistic research 26/06/2014
Syed Gowhar Andrabi The role of spirituality in art education 07/06/2014
Mäki Teemu Art and Research Colliding 26/05/2014
Jaimie Henthorn Movement Intervention within British Post-War Architecture 26/05/2014
Amber Yared Talking in Circles: Interview, Conversation, Metalogue 26/05/2014
Sheilah Wilson The Invisible Inside the Visible 26/05/2014
Juliet MacDonald Alpha 26/05/2014
Christopher Hollins Do Ideas Contaminate the Art Experience? 07/05/2014
Corina Caduff Approaching the Essay as Artistic Research 01/05/2014
Leone Contini TuscanChinese 11/04/2014
Tiina Lamminen Monochrome and Materiality in Painting 15/03/2014
Dominic Redfern Located Identity: Finding the Mallee 16/12/2013
Paul Landon Mapping a Modern Diegesis: Terre des Hommes and Robert Altman's Quintet 16/12/2013
Eivind Buene Delirious Brahms 16/12/2013
Pamela Salen The Photogram as a Domestic Diary 16/12/2013
Rory Harron Towards a Non-Identity Art 16/12/2013
Don Asker Latitudinal Conversations 16/12/2013
Taina Riikonen Those Lips Were Made to Suck that Button 08/12/2013
Pasi Lyytikäinen Kokemuksen symbolit – pohdintoja nuotinnoksen ja soivan välisestä suhteesta 08/12/2013
Elina Lifländer Tilakokemuksia esitysinstallaatiossa 08/12/2013
Tero Nauha Life in Bytom: Plasticity and schizoanalytic performance practice / Plastisiteetti ja skitsoanalyyttinen esitystyöskentely 08/12/2013
Annette Arlander WIND RAIL - Sort of a Beginning / TUULIKAIDE - Eräänlainen alku 08/12/2013
Jaakko Nousiainen Mediatisoitunut ooppera - johdanto tutkimukseen 08/12/2013
Maarit Mäkelä Female genealogy 08/12/2013
Zygmunt Piotrowski INVISIBLE MATTER OF FINE ART 29/10/2013
Sara Benaglia telepathy 24/10/2013
Sara Benaglia GjokeGojani interview from Peje 22/10/2013
Sara Benaglia The cousin of the North 19/10/2013
Jan Nieuwenhuis Sound Art: Klang als Medium der Kunst 13/09/2013
Christopher Hollins PRIMALISM 03/09/2013
Christopher Hollins Trace Element 2013 03/09/2013
Christopher Hollins THE THEORY AND PRACTICE OF ORBS IN ART. 21/06/2013
Michael Kahr Upper Styrian Big Band Folk: Exploring Local Identity and Authenticity in Jazz 18/06/2013
Miriam Ewers Doha 18/06/2013
Gert Germeraad Rationality, Intuition and Emotion - Exploring an Artistic Process 18/06/2013
Simon Granell 10 Diary Entries [2010-12] 18/06/2013
Tero Nauha Schizoanalysis as a Method in Artistic Research 18/06/2013
Neil Mulholland Shift Happens 18/06/2013
Carolina Goradesky Innerground_ an Exploration of a Disused Mine Through the Memories of Former Miners 18/06/2013
Marc Goodwin A Hinge: Field-testing the Relationship Between Photography and Architecture 18/06/2013
Paul Draper Toward a personal understanding of ‘artistic research’ through musical improvisation, performance, and the production of sound recordings 01/06/2013
Paul Draper Testing audio uploads 01/06/2013
Mike Binzer The Poetics of Flesh 15/03/2013
Gerhard Eckel In the prison of permanent change 12/02/2013
Klaus Hu LANDSCAPE, THE ARCHIVE AND ESCAPE 09/02/2013
Paul Thompson “Born Digital – New Materialities”. 21/12/2012
Lucy Bleach FOREPLAY -Group exhibition 18/12/2012
Brita Lemmens The learning process in fado through artistic research 21/11/2012
Krien Clevis Crossing: Between the Italic Domus and the Artistic Environment 05/11/2012
Ruby Wallis 'Unfixed Landscape' - Is it possible to define 'place' through artistic practice? 05/11/2012
Juan Carlos Castro Playing the Spiral Jetty 05/11/2012
Vida Midgelow Voice (a retracing) 05/11/2012
E. T. Hetzler Actor Self vs. Character Self: An Empirical Exploration 05/11/2012
Deborah Harty The taste of tree? 05/11/2012
Christopher Hollins A LETTER FROM A MODERN ARTIST 05/10/2012
Alberto Magrin The theory of coincidences 25/09/2012
Alberto Magrin The theory of coincidences 25/09/2012
Bas Kalle Ik hou van jou 10/09/2012
Pasquale Petrucci The contemporary nuraghe 09/09/2012
Betty Nigianni Novel 08/09/2012
Renate Quehenberger QUANTUM CINEMA - a digital vision 13/07/2012
Sabina Pfenninger The Exhibition as Performance. Performance as Research. 26/04/2012
Ruth Benschop I'll be Gone Again: Documenting the Virtual Body 06/04/2012
Florian Dombois Luginsland (Sound and Score) 12/03/2012
Julian Klein The Other Side of the Frame - Artistic Experience as Felt Framing. Fundamental principles of an artistic theory of relativity 02/03/2012
Martin Nachbar choreographic things, dancing 28/02/2012
Branka Zgonjanin ONE DOUBLE BODY 25/02/2012
Diego Gil BSIDES 22/02/2012
Patrick Bobilin Ghetto Child 20/02/2012
Julian Klein What is Artistic Research? 12/02/2012
Andrea Pagnes Considering the Nature of Poetic Image and its Performativity 11/02/2012
Andrea Pagnes Body Issues in Performance Art: Between Theory and Praxis 11/02/2012
Andrea Pagnes RADICAL TRANSPARENCY AND ECO-INTELLIGENCE IN CONTEMPORARY PERFORMANCE ART 08/02/2012
Mark Fleishman Cargo: Dwelling in the Archive of Slavery at the Cape 20/11/2011
David Overend A Work on Progress 20/11/2011
Martin Tröndle The Entanglement of Arts and Sciences. On the Transaction Costs of Transdisciplinary Research Settings 20/11/2011
Vincent Meelberg Moving to Become Better: The Embodied Performance of Musical Groove 20/11/2011
Laura F. Gibellini A Place, Constructed 20/11/2011
Nell Breyer Motion Perception: Interactive Video and Spatial Awareness 20/11/2011
Sarah Alford Taking the Book Apart 20/11/2011
Laura Maes Oorwonde - a tactile experience 20/11/2011
Sarah Breen Lovett Expanded Architecture 01-06 20/11/2011
Anders Hultqvist ‘Who creates the creator’ – and the limits of interpretation? 20/11/2011
Sher Doruff Diagrammatic Praxis 20/11/2011
Otto von Busch Research Navigations 20/11/2011
Daniel Kötter staats-theater 20/11/2011
Cathy van Eck Song No 3 – Singing through Gestures 20/11/2011
Elina Saloranta Miltä hiljaisuus kuulostaa? What does silence sound like? 20/11/2011
Sissel Tolaas An Alphabet for the Nose. 20/11/2011
Tuija Kokkonen A Performance with an Ocean View (and a Dog/for a Dog) - II Memo of Time 20/11/2011
Richard Blythe Glide: design, indeterminacy and the specificity of the contingent 20/11/2011
Bertha Bermudez The Double Skin/Double Mind Interactive Installation 20/11/2011
Abhishek Hazra Thanks to Lysenko, we got Haldane 20/11/2011


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