| author |
title |
published |
| Barbora Haplova |
Empty Space |
24/04/2024 |
| Niina Marjatta Turtola |
And _ Blinkbonny Avenue and strangeness of everyday life |
23/04/2024 |
| bruno caldas |
The poetics of autopoiesis: visual arts, autonomy and artificial intelligence. |
23/04/2024 |
| Anna Nygren |
RÅDJUREN, FLICKORNA, eller PLAY & FAIL |
22/04/2024 |
| Orsolya Toldi |
Possible Connection between the Development of Executive Functions and Music Education According to the Kodály Concept |
22/04/2024 |
| Samuel Penderbayne |
I HAVE THE MOON: aesthetics of contemporary classical music from a composer-performer band retreat. |
16/04/2024 |
| Marius Dybwad Brandrud |
Örat nära munnen: samtal mellan film och filosofi |
09/04/2024 |
| Journal of Sonic Studies |
Home page JSS |
09/04/2024 |
| Eliana Polvere |
Beyond Words: Transformations of 'Hamlet' |
05/04/2024 |
| Laurence Crane, Anders Førisdal, LEA Ye Gyoung, Io A. Sivertsen, Lisa Streich, Jennifer Torrence and Ellen Ugelvik |
Performing Precarity |
05/04/2024 |
| Benjamin Jenner |
WALKING BETWEEN WOR[L]DS WITH LINES |
04/04/2024 |
| Michele Rinaldi |
Come rendere visibile l'invisibile? |
04/04/2024 |
| Sandro Simon |
Touching Excess: Haptic Sound from the Multispecies Delta |
04/04/2024 |
| Aurora Tittarelli |
Devozione e Autodistruzione |
04/04/2024 |
| Anthony Morton |
The Place of Shade |
02/04/2024 |
| Eszter Mag |
Taming Amorphalia |
02/04/2024 |
| Vidmina Stasiulyte |
SOUND TO WEAR |
02/04/2024 |
| Jennifer Torrence |
Performance as Device for Disorientation |
02/04/2024 |
| Maria Jonsson |
Aporia |
02/04/2024 |
| Journal of Sonic Studies |
JSS Book reviews |
29/03/2024 |
| Justin Bennett |
Listening to / in Public Space |
28/03/2024 |
| Aleksandra Czarnecki Plaude |
Att uttala det kroppsliga – på spaning att överbrygga skådespelarens arbete med kroppen som instrument, rörelsegestaltning och dramatisk text |
27/03/2024 |
| Journal of Sonic Studies |
JSS TOCs |
25/03/2024 |
| Berit Norbakken |
Grenseland - i stemmen |
25/03/2024 |
| Jonathan LARCHER |
(Back)ground Noise. A multimodal Ethnography of Loudspeakers in a Roma Neighbourhood |
23/03/2024 |
| Victor A. Stoichita |
How to Fail a Field Recording. An Ethnomusicologist’s Perspective |
23/03/2024 |
| Heikki Wilenius |
Introduction: Exploring the Phenomenon of Sonic Waste in Anthropology |
23/03/2024 |
| Guglielmo Battistini |
Hamlet: between keywords and art |
22/03/2024 |
| Stijn Brinkman |
Navigating in Overlaps: Redefining Performance Space as Multi-Space |
21/03/2024 |
| Hannah Krebs |
What impact can the use of "worlding" have in a dance practice? |
21/03/2024 |
| Heikki Wilenius |
A Conversation on Discarded Recordings |
21/03/2024 |
| Ingar Zach |
The Vibrating Drum - developing a practice for the modern percussionist |
19/03/2024 |
| Linda Janson |
ARTISTS AND MACHINE INTELLIGENCE |
18/03/2024 |
| Ellen Kristine Ugelvik |
Puppets at the piano (11.08.2023) by Ellen Ugelvik |
13/03/2024 |
| Diego Xavier |
Como naufragar em segurança |
12/03/2024 |
| Heikki Wilenius |
Authoring Noise, Noising Authority: Loudness and Oratory in an East Javanese Family Gathering |
11/03/2024 |
| Natasha Barrett |
Reconfiguring the Landscape |
05/03/2024 |
| Tijs Ham |
The Institute of Constrained Chaos |
02/03/2024 |
| Tijs Ham |
The Unfinished Instrument |
02/03/2024 |
| Kathryn Jane Moore |
The Art of Design: Seeing The Bigger Picture |
01/03/2024 |
| Julie Métais |
Sound Scraps and Resources of Ethnographic Writing |
29/02/2024 |
| Lynne Heller |
A Love Letter to Ironing: Learning and Unlearning |
24/02/2024 |
| Natasha Barrett |
Reconfiguring the Landscape at IRCAM |
22/02/2024 |
| Natasha Barrett |
Reconfiguring the Landscape in Greenwich |
22/02/2024 |
| Natasha Barrett |
Reconfiguring the Landscape CD |
22/02/2024 |
| Natasha Barrett |
Sound Worlds |
22/02/2024 |
| Natasha Barrett |
PRESENCE / NÆRVÆR |
22/02/2024 |
| Natasha Barrett |
Subliminal Throwback complete documentation |
22/02/2024 |
| Natasha Barrett |
Sansing i Strandsona |
22/02/2024 |
| Andrea Guidi |
UVTOWER |
22/02/2024 |
| Valerie Messini |
Nothingness in the digital Space |
20/02/2024 |
| Martin Scheuregger |
Score: Mechanical Asynchronicity – audio album |
16/02/2024 |
| Athina Eleftheriou |
HANDLE WITH CARE |
07/02/2024 |
| Selma Lu-Lou Tallulah Wurmus |
Escaping into a Daydream |
07/02/2024 |
| Megan Annette Irusta Cornet |
Data Holds Your Truths. The Avatar Complex: I trust your gargoyle id more than I trust you. |
07/02/2024 |
| Lina Maria Hülsmann |
Cultivating Companionship A conversation about cornfields and communities. |
07/02/2024 |
| Yasmin Kök |
Blue sky and Wonder, a Landscape without horizon |
07/02/2024 |
| Louise Noordam |
Binnen Dansen with a magnifying glass |
07/02/2024 |
| Royal Academy of Art, The Hague |
BITCHES, Beauty standards investigation through the lens of cosmetic surgery, hyperfemininity & self-branding |
07/02/2024 |
| Anna-Elise Ghislaine Doorn |
Après nous, le déluge. The Pyschological Influences of Social Status |
07/02/2024 |
| Lorenzo Quint |
A Guide To Nether-Hell : A Journey Through Depiction & Experience From A Nether-Divergent Perspective |
07/02/2024 |
| Jenny Sunesson |
FACT stage one |
02/02/2024 |
| Jenny Sunesson |
Ett osynligt stycke tyg |
02/02/2024 |
| Jenny Sunesson |
Epiphanies of an Invisible weave |
02/02/2024 |
| Mike Croft |
Ancestry – before DNA test – considered through drawing |
30/01/2024 |
| Mike Croft |
Ancestry – after DNA test – considered through Drawing |
30/01/2024 |
| Marcus Lindeen |
Staged Conversations Using dialogue as both method and form when staging documentary material for theater and film |
28/01/2024 |
| Tor Einar Bekken |
Improvisation Three: Another Shifting Landscape |
24/01/2024 |
| Tobias Gaede |
Naufrágio Marítimo | Naufrágio Espacial |
17/01/2024 |
| Carolina Albuquerque |
Magic and sorcery as creative methodology |
17/01/2024 |
| Nina Frederikke Grünfeld |
FTS-podden - 2023 |
17/01/2024 |
| Hugo Ariëns |
Improvising Object Guitar |
16/01/2024 |
| Jonty Coy |
"Encumbered with useless graces": Ornamentation and Aesthetics in Eighteenth-century Scottish Music |
15/01/2024 |
| anders bohman |
Hur formen påverkar oss |
12/01/2024 |
| anders bohman |
Abstract Narration |
12/01/2024 |
| Soren Thilo Funder |
Oceanic Horror or How to Survive the Night in the Haunted Mansion of Absolute Capitalism |
10/01/2024 |
| Jaakko Ruuska |
Kadonnut isoäiti |
04/01/2024 |
| Jaakko Ruuska |
IRTIKYTKETYISSÄ TILOISSA – poissaolevan kosketuksia katveessa |
04/01/2024 |
| Jaakko Ruuska |
IRTIKYTKETTY KAUPUNKI |
04/01/2024 |
| Jaakko Ruuska |
Elisenvaara-Pieksämäki - hajonnut kone |
04/01/2024 |
| Γιωργος Αλουπας |
Sound box |
03/01/2024 |
| Sofia Mina |
MGA _ 318 _ Fireflies |
03/01/2024 |
| Anthia Georgiou |
MGA410_DAR MATOIN |
03/01/2024 |
| Ellen Kugelberg |
"KAN HALSBANDEN GÖRA SIG AV SIG SJÄLV?" - En studie om inkluderande bildundervisning genom stop motion |
03/01/2024 |
| Zoe Panagiota (aka Betty) Nigianni |
Contiguous (Enlightenment Panel no 1) |
02/01/2024 |
| Anna Nygren |
Rules for the Rigorous |
22/12/2023 |
| Rachel Kaminski Sanders |
[text]uring: writing through fashion for a new literacies dissertation |
21/12/2023 |
| Lenka Hamosova |
TroublingGAN: generated visual ambiguity as a speculative alternative to photojournalism |
21/12/2023 |
| Sara Pinheiro |
The Making of 'Commotion' |
21/12/2023 |
| Tim Boykett |
Running Freight on the River. A Clean Cargo Prefiguration |
21/12/2023 |
| Gaute Barlindhaug |
Performing with Sonic Tools. An approach to designing and analysing new instruments |
21/12/2023 |
| Yamil Hasbun Chavarría |
Designing Games as 'Hands on Research Tools' for Foro No.2 Nodos Activos: 2023 |
21/12/2023 |
| Yamil Hasbun Chavarría |
FORO NO.2 NODOS ACTIVOS (2023): Artistic Research Through Playing (2023) |
21/12/2023 |
| derek pigrum |
Matters of Distance: Walter Benjamin’s dialectical Image, the dynamograms of Aby Warburg’s Atlas Mnemosyne, and William Kentridge’s Drawings and the Arrival of fortuna |
21/12/2023 |
| Agnese Cebere |
Projecting Form, Investigating Distance |
21/12/2023 |
| Bruno Moreschi |
Distance, transmission, and journey in the collective construction of an Itaaká |
21/12/2023 |
| Nesli Hazal Oktay |
Dissolving distances: Designing close-to-body experiences for remote settings |
21/12/2023 |
| Rachel Horst |
Dialogic Liminality: Cartographies of the Inbetween |
17/12/2023 |
| Rachel Horst |
Sounding the futures imaginary: A collaborative intra-modal storying methodology |
15/12/2023 |
| Nabila Ayu Aviani |
How art made me (in)sane |
04/12/2023 |
| Rania Lee Khalil |
The Third World Ecology Trilogy: Postcoloniality, Embodiment, Ecology |
01/12/2023 |
| Sergio Patricio |
Ko. Fluid Practices. |
28/11/2023 |
| Sergio Patricio |
The weft. Time-based media arts and cross-art practices. |
28/11/2023 |
| Mike Croft |
Distanciation and other: implications of distance in an ancestry DNA project |
28/11/2023 |
| Ewa Łączkowska |
THE [ W A L L S ] WE CREATE : on distance in research practice |
26/11/2023 |
| Yamil Hasbun Chavarría |
Nodos Activos + Las Julias Experiment |
13/11/2023 |
| Simon Løffler |
Becoming Animal_Simon Løffler |
13/11/2023 |
| Anartist |
CRITICAL PLAYGROUND AS PLAY-CE UTOPIA. (MANIFESTO FOR A DIFFERENCE IN ITSELF.) |
09/11/2023 |
| Pekka Ilmari Niskanen |
Three gardens as places of performative resistance and resilience |
09/11/2023 |
| Marija Griniuk |
The Unbody of Construction and the Memory of Placeness |
09/11/2023 |
| Nat Grant |
Terrania |
09/11/2023 |
| Fabiola Hernandez Cervantes |
Stitching for Material Sensitivity: From Traditional to Activist Embroidery |
09/11/2023 |
| Heidi Pietarinen |
Life Between Art and Blood |
09/11/2023 |
| Kaisu Koski |
Challenging animal-based food systems: Citizen Surgery on vegan body simulators |
09/11/2023 |
| Cecilie Levy |
Light from aside: A screenwriter’s perspective in virtual reality |
08/11/2023 |
| Kristin Norderval |
Electrifying Opera, Amplifying Agency. Artistic results. reflection and public presentations (PhD) |
07/11/2023 |
| Paola Livorsi |
Human Voice and Instrumental Voice: An Investigation of Voicelikeness |
30/10/2023 |
| Mia Engberg |
Darkness as material - PhD project - 2023 |
27/10/2023 |
| Martín Mayo |
New (old) Music - Intercontextual Compositional Methodologies |
26/10/2023 |
| Elin Festøy |
NUMB - exploring emotionally charged interactions to motivate reflection on non-fiction topics |
25/10/2023 |
| Søren Kjærgaard |
TRAVERSING SONIC TERRITORIES (TST) |
24/10/2023 |
| Maarten Stragier |
Heterotopia of the Practice Room: Casting and Breaking the Illusion of Tristan Murail’s Tellur for Solo Guitar |
24/10/2023 |
| Jim Harold |
CRITICAL CONFABULATIONS – Corresponding Practices and Mappings |
24/10/2023 |
| Mathew Klotz |
The Plane of Cicadas: On the Possibility of Making Kin through Musicking |
24/10/2023 |
| Marketa Kinterova |
We Are Public Space: Bodies and Minds in Post-pandemic Cities |
24/10/2023 |
| alejandra reyero |
La resistencia de las piedras |
24/10/2023 |
| Carlota Mir |
Cosmologies of Asylum: A Lumbung Collaboration Between Trampoline House and Project Art Works |
24/10/2023 |
| VIS – Nordic Journal for Artistic Research |
A conversation about Studio Conversations |
24/10/2023 |
| Magnus Lysbakken |
Refleksjonsnotat - Masterprosjekt |
24/10/2023 |
| Katja Münker, Andrea Keiz |
SCHRITTWEISE engl. Version |
23/10/2023 |
| Katja Münker, Andrea Keiz |
SCHRITTWEISE |
23/10/2023 |
| Trond Lossius |
Stedet renner gjennom meg |
23/10/2023 |
| Rafal Hanzl |
Ways of expression: the impact of VFX technology on modern storytelling in film and interactive media production. |
23/10/2023 |
| Kent G R Olofsson |
Death to the Welfare State: An Exposition on Political Discourse and Artistic Collaboration |
23/10/2023 |
| Fernanda Branco |
evocations – towards a poetics of documentation |
20/10/2023 |
| Per Roar |
Tracing Practices – questioning and circulating archives |
20/10/2023 |
| Emma Cocker |
TEXTORIUM: Collaborative Writing-Reading with/in Public Space |
20/10/2023 |
| Katt Hernandez |
The Ephemeral City: Songs for the Ghost Quarters |
20/10/2023 |
| Mike Croft |
Observations of: The Observation of Perception, considered through Drawing |
20/10/2023 |
| Mike Croft |
Speech spoken: Two monologic transcripts and the return of interspersed sections of them to speech that oscillates between sense and non-sense |
18/10/2023 |
| Kaat Vanhaverbeke |
Extra-dimensional accordion playing using a surround sound system: Creating new music |
12/10/2023 |
| Junuka Deshpande |
A drawing hangs in the middle |
08/10/2023 |
| Joanne Scott |
Urban Wild_Life: Exploring affective relationships with wild urban nature through creative digital practices |
04/10/2023 |
| Kristian Evjen |
Interpreting Finn Mortensen’s Piano Music in an International Perspective |
03/10/2023 |
| Elisabeth Schäfer |
PPC – A PROJECT TO CRITICAL REAPPRAISAL OF THE HISTORY OF THE MÜHL "COMMUNE". |
02/10/2023 |
| Vidar Schanche |
The E(c)lect(r)ic Guitar in The Mechanical Forest |
02/10/2023 |
| Jason Norda |
Hacka Skolan. Ett arbete om: kunskaper och elevers blivande i skolan |
29/09/2023 |
| nikolaj hess |
Transformative Reflections |
28/09/2023 |
| Emma WIlliams |
(2019) The Singing Violin: Portamento use in Franz Schubert’s violin music |
26/09/2023 |
| Tor Einar Bekken |
The Garage Tapes |
18/09/2023 |
| Johannes Kretz |
RAPP Lab Outcomes |
14/09/2023 |
| Sveinung Rudjord Unneland |
Urgent Affairs, Strange Empathy |
11/09/2023 |
| Ester Martin Bergsmark |
voice under |
06/09/2023 |
| Johan van Kreij |
'What may have happened…' |
01/09/2023 |
| Hannaleena Hauru |
Collaborative Dramaturgies in Filmmaking |
01/09/2023 |
| Rozita Sophia Fogelman |
Amazing Patterns ▓▓█▋▋◣◢▋ |
31/08/2023 |
| Elisabeth Lambeck |
SALT - choreography and critical humor |
28/08/2023 |
| Shanna Soh |
Making Histories: Pluriverse Perspectives on Fashion & Textile Design Studies. Contributions from Year One students (AY 2021/22) |
22/08/2023 |
| Shanna Soh |
Making Histories: Pluriverse Perspectives on Fashion & Textile Design Studies, Contributions from Year Two students (AY 2021/22) |
22/08/2023 |
| Kristoffer Berre Alberts |
Point Of Return |
17/08/2023 |
| Pedro Latas |
Embodied Bits |
14/08/2023 |
| Haris Adhikari |
Personal and Academic Blurred Spaces Hinged on Synchronous Gravities in Nature: Conceptual Musings from Events of (Re-)configurations during COVID-19 Pandemic |
04/08/2023 |
| Jeffrey Cobbold |
Music Education Through Autobiographical Digital Storytelling (METADS) at the 14th SAR International Conference on Artistic Research |
01/08/2023 |
| Sergio Sánchez Martín |
Historical Clarinet Mouthpieces: An Analysis and Re-creation studyHistorical Clarinet Mouthpieces: An Analysis and 3D Re-creation study |
13/07/2023 |
| Elizabeth Torres |
The Ecology of Artistic Research |
10/07/2023 |
| Tijs Ham |
Tipping Points (Reflection Component) |
07/07/2023 |
| Robert Franenberg |
Divertimento Sextet |
06/07/2023 |
| Fabio Bonizzoni |
With trumpets? |
06/07/2023 |
| Nabila Ayu Aviani |
How art made me (in)sane |
06/07/2023 |
| Diogo Alvim |
Territórios Expansivos / Expansive Territories |
04/07/2023 |
| Raoul Boesten |
Waldorf music education meets Kodály methodology. |
04/07/2023 |
| Alice Andreani |
Singing and Playing - A Kodály Approach to Cello Playing |
30/06/2023 |
| Alexander Damianisch |
Editorial ART RESEARCH ENVELOPE #5 |
27/06/2023 |
| Kaat Schraepen |
Hindemith’s Musical Enigmas Through the Eyes of Bach |
26/06/2023 |
| Journal for Artistic Research |
Journal for Artistic Research: Urgencies |
26/06/2023 |
| Journal for Artistic Research |
Ten Years with the Journal for Artistic Research. Impact and Challenges |
26/06/2023 |
| Merja Ryöppy |
Object theatre exercises unfolding human-object relations in participatory design processes |
26/06/2023 |
| Georgios Varoutsos |
Documenting Sounds in Urban Places: Belfast During Covid-19 Lockdowns 1 and 2 |
26/06/2023 |
| Joanna Magierecka |
Building upon Ruins – Interweaving Metaphors |
26/06/2023 |
| Jon Hovland Honerud |
Fractured Photography |
26/06/2023 |
| Thomas Pearce |
On the Indeterminate Training Technologies of a Reconstructed Bauhaus Choreographer. A Research Practice Between Speculative Historiography, Architectural Invention, and Performative Co-enactment |
26/06/2023 |
| Adolfo Ruiz |
Story in motion: creative collaborations on Tłı̨chǫ lands |
26/06/2023 |
| Jošt Franko |
The Migrating Image |
26/06/2023 |
| Cristiana de Marchi |
Absence is a Space of Confinement |
26/06/2023 |
| Corç George Demir |
Queer Ancestral Mythologies |
26/06/2023 |
| Margit Busch |
about fish, gardens, gardening and a gardener |
26/06/2023 |
| Conny Zenk |
Sound Rides. A Manifestation of a collective cycling Body of Sound |
23/06/2023 |
| Andrew Champlin |
Andrew Champlin on his research project, Technique Concerns: Ballet Practice Against the Western Archive |
22/06/2023 |
| Mong Sum Leung |
Post-Digital Angst |
22/06/2023 |
| Barbara Graf |
Stitches and Sutures: In Re/Search of Images |
22/06/2023 |
| Dewen Myrza |
The protective hand_Dewen_Myrza_2023 |
22/06/2023 |
| Theo Veitch |
Clyde Stubblefield's Influence on Hip Hop |
20/06/2023 |
| Petar Mrdjen |
SOUND/BODY |
20/06/2023 |
| Kaat Vanhaverbeke |
The extra dimension: exploring 3D use of the accordion bellows |
19/06/2023 |
| Catalina Popa-Mörck |
Storytelling in improvisation-based composition: a classical flute player's experience with experimental music |
16/06/2023 |
| Arie Verheul van de Ven |
Composing Situation: An approach for understanding and repeating a musical practice |
15/06/2023 |
| Man Huen Christy Ma |
How to stay alive? |
15/06/2023 |
| Vera Boitcova |
NEPTUNE PROJECT: Transforming Personal Narrative Into Political Statement in an Autobiographical Play |
15/06/2023 |
| Michael Schwab |
Contemporary Research |
14/06/2023 |
| Pablo Devigo |
LEADING FROM THE HARPSICHORD: A HISTORICAL INFORMED APPROACH TO EARLY MUSIC 'CONDUCTING' |
13/06/2023 |
| Stig Møller Hansen |
A Model for Understanding the Evolving Role of Graphic Designers in the Era of Artificial Intelligence |
09/06/2023 |
| Joost Slootbeek |
Double Bass in the spotlight |
09/06/2023 |
| AMUSED |
RNDR M3 4S (1) 0F UR AVATAR GRLS* |
08/06/2023 |
| Shauheen Daneshfar |
Sol-Kissed Bokashi |
08/06/2023 |
| Matthew D'Arcy |
Jolly Bobs live at Solpark |
07/06/2023 |
| Katarina Eismann |
AWESOME ARARAT June 2023 |
07/06/2023 |
| Alexander Mood |
Blodet gränserna arkivet |
07/06/2023 |
| LIPKA FALCK |
ELEKTRISKT HERBARIUM |
07/06/2023 |
| Karin Willén |
Exkursion – utflykt i ett politiskt landskap |
07/06/2023 |
| Emilie Löfgren |
Hennes naglar är Svens, alltid något |
07/06/2023 |
| Sara Key |
P E R I C A R D I U M |
07/06/2023 |
| Nicia Ivonne Fernandez Grijalva |
Passions of Utopia |
07/06/2023 |
| Dan Lageryd |
The Phantom Carriage |
07/06/2023 |
| Annette Arlander |
Explorations with an Ash Tree |
06/06/2023 |
| Pauliina Pöllänen |
Porous Worlds – the Liminal Spaces of Relief |
06/06/2023 |
| Isaac Barzso |
Sonic Placemaking: (Re)Creating Place as a Comprehensive Compositional Practice |
02/06/2023 |
| Ann-Sofie Nurmi |
PRESENCE as an actor |
02/06/2023 |
| Simon Rydén |
NAVIGATING NOISE |
02/06/2023 |
| Normann Hanna |
ILUF/Never forget that we met@internet |
01/06/2023 |
| Alexander Lindman |
What is the ART of ADHD Social Media Acting - and how is it artistically relevant for everyone to know? |
01/06/2023 |
| Carolina Grilo Santos |
by division and differentiation |
01/06/2023 |
| María Estela Lastre Castillo |
The art of the violin in Verdiales |
01/06/2023 |
| Mia Kogelman |
Connections; The artistic process of creating a multimedia performance |
01/06/2023 |
| Andreas Borregaard |
Just Do It! Exploring the musician's (use of) bodily performance |
01/06/2023 |
| Vija Anna Moore |
Pause in Nature, then Carry on with Hope |
31/05/2023 |
| Vera Hjördís Matsdóttir |
Michael Chekhov’s acting technique through the lens of a classical singer |
31/05/2023 |
| Catarina Braga |
HMV_II |
31/05/2023 |
| André Rangel |
(Des)Aceleração |
31/05/2023 |
| Karin Bergstrand |
När vi ses och Hur gör vi med publikinsläppet? |
30/05/2023 |
| Enrico Coden |
Saverio Mercadante and the Neapolitan flute school of the early 19th century. A dramma buffo on the historically informed approach |
26/05/2023 |
| Halla Steinunn Stefánsdóttir |
HÉR! An Exploration of Artistic Agency - Media Repository |
26/05/2023 |
| Lauren O'Neal |
Assembling a Praxis: Choreographic Thinking and Curatorial Agency - Open House: A Portrait of Collecting |
26/05/2023 |
| Lauren O'Neal |
Assembling a Praxis: Choreographic Thinking and Curatorial Agency - Clew: A Rich and Rewarding DIsorientation |
26/05/2023 |
| Lauren O'Neal |
Assembling a Praxis: Choreographic Thinking and Curatorial Agency - Being and Feeling (Alone, Together) |
26/05/2023 |
| Anne-Helen Mydland |
Topographies of the obsolete |
25/05/2023 |
| Alexander Damianisch |
reposition #1 Editorial |
23/05/2023 |
| Idin Samimi Mofakham |
Holographic Composition Technique |
23/05/2023 |
| Elisa Rumici |
“Empowerment through artistic practice: finding my own voice” |
22/05/2023 |
| Ettore Cauvin |
A personal testimony of artistic research |
20/05/2023 |
| Henrik Hellstenius |
EXTENDED COMPOSITION |
19/05/2023 |
| Cho Hang Chu, Edmond |
The Significance of Chinese Art Songs by Huang Tzu (1904 - 1938) |
17/05/2023 |
| Celia Matamoro |
Albeniz, from the piano to the wind |
17/05/2023 |
| Kateřina Maňáková |
The process of vihuela intabulation of sacred music in 16th century Spain |
17/05/2023 |
| Bas Ammerlaan |
Making a simple International Phonetic Alphabet (IPA)—For singers, conductors and composers |
16/05/2023 |
| Leone Monaco |
Man's struggle for salvation: A programmatic interpretation of Franz Liszt's B minor Sonata |
16/05/2023 |
| Saya Ikenoya |
Felipe Libón, the first travelling Spanish Virtuoso and his Violin Concerto No.6 (1812). A Performance Practice case study: I. Poco Allegro |
16/05/2023 |
| Giulia Bättig |
The Voice in Arranging - Rethinking the role of vocalists in big bands and large ensembles |
16/05/2023 |
| Sacha Paredes Sánchez |
Mindfulness for violinists |
16/05/2023 |
| Porter Ellerman |
Percussion Meets Environmentalism: A method of performance for environmental awareness |
15/05/2023 |
| Amit Yungman |
Aimpathy |
15/05/2023 |
| Ruth Mareen |
Interluding: Identifying practice methods for classical improvisation on the Violin |
15/05/2023 |
| Isaline Leloup |
The Viennese violone : A "Viennoiserie" with 5 spices |
15/05/2023 |
| Stefano Gullo |
Keith Jarrett: The Köln Concert, re-composition for a big ensemble |
15/05/2023 |
| Anna Nygren |
HORSE HORSE O GIRL (?) READ EAT HORSE O. |
14/05/2023 |
| Dalida Shaheen |
The impact of the audience on the actresses |
12/05/2023 |
| Ai Horton |
Laments for a Modern World: Exploring the pathetic capabilities of 17th-century Laments |
11/05/2023 |
| Eduardo Gaspar Polo Baader |
A Garden of Sounds and Flavours: Establishing a synergistic relationship between music and food in live performance settings |
11/05/2023 |
| Noa Meshulam |
Clarinet Pedagogy in Times of Change and Advancement: The Evolution of Amand Vanderhagen’s Méthode Nouvelle et Raisonnée pour La Clarinette |
11/05/2023 |
| Thomas Aurlund Lossius |
The Performer-Composer: A Practice in Interrelation |
08/05/2023 |
| Barbara Wolfram |
(NOT) ENTERING EVERY ROOM - Exploring autosociobiographies via liminal crossing points of social class and the emotion shame |
07/05/2023 |
| Shana De Villiers |
Splitting Mammalian Weeds: Monster for a Memory |
06/05/2023 |
| Zoe Panagiota (aka Betty) Nigianni |
Novel |
05/05/2023 |
| Caterina Daniela Mora |
On Mother Tongues: fall 2022, B58, Stckhlm |
26/04/2023 |
| Marta Silva |
Cubos |
25/04/2023 |
| Christos Tsogias-Razakov |
A LIST OF GRACIELA PARASKEVAIDIS' WORKS, INCLUDING INSTRUMENTS OF THE OBOE FAMILY (April 2023). |
25/04/2023 |
| Björn Kröger |
Carvings at Stechlin |
24/04/2023 |
| Björn Kröger |
Ritzungen am Stechlin |
24/04/2023 |
| Figas |
Bolas |
24/04/2023 |
| Mike Croft |
Seminar – Of Artistic Research: considered through hybrid writing and visual practice |
24/04/2023 |
| Joana Tavares |
New Pixel |
24/04/2023 |
| Tove Dahlberg |
Släpp sångarna loss! |
21/04/2023 |
| Tale Næss Lysestøl |
1:100 - the hybrid reflective text and the metalogue |
18/04/2023 |
| Susana Santa-Marta |
Deed of Destruction |
17/04/2023 |
| Rossanaconda |
Poner el cuerpo – Making spaces public |
13/04/2023 |
| Zoe Panagiota (aka Betty) Nigianni |
Shadows of Intimacy, collaboration with Jia Yu Corti |
13/04/2023 |
| Shauheen Daneshfar |
Scented Rooms |
12/04/2023 |
| Olof Halldin |
Zö Kramers 1978-1983 |
05/04/2023 |
| Paul Norman |
Documenting Non-Sonic Music |
28/03/2023 |
| Kersti Grunditz Brennan |
BLOD, BLOD(y), BLOD |
27/03/2023 |
| Christos Tsogias-Razakov |
A LIST OF NIKOS KOKOLAKIS WORKS, INCLUDING INSTRUMENTS OF THE OBOE FAMILY. |
27/03/2023 |
| Kersti Grunditz Brennan |
Beyond Cut and Join - Expanding the creative role of film editing |
24/03/2023 |
| Pamela Marjan Bartar |
Citizen Science - a new field for the arts? |
20/03/2023 |
| Tanja Kimmel |
Making museum repositories greener |
20/03/2023 |
| Verena Miedl-Faißt |
Await what the stars will bring or moulding the gap |
20/03/2023 |
| Barbara Graf |
Stitches and Sutures. Textile Metaphors and Graphic Topologies as Methodological Artistic Tools |
20/03/2023 |
| Lucie Strecker |
Rewritable Creatures. Correspondence between Daniel Aschwanden, Vera Sebert and Lucie Strecker on Mimesis and Hybridity in Choreography |
20/03/2023 |
| Barbara Macek |
Exercises in Existential Eccentricity. Conceptualising autoimmunity as a variation of the conditio humana |
20/03/2023 |
| Nina Tsy, Nataliia Korotkova (IIAKO) |
[Re] Mapping of Being – Landscape/Cavescape/Humanscape |
14/03/2023 |
| Hedvig Jalhed |
Unfinished Business |
14/03/2023 |
| Bengt Bok |
The Anonymous – A Documentary Memory and Transformation Project |
14/03/2023 |
| Savyasachi Anju Prabir |
Altodi Poltodi (This shore, That shore) |
14/03/2023 |
| Kai Ziegner |
A History of Violence |
14/03/2023 |
| Ed McKeon and Rajni Shah |
Dialogue on Experiments in Listening |
06/03/2023 |
| Mike Croft |
Intimate to and transcendent of transient time qua the seen and drawn in the present: an email to a painter/academic and his reaction |
06/03/2023 |
| Lotte Anker |
SCULPTING AIR IN THE SUB HABITAT |
03/03/2023 |
| Yamil Hasbun Chavarría |
Graduation Seminar (2021) Arts and Visual Communication |
21/02/2023 |
| Yamil Hasbun Chavarría |
Audio-Visual Podcast, Foro No.1 |
21/02/2023 |
| Yamil Hasbun Chavarría |
Foro No.1 Nodos Activos (2022) |
21/02/2023 |
| Yamil Hasbun Chavarría |
Think-Tank 0.0 |
21/02/2023 |
| Ruth Anderwald |
Symposium in Motion - Addressing Dizziness. Navigating Possibilities in Collectives. |
04/02/2023 |
| Alicia Lazaro Arteaga |
Transient sound |
30/01/2023 |
| Juliane Zelwies |
Reading out loud |
25/01/2023 |
| Christos Tsogias-Razakov |
A List of Greek composers with works for the oboe or for the instruments of the oboe family (list - under update) |
08/01/2023 |
| Christos Tsogias-Razakov - Χρήστος Τσόγιας-Ραζάκοβ |
ΟΝΟΜΑΤΕΠΩΝΥΜΑ ΕΛΛΗΝΩΝ ΣΥΝΘΕΤΩΝ ΜΕ ΈΡΓΑ ΓΙΑ ΌΜΠΟΕ Ή ΤΗΣ ΟΙΚΟΓΕΝΕΙΑΣ ΟΡΓΑΝΩΝ (ΑΡΧΙΚΗ ΛΙΣΤΑ ΥΠΌ ΑΝΑΝΕΩΣΗ) |
07/01/2023 |
| Sheung Yiu |
Spotting A Tree From A Pixel (With Remote Sensing Researchers) |
29/12/2022 |
| Paola Villanueva |
Cajón desastre: notas sobre una investigación artística desordenada |
29/12/2022 |
| Lori Watson |
Structures for Freedom: In-performance communication in Traditional musicians in Scotland |
29/12/2022 |
| Sara De Bondt |
Curating as graphic design research |
29/12/2022 |
| Kevin Walker |
A topian artistic methodology |
29/12/2022 |
| Shauna Janssen |
A Performative Response to Sites of Surveillance: The Gorilla Park Project |
29/12/2022 |
| Jeffrey Cobbold |
Love of God - Group Exhibition: A Retrospective Virtual Gallery |
21/12/2022 |
| Ingrid Roig |
The Kodály effect: Measuring musical literacy in Dutch primary school children |
07/12/2022 |
| Ricarda Vidal |
Talking Transformations: Home on the Move |
01/12/2022 |
| Nguyen Thanh Thuy |
Vietnamese Diasporic Voices: Exploring Yellow Music in a Liminal Space. |
18/11/2022 |
| Aurora Del Rio |
Tree of Dawn: Translation as a Method |
17/11/2022 |
| Ingfrid Breie Nyhus |
Tradering, oppløsing |
17/11/2022 |
| Andreas Berchtold |
In circles leading on – folkdance, a choreographic intersection |
17/11/2022 |
| Karin Emilia Hellqvist |
Circular Bowing, Cyclical Work |
17/11/2022 |
| Thalia Hoffman |
Back to Present |
17/11/2022 |
| Dave Ball |
A to Z: Visualising Every Word in the Dictionary in Alphabetical Order |
17/11/2022 |
| Hubert Thériault |
I'll make a sweater out of this, I swear |
12/11/2022 |
| Vanja Hamidi Isacson |
The potential of multilingualism in dramatic works |
11/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - main exposition |
03/11/2022 |
| Jonas Howden Sjøvaag |
Unhomely street - Susanne Ghent |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective -Karsten DeJohg |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Tania Costa |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Susanne Martin |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Siv Lier |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Rosie Henirich |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Raphael Perret |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Petrine, Theodor, Tale, Bjørn |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Niels Lyhne - lecture |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Michelle Forrest-Beckett Steve Dutton |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Michael Halderup |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Michael Dudeck |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Marina Stavrou |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Maria Paschalidou |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Leanne Gonczarow |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Johanna Lettmayer |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Jacob Anderskov |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Isil Egrikavuk |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Ingeborg Entrop |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Grit Ruhland |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Gabriel Moses |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Fidelia Lam |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Eren Ileri |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Emilie Gallier |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Elina Mikkila |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Dominique Baron-Bonarjee |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Cocker & Maier |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Chattopadhyay |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Barbara Ungepflegt |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Annette Arlander |
03/11/2022 |
| Jonas Howden Sjøvaag |
Crisis Collective - Adrianna Hlukhovych |
03/11/2022 |
| Ettore Cauvin |
UNVEILING THE FOLK DANCE IDENTITY OF CARL NIELSEN'S CLARINET CONCERTO OPUS 57: A FYNSKE MODERNIST STORYTELLING |
03/11/2022 |
| Polina Golovátina-Mora |
Seeding Actions |
01/11/2022 |
| ANA LAURA CANTERA |
Biopoéticas: convergencias artísticas interespecie |
28/10/2022 |
| Jean Penny |
Performing the ecstasis: An interpretation of Katharine Norman’s Making Place for instrument/s and electronics |
28/10/2022 |
| Sabrin Hasbun |
The application of creative practice as a means of disrupting or re-defining the dynamics of power in, with or for different communities. |
28/10/2022 |
| Olivia Rowland |
Little Do They Know |
28/10/2022 |
| Rebecca Collins |
Experiments in Aural Attention: Listening Away & Lingering Longer |
28/10/2022 |
| Garrett Lynch IRL |
Pandemic performance: A Haunting of Haunts |
28/10/2022 |
| rosinda casais |
The communication intent in 'matéria disponível’ (‘available matter') |
25/10/2022 |
| Mia Seppälä |
Strategian sisäistäminen |
25/10/2022 |
| ANARTIST |
GRAPHIC NOVEL CLANDESTINE JOURNAL |
25/10/2022 |
| Alira Callaghan |
Configuring the artist residency as a thinking, making, showing space |
25/10/2022 |
| Vanja Hamidi Isacson |
Lyssna till ASIA/ÄRENDE och UniZona & PolyZona |
20/10/2022 |
| Alejandro Montes de Oca |
Case-Specific Electroacoustic Systems |
14/10/2022 |
| Gunilla Pettersson Thafvelin |
Hair, Materiality and immanence |
14/10/2022 |
| Dominik Schlienger |
Prototyping Situations: Interdisciplinary Free Improvisation in Technology Development and Latour’s Mode of the Technical |
11/10/2022 |
| Emma Cocker |
Conversation-as-Material |
10/10/2022 |
| Edvin Østergaard |
Music-in-Becoming: Close Attention! |
09/10/2022 |
| Arja Anneli Kastinen |
Connected Alone |
05/10/2022 |
| Ruben Sverre Gjertsen |
Wheels within wheels: Distortion |
04/10/2022 |
| Karin Emilia Hellqvist |
Solastalgia - Layers of caring |
30/09/2022 |
| Mike Croft |
Responsibility towards the Void |
30/09/2022 |
| Rebecca Close |
Gestures and Inscriptions in Ceramics and Sound: A combined STS, Queer Marxist and Artistic Research approach to the study of Reproductive Politics |
30/09/2022 |
| Marinos Koutsomichalis |
Exploring North Nordic Landscapes in a ‘Hyper-constructive’ Fashion |
30/09/2022 |
| Eka Chabashvili |
Piano Apocalypse |
29/09/2022 |
| Shafeeq Alsadi |
Searching for possibilities - Exploring the potentials of my Qanun performance |
14/09/2022 |
| Andrea Moneta |
Discovering the Altera Forma Urbis of Rome through a site-specific project and performance at Garbatella district, Rome. 12-9-22 |
12/09/2022 |
| Ed Crooks |
London Series and Landscapes |
11/09/2022 |
| Carolina Jinde |
ENHEAR |
02/09/2022 |
| Maria Høgh-Mikkelsen |
Beauty and the Act of Narrating Material Aesthetics |
02/09/2022 |
| Christos Tsogias-Razakov |
The Art of Adjusting the Oboe Reed |
30/08/2022 |
| Elena Giulia Rossi |
DIGITAL RITES and EMBODIED MEMORIES |
30/08/2022 |
| Arjen Berends |
Listening to Messiaen’s colourful hands |
29/08/2022 |
| Johan Björklund |
DRUMS IN THE DEEP |
28/08/2022 |
| Christos Tsogias-Razakov |
The primary knowledge about cane, by Theophrastus. |
28/08/2022 |
| Christos Tsogias-Razakov |
"Αdagio e Rondo” for oboe and piano accompaniment, by Josef Vitzthum (1815-1884). The oldest oboe piece that is associated with the newly formed independent Greek State. |
28/08/2022 |
| Maarten Hendrik Jan Bekhuis |
Voices in Nature: A Sensory Experience of the Hatertse and Overasseltse vennen |
28/07/2022 |
| Jessica Renfro |
Co-authoring the Future: Stories from the Road |
20/07/2022 |
| Julia Pallanch |
The singing Performer: Who am I on stage when not singing? |
18/07/2022 |
| Maria Alejandra Bejarano Salazar |
The German Bow in Tango Music |
18/07/2022 |
| Ian Mcvoy |
Lyon & Healy: the American Harp |
18/07/2022 |
| Jasper Snow |
Musical Monticello: Classical Music and America |
12/07/2022 |
| Annick Odom |
Situating Personal Values in Artistic Practice: Towards a Reflective and Reflexive Framework |
11/07/2022 |
| Hannah Jefferies |
Music, Meaning and Emotion |
11/07/2022 |
| Vivian de Graaff |
Classic Expression: the effect of storytelling in a classical concert for children |
11/07/2022 |
| Laura Sophie von der Goltz |
The Feeling of Sound: Music Curating, Performing and Connecting with and through Music |
11/07/2022 |
| SD |
Double Bass in Indian Classical Music |
09/07/2022 |
| daniela fantechi |
COMPOSING with PIEZO |
06/07/2022 |
| Mike Croft |
Fast- and Stop- frame, and Real- time: video's comment on matters of observation of perception considered through drawing |
04/07/2022 |
| Mike Croft |
Diagramming Perception |
04/07/2022 |
| Jonas Howden Sjøvaag |
Archived presentations from SAR 2021 - Vienna |
01/07/2022 |
| Eva Calvo López |
Research and Critical Edition of Capriccio Diabolico by Mario Castelnuovo-Tedesco |
30/06/2022 |
| Charles Baumstark |
A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories |
29/06/2022 |
| Frans Jacobi |
SYNSMASKINEN |
27/06/2022 |
| Linda H. Lien |
KVA(M) NO |
24/06/2022 |
| Arild Berge |
Topographies of the Obsolete |
21/06/2022 |
| Richard Hughes |
ECOGNOSIS: Ecological Awareness in Multimedia Composition |
17/06/2022 |
| Krishna Nagaraja |
Polska Travels: Composing (at) the Crossroads. In search of an itinerant musical home. |
13/06/2022 |
| Jonas Howden Sjøvaag |
SAR 2021 presentation - Korsten Dejong |
11/06/2022 |
| Gonzalo H. Rodríguez |
SAR 2021 presentation - Gonzalo H. Rodriguez |
11/06/2022 |
| Katrin Ackerl Konstantin |
Mapping the Unseen(the virtual Mapping) |
11/06/2022 |
| Ramon Parramon |
Asymmetries in the Urban Space |
10/06/2022 |
| Jacob Anderskov |
Sonic Complexion |
07/06/2022 |
| Lars Greve |
Rooms of Resonance, |
07/06/2022 |
| Diana Grgurić |
Sounds of the Balkan - Editorial |
04/06/2022 |
| Theodore Teichman |
Listening against "The Transition" |
04/06/2022 |
| Julius Norrbom |
Mellanrum: towards an entangled audiovisual practice |
03/06/2022 |
| Błażej Brzostek |
Soundscapes of Stalinism: Acoustical Experiences in Bucharest in the 1940s and 1950s |
03/06/2022 |
| D.A. Calf |
A Spectral Geology |
03/06/2022 |
| Paulo Luís Almeida |
SAR 2021 presentation - Paulo Luis Almeida & Flávia Costa |
31/05/2022 |
| Christina Stadlbauer |
Reaerch Fellow at Apass |
29/05/2022 |
| Katharina Swoboda |
Zoological Architectures and Empty Frames |
26/05/2022 |
| Pavel Prokopic |
Affective Atmosphere: A Non-Representational Method of Devising Film Performance and Fiction |
26/05/2022 |
| Ella Raidel |
Of Haunted Spaces |
26/05/2022 |
| Geetanjali Sachdev |
Petals to Light...Pedagogic Possibilities with Floor Art |
26/05/2022 |
| David Szanto |
Research-Creation about and with Food: Diffraction, Pluralism, and Knowing |
26/05/2022 |
| Ali Mousavi |
Acoustemological Investigation: Sound Diary #Tehran |
26/05/2022 |
| Nora Rinne |
Imitation as a Way to Care |
25/05/2022 |
| Phoebe Eustance |
the hospital is ill - Phoebe Eustance |
25/05/2022 |
| Adrian Artacho |
Social D[ist]ancing |
25/05/2022 |
| George Kan |
SAR 2021 presentation - George Kan and Suzi Teo |
25/05/2022 |
| Chanda VanderHart |
SAR 2021 presentation - Chanda VanderHart |
25/05/2022 |
| CAT HOPE |
SAR 2021 presentation - Cat Hope |
25/05/2022 |
| Arno Boehler |
SAR 2021 presentation - Arno & Susanne |
25/05/2022 |
| Chun Wai (Wilson) Yeung |
SAR 2021 presentation - CHUN WAI (WILSON) YEUNG et. al. |
25/05/2022 |
| Christian Doeller |
SAR 2021 presentation - Christian Doeller |
25/05/2022 |
| Liza Lim |
SAR 2021 presentation - for Liza Lim |
25/05/2022 |
| chara Lewis |
SAR 2021 presentation - Chara Lewis |
25/05/2022 |
| Mariella Greil |
SAR 2021 presentation - Mariella Greil |
25/05/2022 |
| Anders Lind |
Pen and Paper Quartet - A telematic performance |
25/05/2022 |
| Barbara Macek |
EEE – Exercises in Existential Eccentricity: Movements, Artefacts, Transitions. By Barb Macek |
25/05/2022 |
| Dawn Woolley |
SAR 2021 presentation - Dawn Woolley |
25/05/2022 |
| Ralo Mayer |
An Index of Un·Earthing: log entries towards the decolonization of outer space |
25/05/2022 |
| Imani Rameses |
SAR 2021 presentation - for Imani Rameses |
25/05/2022 |
| ujjwal utkarsh |
SAR 2021 presentation - for Ujjwal Utkarsh |
25/05/2022 |
| Rosie Heinrich |
Rosie Heinrich & Daisy Hildyard |
25/05/2022 |
| Joel Diegert |
Overlapping Competencies |
25/05/2022 |
| Archie S. Reid |
NEUROPOSTHUMAIN : expérimentation transcyberféministe des techniques de l'hybridité en tant que critique des biopouvoirs dans une pratique de l'art performance technologique |
21/05/2022 |
| Andrea Parkins |
“Sonic Spaces for the Stray”: (Dif)Fusing Dis-location in Sound Installation and Performance |
18/05/2022 |
| Michelle Pritchard |
Out of the "Engine Rooms" |
16/05/2022 |
| Giangiacomo Sala |
The appearance of the sound |
12/05/2022 |
| Kristia Michael |
Searching for the Siren | Exploring contemporary vocal aesthetics |
12/05/2022 |
| Christina Stadlbauer |
Pikatreffit |
11/05/2022 |
| Candela Mier-Terán |
Cello Meets Soleares |
11/05/2022 |
| Shanice Skinner |
Adding to the Narrative: Intersectional Feminist Critical Curatorial Practices in Classical Vocal Music Performance |
11/05/2022 |
| Blanca Leticia Martín Muñoz |
La Basse de Violon |
11/05/2022 |
| Silvia Escamilla Jiménez |
The Transfigured Guitar of Alberto Ginastera Sonata for Guitar, op. 47 |
10/05/2022 |
| Sean Bell |
No Joy in the Brilliance of Sunshine |
10/05/2022 |
| André Teixeira |
"An Actor Prepares": A musician's approach to a selection of techniques by Konstantin Stanislavski |
09/05/2022 |
| Anna Marieke Zijlstra |
OBOETRY – French poetry played in melody: a poetical & vocal approach to French 'mélodie' on oboe |
09/05/2022 |
| Rafaele Andrade |
A case study of instrument design |
09/05/2022 |
| Björg Blondal |
Tvísöngur - Tradition Icelandic Folk Music |
09/05/2022 |
| Yann Charles M Bougaran-Faivre d'Arcier |
Exploring taboos through Socially Oriented Design |
04/05/2022 |
| Thorolf Thuestad |
Emotional Machines - Composing for Unstable Media. |
04/05/2022 |
| Vonrik Haug |
Emergent Ears |
04/05/2022 |
| Linn Henriksson Strååt |
OSAMSAS - A movie on how to develop scenography |
02/05/2022 |
| Eleanor Bauer |
choreo | graphy: artistic research project documentation |
28/04/2022 |
| Lars Skoglund |
The Theatre of Words Set to Music |
27/04/2022 |
| Robert Bobnič, Natalija Majsova, and Jasmina Šepetavc |
What is the Affect of a Merry Genre? The Sonic Organization of Slovenian Folk Pop as a (Non)Balkan Sound |
26/04/2022 |
| Tomas Löndahl |
Den klingande verklighetens föränderlighet: Mot ett vidgat gestaltningsutrymme |
26/04/2022 |
| Stefan Woudenberg |
The discovery of Ludovicus Mirandolle’s manuscripts |
22/04/2022 |
| Winnie Huang |
Sonic Silhouettes Musical Movement |
21/04/2022 |
| Chiara Percivati |
The instrument apparatus: a prepared clarinet perspective |
21/04/2022 |
| Ondřej Daniel |
The Right to Polished Sound: Age and Class in the Viennese Balkan Music Scene |
19/04/2022 |
| Maja Zećo |
Contextualities of Listening to Soundscapes: The Past and The Present Converging in Sarajevo |
15/04/2022 |
| Lasse-Marc Riek |
Сарајево concrète |
15/04/2022 |
| Ivar Roban Krizic |
Concert for Double Bass ‘In Absentia’ |
11/04/2022 |
| Carina Randloev |
Do we create enough space for mistakes within the film system? |
05/04/2022 |
| Ryan Evans |
quiet citadel |
29/03/2022 |
| Sergio Montero Bravo |
Territorial Art, Design & Architecture |
14/03/2022 |
| Tobias Leibetseder |
Fragments in Time |
14/03/2022 |
| Klara Waara |
Ta Form |
14/03/2022 |
| Arturo Delgado Pereira |
We Would Strike!: Beyond Representation in a Post-Industrial Town. |
14/03/2022 |
| Paola Torres Núñez del Prado |
The Sonified Textiles within the Text(il)ura Performance: Cross-cultural Tangible Interfaces as Phenomenological Artifacts |
14/03/2022 |
| Håkon Magnar Skogstad |
Playing in the Manner of Ricardo Viñes |
24/02/2022 |
| Christina Stadlbauer |
Flower Clock |
10/02/2022 |
| Thalia Hoffman |
Place to Action! Art that Inteferes |
09/02/2022 |
| Stephen Edward Bottomley |
Like A Rolling Stone |
28/01/2022 |
| Stephen Edward Bottomley |
FERROcity: Iron in the city |
28/01/2022 |
| Hedvig Jalhed |
Arcade: A Guide to the Operas in the Doctoral Project "An Operatic Game Changer" |
26/01/2022 |
| Andrea Moneta |
Discovering the Altera Forma Urbis of Rome through a site-specific project and performance at Garbatella district, Rome |
24/01/2022 |
| Andrea Moneta |
Ghosts! Heritage design project and performance at Nottingham Castle Grounds |
22/01/2022 |
| Andrea Moneta |
Scenarchitecture: exhibitions, live events and sited performances in Italy and UK, 2006-2021 |
21/01/2022 |
| Matilde Meireles |
Multiple Perceptions of the Everyday Unfolded: The Case Study of Sunnyside |
19/01/2022 |
| d+g |
Green thing - part 3 |
09/01/2022 |
| Andrea Moneta |
Gandhi King Ikeda - Peacebuilders Exhibition |
08/01/2022 |
| Udo Maria Fon |
ON THE EMERGENCE OF AN ENTITY OF ENTROPY v.0.7.3 |
31/12/2021 |
| Vasco Alves |
A∴418: Um Contributo para a Pesquisa Artística em Música |
30/12/2021 |
| Søren Kjærgaard |
Multilayeredness in Solo Performance |
30/12/2021 |
| Helga Schmid |
The Atemporal Event |
30/12/2021 |
| Laura Toxvaerd |
Composition of graphic and sonic works through the improvisers' co-creation |
30/12/2021 |
| Sofía Balbontín |
Vox Spatium |
30/12/2021 |
| Tabea Rothfuchs |
I lost time and space. Where am I? – Erzählen von chronischen Schmerzen |
30/12/2021 |
| Ulvi Haagensen |
Cleaning in progress: the line between art and life |
30/12/2021 |
| Jim Lloyd |
Future Earth Scream Now - The Solresol Birdsong Translator |
30/12/2021 |
| Joel Diegert |
Aubiome: A Collaborative Method for the Production of Interactive Electronic Music |
30/12/2021 |
| Mette Simonsen Abildgaard |
Sound At Home II: City, Home, Body - Sonic Relations and Voice |
23/12/2021 |
| Mariske Broeckmeyer |
Dialectics of Outside and Inside - A Sonic Study of Being through Illness and Isolation |
23/12/2021 |
| Hubert Gendron-Blais |
A Community Attuned to the Outside. Reverberations of the Montreal Balcony Drone |
22/12/2021 |
| Jana Potiron |
Do not disturb my coffee zen |
22/12/2021 |
| Ioannis Christoforou |
Μove to the rhythm |
16/12/2021 |
| Kate-Elin Madsen |
My nature |
15/12/2021 |
| Andrea Moneta |
Engaging with site-specific design through experiential learning and case-based learning |
13/12/2021 |
| Kristoffer Borgen |
The PentaPuzzle |
07/12/2021 |
| Henning Kristoffer Borgen |
Hilsen Brettet / The Greeting Board |
07/12/2021 |
| Budhaditya Chattopadhyay |
Room Ambience: Home as Heard in Film and Media Arts |
06/12/2021 |
| Ilmari K. |
SOSIAALISEN SOMATIIKAN UTOPIA: Ruumiin orientaatio tilassa |
30/11/2021 |
| Ulvi Haagensen |
Walking to Utopia and Thinking About Art Along the Way |
29/11/2021 |
| Jaakko Ruuska |
Elisenvaara-Pieksämäki - hajonnut kone |
29/11/2021 |
| Annette Arlander |
Calling for Zoe as a Utopian Gesture |
29/11/2021 |
| Vappu Susi |
UTOOPPISTEN RUUMIIDEN VILLI PYÖRÄILY |
29/11/2021 |
| Kristina Junttila |
On the Potential of Exercises in Live Art Pedagogy |
29/11/2021 |
| Stephen J. Neville |
Aural Expectations of Home: An Autoethnography of the Amazon Echo Smart Speaker |
26/11/2021 |
| Rasmus Kloster Bro |
Materials of the Cinematic Language |
26/11/2021 |
| Sven Vinge |
HONEYMOON IN POMPEII - work in progress |
26/11/2021 |
| Iain Findlay-Walsh |
Composing the Field of Dwelling: An Autoethnography on Listening in the Home |
18/11/2021 |
| Eka Chabashvili |
9 Lives of Piano |
08/11/2021 |
| Erik Daehlin |
Minne som materiale |
08/11/2021 |
| Bruno Caldas Vianna |
Singular |
04/11/2021 |
| Marko Mikael Marila |
Musings on Pure Play |
03/11/2021 |
| NTNU |
2 player Instrument |
02/11/2021 |
| Hannah Spaulding |
Overhearing the Unheimlich Home: Power and Proximity in “Shut Up Little Man!” |
02/11/2021 |
| Anne Juren |
Studies on Fantasmical Anatomies |
29/10/2021 |
| Renee Jonker |
What is the word |
27/10/2021 |
| Lena Stefenson |
Movement first : Directing for Movement-Based Performative Arts |
19/10/2021 |
| Liv Kristin Holmberg |
Smitte som skapelsesmaskin |
19/10/2021 |
| Timo Menke |
Corona Influentia och den mörkare materian |
19/10/2021 |
| Karen Schiff |
Viral Drawings: Transmission BC / QT / AV |
19/10/2021 |
| Alexandra Crouwers |
The Plot, The Compositor, Mourning/Mistakes |
19/10/2021 |
| Jennifer Torrence |
Soft to the Touch: Performance, Vulnerability, and Entanglement in the Time of Covid |
19/10/2021 |
| Kjell Tore Innervik |
New instruments for Music Exploration |
18/10/2021 |
| Xenia Mura Fink |
REPUBLIC OF THE OTHER |
08/10/2021 |
| EPAMEINONDAS P. FASIANOS |
Investigating the impact of Electroacoustic Music in Greek Culture, through a portfolio of Electroacoustic Music works which explore religious and mythological aspects of Greece. |
28/09/2021 |
| Else Olsen Storesund |
Open Form. An Expanded Performer´s Role. |
28/09/2021 |
| Hannah Clarkson |
Raising the Voice: Sculptural and Spoken Narratives from the Flat Sheet |
27/09/2021 |
| Mika Elo |
Encore |
27/09/2021 |
| Tom Milnes |
Ephemer(e)ality Capture: Glitching The Cloud through Photogrammetry |
27/09/2021 |
| Constantinos Miltiadis |
Beyond the Visual - A research curriculum for explorations in spatiotemporal environments |
27/09/2021 |
| Nathan Riki Thomson |
RESONANCE: (Re)forming an Artistic Identity through Intercultural Dialogue and Collaboration |
27/09/2021 |
| Sebastian Martinsen |
Cloud Fidget |
23/09/2021 |
| Mareike Nele Dobewall |
Voicelanding - Exploring the scenographic potential of acoustic sound in site-sensitive performance |
22/09/2021 |
| Magdalena Maria Miazga |
Water Lily |
21/09/2021 |
| Ole Andreas Nøstdal Stavå |
Desktop Friend |
21/09/2021 |
| Kamran Behrouz |
Queers, Crips, and Mermaids: Disruptive Bodies as Performative Objects |
17/09/2021 |
| christian scott |
auto-ethno r/c |
16/09/2021 |
| Robertas Narkus |
Gut Feeling |
14/09/2021 |
| Mike Croft |
Coded Perception: 'Out of the Corner of One's Eye' |
10/09/2021 |
| Angela Ramette |
Angela Ramette |
31/08/2021 |
| Einar Røttingen |
(Un-) settling Sites and Styles |
17/08/2021 |
| Mike Croft |
‘[…] Biology of One Body’s work’: A video collage of seconds counted while drawing + 2-minutes’ playback layered a number of times |
23/07/2021 |
| Srivi Kalyan |
The politics of creative justice: Conversations on creative processes |
13/07/2021 |
| Marlon Valk |
Taking off the mask: embracing vulnerability on stage |
08/07/2021 |
| Pietro Battistoni |
Giuseppe Torelli and the birth of the Violin Concerto |
25/06/2021 |
| Kitty Lai |
A Study on Ornamentation and Expression in French vocal Music (1650-1750) |
18/06/2021 |
| Asako Ueda |
Intabulation as process and practice (Master thesis) |
18/06/2021 |
| Matthew Xie |
Batterie & Baroque Guitars |
15/06/2021 |
| Noppakorn Auesirinucroch |
Innovative Practice of Enhancing Musical Perceptions |
14/06/2021 |
| Edda Bild, Daniel Steele, and Catherine Guastavino |
At Home in Montreal’s Quartier des Spectacles Festival Neighborhood |
14/06/2021 |
| Eva Mohn |
Nine Sleeps |
09/06/2021 |
| Dimitris Koutantos |
JAZZ DRUMS: 5 unconventional comping examples |
08/06/2021 |
| Sarah Brown and Valentina Vuksic |
ANTIVIRUS !Make some domestic noise! on ∏ Node Part I |
07/06/2021 |
| Mette Simonsen Abildgaard |
Editorial - Sound at Home 1: Territory, Materiality and the Extension of Home |
07/06/2021 |
| Yann Coppier |
Absurd Sounds |
23/05/2021 |
| Matthias M Sildnik S |
Registers of Disinhibition: Transferred Autonomy and Generative Systems in Artistic Research |
23/05/2021 |
| Monica Clare van der Haagen-Wulff |
Body Hegemonies 2017: An Experimental Transfer |
23/05/2021 |
| Scott McLaughlin |
Composing Technique, Performing Technique |
23/05/2021 |
| András Blazsek |
∂ Topological Landscapes |
23/05/2021 |
| TM |
Mörk Materia / Dark Matter(s) |
21/05/2021 |
| Polly Hudson |
We Reap What We Sow, embodiment and urban allotment gardening. Part 1: autumn- late winter, October- January. |
21/05/2021 |
| Darya Tsymbalyuk |
Between plant fossils and oral histories: tracing vegetal imaginaries from Donbas, Ukraine |
21/05/2021 |
| Lauri Linna |
PORK KANA CAR ROT -project and its offshoot: Keyboard for plants |
21/05/2021 |
| Egle Oddo |
Evolutionary Gardens and Performative Habitats |
21/05/2021 |
| Rebecca Carlson |
Sounds of Another Home: Telepresence, COVID-19 and a Bioscience Laboratory in Transition |
21/05/2021 |
| Alex Baker |
Diminutions, Divisions, and Doubles in Viol Literature |
20/05/2021 |
| Jacob Kingsbury Downs |
Acoustic Territories of the Body: Headphone Listening, Embodied Space, and the Phenomenology of Sonic Homeliness |
17/05/2021 |
| Uwe Steinmetz |
Jazz in Worship and Worship in Jazz |
04/05/2021 |
| Jakub Pesek |
Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface |
03/05/2021 |
| Heleen Bongenaar |
Down to business |
03/05/2021 |
| Sarah Brown and Valentina Vuksic |
ANTIVIRUS !Make some domestic noise! on ∏ Node Part II |
02/05/2021 |
| Jonas Frey |
negotiating the space in between |
29/04/2021 |
| Anna Nurmela |
Good Morning! Good Day! Good Afternoon! Good Evening! Good Night! |
20/04/2021 |
| Virpi Nieminen |
in the flesh |
20/04/2021 |
| Mika Kiviniemi |
Peripheral frequencies |
16/04/2021 |
| Udo Maria Fon |
BRIEF HISTORY OF PERCEPTION |
13/04/2021 |
| Nanna Hauge Kristensen |
Fading Quetly |
06/04/2021 |
| Marie Fahlin |
Moving through Choreography – Curating Choreography as an Artistic Practice |
31/03/2021 |
| Carmen Raffaela Küster |
Tree Encounters – Berlin Series #takecare |
31/03/2021 |
| Greta Pundzaite |
CHOREOGRAPHIC NATURE. A DISTANCED LOOK TOWARDS MOVEMENT (DANCE MOVIE 'NON-BREAKING SPACE' (2021) | ESSAY) |
30/03/2021 |
| Robert Vesty |
Material Words for Voicing Dancers (Appendix VII) |
30/03/2021 |
| Greta Pundzaite |
How to Make Performing Arts Survive Time and Become an Accessible Archive: An Attempt to Register Performing Art’s Creation |
20/03/2021 |
| Greta Pundzaite |
I'M NOT FROM HERE |
17/03/2021 |
| Josh Spear |
,__ ^_. ||:_DOWN_DEEPCUTS_'LOCK[ANIMÉ.INVENTION] :||,•__\-‘ - - ÉTUDES FOR THE BEGINNING OF AN ONLINE PRACTICE |
15/03/2021 |
| Emelie Carlén |
Haunted houses |
15/03/2021 |
| Livia Prawitz |
Piskan ställningen |
15/03/2021 |
| Elisa Rossholm |
Naturfilm |
15/03/2021 |
| Annette Arlander |
Beyond the Saturation Point |
15/03/2021 |
| Michael Duch |
Reiterate, rerun, repeat |
15/03/2021 |
| Jacek Smolicki |
Minuting. Rethinking the Ordinary Through the Ritual of Transversal Listening |
15/03/2021 |
| Francisca Skoogh |
Play: emotional regulation in classical music performance |
08/03/2021 |
| Leena Rouhiainen |
Katveen varjon sanominen koreografisena kirjoittamisena |
08/03/2021 |
| Kalle Lampela |
Jaloittelemassa – Kävelemällä piirtäminen ja viivojen paikat |
08/03/2021 |
| Elisa Alaluusua |
Piirretty hiljaisuus – Hiljaisuuden merkitys osana piirtämispraktiikkaani |
08/03/2021 |
| Mari Mäkiranta |
Kotini joki – Betoniin piirtyvä hiljainen vastarinta ja vastarinnan performatiiviset ulottuvuudet |
08/03/2021 |
| Hanna Guttorm |
Coming Slowly to Writing with the Earth, as an Earthling |
08/03/2021 |
| Francisco Beltrame Trento |
A Diary on Slowness at Örö Fortress Island |
08/03/2021 |
| Susanna Hast |
falling like a monster |
08/03/2021 |
| Erik Natanael Gustafsson |
The Sound of Software Tranquillity |
08/03/2021 |
| Marjatta H Oja |
Pienenergia, arkisto ja uusi aktivismi |
08/03/2021 |
| Pirita Hanneli Lauri |
PERSPECTIVES TO A LIVING DESIGN MEDIUM: First encounters with a fermented indigo vat |
08/03/2021 |
| Petri Kaverma |
Hitaus ja hiljaisuus |
08/03/2021 |
| Lisa Dillan |
Interimp |
02/03/2021 |
| Greta Pundzaite |
The Role of Sound as a Component of Urban Experience |
27/02/2021 |
| Greta Pundzaite |
FERRY EXPERIMENT: READING LINE AND SOUND | PHYSICAL MOVEMENT LAB |
17/02/2021 |
| shasti |
HALFLIFE |
27/01/2021 |
| Mauro Smorto |
Effects of visual instructions in one-on-one violin lessons |
14/01/2021 |
| Alexander Skantze |
Trädgårdsmästare och arkitekter: att skriva från början eller skriva från slutet: prospektiva kontra retrospektiva filmmanuspraktiker |
14/01/2021 |
| Francisca Skoogh |
Transforming performance- an inquiry into the emotional processes of a classical pianist |
10/01/2021 |
| Gunhild Mathea Husvik-Olaussen |
Responsivt rom - en lytting inn i materialitet |
06/01/2021 |
| Arja Anneli Kastinen |
Six Hours of Exploratory Improvisation |
06/01/2021 |
| Hwa Young Jung |
Probationary: An Artwork for Civil Servants |
05/01/2021 |
| Heloisa Amaral |
YEARNING TO CONNECT A Short Introduction to Music Curatorship |
04/01/2021 |
| Gavin Wade |
A–Z Display Units (After Kiesler & Krischanitz) 2015–2020 |
30/12/2020 |
| Jacqueline Taylor |
Otherlands |
30/12/2020 |
| F M Schenk |
Biomimetics, Color and the Arts |
29/12/2020 |
| Luis Berríos-Negrón |
Methods of Indirection: a trialogue between Patrizia Bach, Howard Eiland, and Luis Berríos-Negrón about Walter Benjamin and translating The Arcades Project |
29/12/2020 |
| Mariske Broeckmeyer |
Impulsive Incantations - Voicing Migraine |
29/12/2020 |
| Elsa Kosmack Vaara |
Exploring and Prototyping the Aesthetics of Felt Time |
29/12/2020 |
| Mads Bering Christiansen |
Soft Robotics and Posthuman Entities |
29/12/2020 |
| Sarah Black |
31 Days Old - Performance, Family and Ethics |
29/12/2020 |
| Ellen Fallowfield |
Multiphonics for Stringed Instruments: Performance Practice and Research Practice |
28/12/2020 |
| Helena Marinho |
Marinho & Branco - New music for old instruments |
28/12/2020 |
| Mieko Kanno |
Cerro Rico: the co-production of a discursive voice in chamber music |
27/12/2020 |
| Gareth Somers |
1616: The Secrets and Passions of William Shakespeare |
25/12/2020 |
| Anthony JOHN THWAITES |
Johannes Brahms: Historically-Informed Recording of the Piano Quartets |
23/12/2020 |
| Kathryn Jane Moore |
The Art of Design: from philosphy to practice |
22/12/2020 |
| Bernard Lanskey |
Beyond black and white |
22/12/2020 |
| Ingela Tagil |
Coup de la Glotte and Voix Blanche |
22/12/2020 |
| Roger Heaton |
Playing the unplayable - Horatiu Radulescu |
22/12/2020 |
| Peter Wynne-Willson |
Orange Polar Bear - a cross-cultural performance piece for teenagers in Seoul and Birmingham |
21/12/2020 |
| Andrew Bain |
(no)boundaries: A Study in Free Improvisation |
21/12/2020 |
| Maria Jose Martinez Sanchez |
Macbeth Projeto |
18/12/2020 |
| Polly Hudson |
Choreographic Process and Skinner Releasing Technique |
18/12/2020 |
| Joe Cutler |
The ‘elsewhereness’ of post-genre: utilising playfulness of cross-genre references as a compositional device |
18/12/2020 |
| Michael Wolters |
She plays angel music (where people might die) |
18/12/2020 |
| Helen Roberts |
Reconstructing Verses by Henry Loosemore and John Coprario |
18/12/2020 |
| Andy Ingamells |
Performing the compositional act with bouncy castles, soap and shh |
18/12/2020 |
| Andy Ingamells |
Up Down Left Right |
18/12/2020 |
| Michael Wolters |
Notions of Queerness as compositional building blocks in "There are more of them than us - a Queer Concerto for 9 Saxophones and Orchestra" |
18/12/2020 |
| Paul Norman |
Catalogue d'Emojis |
18/12/2020 |
| Corey Mwamba |
maskings |
18/12/2020 |
| Stuart Whipps |
Necessary Amendments |
18/12/2020 |
| Seán Clancy |
Composition as Devised Collaboration |
18/12/2020 |
| Stuart Whipps |
Tick Tack Tick Tack Tick |
18/12/2020 |
| Stuart Whipps |
Kipper and the corpse |
18/12/2020 |
| Seán Clancy |
Translation as a Compositional Strategy |
18/12/2020 |
| Jamie Savan |
Venice 1629: Exposition of Research |
17/12/2020 |
| Magdalena Morales Hidalgo |
Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy |
16/12/2020 |
| Jakub Jan Ceglarz |
Love Manifesto; embodying disorientation through erotohistoriography. |
15/12/2020 |
| Milou van Vlijmen |
Red heels |
14/12/2020 |
| Simona Koch |
SUPERORGANISM #1 |
11/12/2020 |
| Ivar Grydeland |
Goodbye Intuition |
08/12/2020 |
| Johan Sandborg |
CCFT Buffer Fringe 2020 |
07/12/2020 |
| Tom Blancarte |
Charon as Muse - The Ferrying of Voices in Evan Parker’s Solo Saxophone Music to the Double-Bass as Creative Authorship |
04/12/2020 |
| Anne Haaning |
Half Hidden |
25/11/2020 |
| Adria Julia |
Not Even the Dead Will Survive |
16/11/2020 |
| Ingunn Hatlehol Andreassen |
Akvariumsvegg 2.0 |
16/11/2020 |
| Marius Skaten Aarbakke |
Sansehage Konsept 1 |
16/11/2020 |
| Marius Skaten Aarbakke |
Sansehage Konsept 2 |
16/11/2020 |
| Jacob Anderskov |
Action vs. Reaction |
02/11/2020 |
| Susanna Hast |
Walking with Soldiers: How I learned to stop worrying and love cadets |
28/10/2020 |
| Jennifer Anyan |
Interrogating the notion of 'frock consciousness' through the practice of dressing and responding to dressed bodies |
27/10/2020 |
| Sander Hölsgens |
Walking the Newsroom: Towards a Sensory Experience of Journalism |
27/10/2020 |
| Christoph Solstreif-Pirker |
Breathing into the Ecological Trauma: The Case of Gruinard Island |
27/10/2020 |
| Dominique Somers |
Everything That Shines Sees: Flash Light, Photography and the Acheiropoietic. |
27/10/2020 |
| Adria Julia |
Photography Bound: Rethinking the Future of Photobooks and Self-publishing |
21/10/2020 |
| Martí Ruiz i Carulla |
ODONTOPHONES |
15/10/2020 |
| Marcel Cobussen |
Editorial – Enjoy Sound Art and Sound Studies at Home During Hard Times |
15/10/2020 |
| Linnea Bågander |
BODY FRAGMENTED - temporal expressions |
15/10/2020 |
| Ane Thon Knutsen |
En egen trykkpresse |
14/10/2020 |
| Ernie Roby-Tomic |
Reclamation : Exposing Coal Seams and Appalachian Fatalism with Digital Apparatuses |
14/10/2020 |
| Katt Hernandez |
Aural Transposition, Psychogeography and the Ephemeral World |
14/10/2020 |
| Palle Torsson |
Radical Inside |
14/10/2020 |
| Øyvind Brandtsegg |
Verktøy som materiale |
14/10/2020 |
| Erik Friis Reitan |
Playing against the camera |
14/10/2020 |
| Stacey Sacks |
luxurious migrant // performing whiteness |
07/10/2020 |
| Alexios Brailas |
Designed to allow for Emergence: A Learning Rhizome |
07/10/2020 |
| Il Hoon Son |
How Do I Compose Music Based on Game Rules? Transforming the Emotions of a Game Into Music |
30/09/2020 |
| Mia Engberg |
The Visual Silence |
29/09/2020 |
| Saman Samadi |
An Analytical Study on Pierre Boulez’s Le Marteau sans maître |
28/09/2020 |
| Noha Gamal Saïd |
Sonic Affordances of a Sacred Spring. The Urban Courtyard as a Figure of Rehabilitation of the Medina |
16/09/2020 |
| Ruth Anderwald |
Navigating Dizziness Together - An Arts-based Research of Dizziness in Social and Physical Environments |
16/09/2020 |
| Krzysztof Fijalkowski |
Secret Noise: Marcel Duchamp and the (Un)sound Object |
11/09/2020 |
| Annette Arlander |
Behind the back of Linnaeus - Bakom ryggen på Linné |
11/09/2020 |
| Otso Tapio Lähdeoja |
Co-Sounding: Fostering Intersubjectivity in Electronic Music Improvisation; video repository |
09/09/2020 |
| Simon Jon Andreasen |
Storyworld 2.0 |
09/09/2020 |
| Svein Høier and Asbjørn Tiller |
Experiencing Recorded Geophony. Listening to Arctic Winter Winds at Home |
08/09/2020 |
| Joa Hug |
Propositions for Unfinished Thinking: The Research Score as a Medium of Artistic Research |
08/09/2020 |
| Mark Saccomano |
The Timbre of Tone, the Texture of Space: An Embodied Approach to the Atmospheric Modulations of Éliane Radigue |
07/09/2020 |
| Shauna Jean Doherty |
Noise and Silence: The Contemporary Sound Sculptures of Adam Basanta |
04/09/2020 |
| Braxton Boren |
The Soundscape of Quarantine: The Role of Sound During a Public Health Crisis |
03/09/2020 |
| vincent roumagnac |
REACCLIMATING THE STAGE (SKENOMORPHOSES) |
27/08/2020 |
| Angelo Fraietta |
Sonifying the definitive Brazilian icon |
17/08/2020 |
| Paul Norman |
***CLICK FOR MORE INFORMATION*** reading as performance / reading as composition |
16/07/2020 |
| Srisrividhiya Kalyanasundaram |
A Porous Consciousness in and as Artistic Practice: Re-engaging with classical Indian philosophy and aesthetics as a living tradition |
16/07/2020 |
| Edmund Hunt |
Composition as Commentary: Voice and Poetry in Electroacoustic Music |
16/07/2020 |
| Andrew Miller |
Exploring the Efficiency of Artistic Practices within the Context of their Interaction |
16/07/2020 |
| Jeremy Bubb |
The Missing Page: Place as Palimpsest and ‘Foil’ |
16/07/2020 |
| Tony Overwater |
Teaching jazz double bass in the 21st century |
12/07/2020 |
| Jacob Anderskov |
Habitable Exomusics |
03/07/2020 |
| Niels Lyhne Løkkegaard |
Music for the inner ear |
03/07/2020 |
| Jan Kenneth Weckman |
The Art of Being University/Yliopistona Olemisen Taide/Konsten med Universitet |
02/07/2020 |
| Seamus Cater |
(RE)SOUNDING ALEXANDER J. ELLIS: A SPECULATIVE BIOGRAPHY THROUGH TUNING, SONG WRITING AND COMPOSITION. (exam version) |
29/06/2020 |
| Otso Tapio Lähdeoja |
Matter Dialogues |
15/06/2020 |
| Pekka Kantonen |
taiteen vaikuttavuus |
15/06/2020 |
| Susanne Clausen |
Curating the Art School – Propositions for developing a collaborative art space in the intersection between art school and community |
11/06/2020 |
| Budhaditya Chattopadhyay |
Being There: Evocation of the Site in Contemporary Indian Cinema |
09/06/2020 |
| Solmund Nystabakk |
SINGING WITH THE LUTE |
09/06/2020 |
| mari martin |
Sensory excursion as a site of encounter |
08/06/2020 |
| Laura Bissell |
Ecologies of Practice: Landscaping With Beavers |
08/06/2020 |
| Tuula Närhinen |
EPISTEMIC BUGS AT WORLDMAKING |
08/06/2020 |
| Charulatha Mani |
The Eco-Mesh Approach: A Sustainable Methodology for Socio-Culturally Interrogative Artistic Research |
08/06/2020 |
| Claire Robyn Booth-Kurpnieks |
Situating Practices: An ecological approach to exhibition making |
08/06/2020 |
| Katja Juhola |
"Artistic Research on Socially and Environmentally Engaged Art - Ethics of Gathering |
08/06/2020 |
| Esa Kirkkopelto |
TICK VARIATIONS |
08/06/2020 |
| Tine Blom |
Embodied Encounters at the Site of Deep Ecology |
08/06/2020 |
| Emma Cocker |
Reading on Reading: Ecologies of Reading |
08/06/2020 |
| Alex Arteaga |
Aesthetic practices of very slow observation as phenomenological practices: steps to an ecology of cognitive practices |
08/06/2020 |
| Maiju Loukola |
from foaming exercises to scenarios of co-existencies – anticipating emancipatory practices of space |
08/06/2020 |
| Riikka Latva-Somppi |
Traces from the Anthropocene: Working with Soil |
08/06/2020 |
| Imanol Casan |
DEBUSSY AND MOVEMENT - IMANOL CASAN |
05/06/2020 |
| Blanca Maria Martínez Vilanova |
SIMPLICITY OF STRONG EMOTION: Study on the performance style of Frederic Mompou based on his recording of Cants Màgics |
28/05/2020 |
| Christina Kwon |
16th-Century Keyboard Tablature as Performance Notation |
25/05/2020 |
| Lamberto Coccioli |
From culture to nature and back. A personal journey through the soundscapes of Colombia |
14/05/2020 |
| Eleni-Ira Panourgia |
Sculptural sounds: a co-compositional approach |
06/05/2020 |
| Nathan Riki Thomson |
Sonic Conversations for Double Bass, Berimbau and Sámi Joik: Shaping Identity in the Third Space |
05/05/2020 |
| Laura Robinson |
Tropicália: Sonic Resistance, Relationships, and Reframing |
04/05/2020 |
| Pedro J S Vieira de Oliveira |
Editorial |
02/05/2020 |
| Nicolau Centola |
Rail Transport Soundscapes: Journeys in the Urban Space of São Paulo |
02/05/2020 |
| Mauro Sá Rego Costa, Adriana Gomes Ribeiro and Pedro de Albuquerque Araujo |
Radio Art in Brazil: A Panorama of Artists and Productions |
01/05/2020 |
| Kerstin Parth |
Capturing Intimacy: Translating Intimate Moments in Film |
25/04/2020 |
| Bogdan Szyber |
FAUXTHENTICATION – Art, Academia and Authorship (or the site-specifics of the Academic Artist) |
17/04/2020 |
| Budhaditya Chattopadhyay |
Post-immersion: Towards a discursive situation in sound art |
16/04/2020 |
| Nicola Di Croce |
Sonic Empowerment: Reframing "atmosphere" through Sonic Urban Design |
16/04/2020 |
| Pauliina Syrjälä |
Lempeä nostattamassa - kansanmuusikko improvisoivana säveltäjänä |
16/04/2020 |
| Marianna Henriksson |
...CHE SONANDO APPARISCONO – desire for sounding meanings through a musician's practice |
16/04/2020 |
| Brynjar Åbel Bandlien |
RECURRENCES II - mezmerizing |
08/04/2020 |
| Brynjar Åbel Bandlien |
RECURRENCES I |
08/04/2020 |
| Brynjar Åbel Bandlien |
Dancing Recurrences |
08/04/2020 |
| Brynjar Åbel Bandlien |
Dancing Recurrences |
08/04/2020 |
| Stacey Sacks |
This Untethered Buffoon or the Trickster in Everything |
02/04/2020 |
| Marko Uzunovski |
Document the Sound Projection of Aus Licht |
02/04/2020 |
| Thaís Amorim Aragão |
The Triangle and the Thin Biscuit: Reverberations of a Walking Practice |
01/04/2020 |
| Pedro Silva Marra and Thaise Valentim Madeira |
Sonic Politics: Sonority, Territoriality, and Violence in Urban Cultural Practices in Brazil |
23/03/2020 |
| Leandro Pisano |
Navegando hacia un sur sonoro: Two Sound Stories From South America |
19/03/2020 |
| Christina Stadlbauer |
Hexa-Hive |
16/03/2020 |
| Christina Stadlbauer |
Hive Five Sound PicNic |
16/03/2020 |
| Christina Stadlbauer |
Melliferopolis – collaborating with uncontrollable, flying, stinging insects |
16/03/2020 |
| Lucinda Watts |
How to be a Creative Crab |
08/03/2020 |
| Joanne Scott |
‘It’s cowboy country up there’: Ruination and Ruinenlust in the wilds of Broughton |
04/03/2020 |
| Kerstin Perski |
The poetics of enlivening. Searching for the music drama "Borderlands" |
02/03/2020 |
| Behzad Khosravi Noori |
The Life of an Itinerant through a Pinhole |
02/03/2020 |
| tina carlsson |
jag vet hur folkhemmet luktar |
02/03/2020 |
| Jostein Gundersen |
Mouvance. Approaches to re-enacting medieval music |
02/03/2020 |
| Marianna Christofides |
DAYS IN BETWEEN |
02/03/2020 |
| Björn Larsson |
Serious Personal Conviction – on measurements of conscience |
02/03/2020 |
| Eivind Buene |
Telescopic Listening |
02/03/2020 |
| Otto Ramstad |
Lineage |
02/03/2020 |
| Mareike Nele Dobewall |
Demmin – letting a city sound |
02/03/2020 |
| Facundo Petit de Murat and Martina Di Tullio |
The City of Noise: an Approach to the Multiple Senses of Sound in Buenos Aires |
27/02/2020 |
| Christian Kjos |
Releasing the 'Loudie' |
27/02/2020 |
| Lukas Kühne |
Sound and Politics. Shaping Current Artistic Practices in Latin America |
24/02/2020 |
| Knut Olaf Sunde |
Site Awareness in Music – recontextualizing a sensation of another place |
18/02/2020 |
| Marion Reuter |
The Carousel Concept: A practice of life in performing arts. Marion Reuter |
17/02/2020 |
| Elisa Corona Aguilar |
Fists Up: Orchestrating Silence in Mexico City’s Post-Earthquake Rescuing Activities |
16/02/2020 |
| alien productions |
metamusic |
12/02/2020 |
| Zoe Panagiota (aka Betty) Nigianni |
1 Day Artwork |
08/02/2020 |
| Zoe Panagiota (aka Betty) Nigianni |
Rehearsal for A Play in Two Acts |
05/02/2020 |
| Darren O'Brien |
The Walkies as Method: |
30/01/2020 |
| Michael Kargl |
Art and Material |
22/01/2020 |
| Eva Macali |
4 / 4 |
16/01/2020 |
| Eija Timonen |
Icephery and Icy Score - concepts for multi sensory approach |
31/12/2019 |
| David Carlin |
MIXED DOUBLES: COLLABORATIVE WRITING AND PERIPHERAL STRATEGIES |
31/12/2019 |
| Christoph Solstreif-Pirker |
Just a mere Spring to take: Embedding in Capitalocenic Atmospheres |
31/12/2019 |
| Barbara Macek |
LYCANTHROPUS ERYTHEMATOSUS I – Artistic Research on the Edge. Poetical Investigations on the Margins of Medicine and Mythology |
31/12/2019 |
| Bruno Moreschi |
Ways of Visiting: non-traditional and peripheral approaches to museums |
31/12/2019 |
| Paolo Giudici |
The Yellow Folder. A Research on the Periphery of Life |
31/12/2019 |
| Jim Harold |
Exploring Liminality in Cyprus: Spaces, Voices, and means of Expression |
31/12/2019 |
| vincent roumagnac |
There Is Nothing Outside the Stage Any Longer |
31/12/2019 |
| Julieanna Preston |
Sounding Out Vacancy: Performing (anything but) Empty Space |
28/12/2019 |
| Emilio Angel Reyes Bassail |
MEMORY AS A METHOD FOR FILMMAKING |
28/12/2019 |
| Anette Baldauf |
Study of/as Commoning |
28/12/2019 |
| Sofia Hallik |
Digitally Produced Jewellery: Tactile Qualities of a Digital Touch |
28/12/2019 |
| JULIE MARSH |
Site-integrity: a dynamic exchange between site, artist, device and audience |
28/12/2019 |
| Magda Mayas |
Orchestrating timbre - unfolding processes of timbre and memory in improvisational piano performance |
28/12/2019 |
| Torben Snekkestad |
THE POETICS OF A MULTIPHONIC LANDSCAPE |
28/12/2019 |
| Christina Stadlbauer |
Swarming Event |
28/12/2019 |
| Christina Stadlbauer |
Kin Tsugi Transformations |
28/12/2019 |
| Christina Stadlbauer |
Narratives of Imperfection |
25/12/2019 |
| Christina Stadlbauer |
Kin Tsugi Gestures |
25/12/2019 |
| Mariam Kharatyan |
Armenian Fingerprints |
19/12/2019 |
| paz |
The decline of choreography and its movement: a body's (path)way |
19/12/2019 |
| Marin Augusta Stallemo Bakke |
Klassisk møter folkemusikk |
18/12/2019 |
| Saman Samadi |
Microtonal Piano Solos |
11/12/2019 |
| Saman Samadi |
Chamrosh |
11/12/2019 |
| Saman Samadi |
Nostalgia |
11/12/2019 |
| Saman Samadi |
U-Turn |
11/12/2019 |
| KA |
Electronics as a percussionist. |
05/12/2019 |
| Ragnhild Thu Austnaberg |
Masterprosjekt - monodrama |
05/12/2019 |
| John Andrew Wilhite |
Masterarbeid: Hearing Double |
05/12/2019 |
| Frida Andreassen Lereng |
Fløyten og Stockhausen |
05/12/2019 |
| Håkon Norby Bjørgo |
Refleksjonsnotat |
05/12/2019 |
| Johannes Kretz |
Johannes Kretz and Wei-Ya Lin: con | versation – de | fragmentation |
22/11/2019 |
| Becky Gooby |
The variables that affect colour in the digital textile printing process |
21/11/2019 |
| Becky Gooby |
Colour Maps |
20/11/2019 |
| Jessica Kaiser |
The Musical Dyad - Crisis and Growth through Music |
15/11/2019 |
| Henna-Riikka Halonen |
Throws of Dice |
14/11/2019 |
| John Cussans |
BC Time-Slip (The Empire Never Ended) |
11/11/2019 |
| Jens Staal |
Artistic research in breeding : The Bifrost Eucalyptus project |
09/11/2019 |
| Darla Crispin |
Artistic Research as a Process of Unfolding |
07/11/2019 |
| Stephen Emmerson |
Modulations through time |
07/11/2019 |
| Tanja Orning |
Professional identities in progress – developing personal artistic trajectories |
06/11/2019 |
| Magda Mayas |
Creating with timbre |
06/11/2019 |
| Michael Duch |
Performing Hanne Darboven's Opus 17a and long duration minimalist music |
06/11/2019 |
| Astrid Kvalbein |
Wood or blood? |
06/11/2019 |
| Gjertrud Pedersen |
Symphonies Reframed |
06/11/2019 |
| Jeremy Cox |
The unheard voice and the unseen shadow |
06/11/2019 |
| Eivind Buene |
Intimate Relations |
06/11/2019 |
| Nguyen Thanh Thuy |
The Choreography of Gender in Traditional Vietnamese Music |
22/10/2019 |
| Christian Blom |
Organized time |
17/10/2019 |
| Viktoria Volkova |
Mediating "Eugene Onegin" |
02/10/2019 |
| Hao Wang |
Tenor in Puccini's opera |
01/10/2019 |
| Budhaditya Chattopadhyay |
Listening in/to Exile: Migration and Media Arts |
23/09/2019 |
| William Platz |
Spin, Puppet, Spin: Drawing Estrangement |
23/09/2019 |
| Anna Ting Möller |
The Baby Bucha Project |
23/09/2019 |
| Susanna Helke |
Testifying for the Invisible: Documentary Poetics of Estrangement |
23/09/2019 |
| Lise Hovik |
Animalium |
23/09/2019 |
| eli eli |
Habitual touches (carvings) of beings |
15/09/2019 |
| Lena Stefenson |
Rörelsen först: om regi för rörelsebaserad scenkonst |
10/09/2019 |
| Robbrecht Van Cauwenberghe |
Playing Harmonium Art Music on the Concert Accordion |
03/09/2019 |
| Julián Turiel Lobo |
Pedro Pérez de Albéniz: Fortepiano Fantasies |
03/09/2019 |
| Simo Kellokumpu |
Choreography as Reading Practice |
03/09/2019 |
| Bastiaan van der Waals |
Intention-based Piano Pedagogy |
26/08/2019 |
| Wesley Troeger |
Reapplying Phenomena of Meaning |
03/08/2019 |
| Hue Blanes |
The Improvisational Ear-How to build improvisational language through the study of speech |
25/07/2019 |
| Caleb Kelly |
Materials of Sound II |
15/07/2019 |
| Seth Ayyaz |
The Failed Assemblage of Batroun Concrète: A Biopsychosocial Approach to Post-acousmatic Composition |
15/07/2019 |
| Judith Marcuse |
The ASC Web: Arts-Infused Facilitation |
12/07/2019 |
| Samuel Thulin |
Eroding Together: Mattering Processes of Sound |
08/07/2019 |
| Diana Chester |
Beyond the Azhan: Abu Dhabi’s Cacophonous Soundscape |
08/07/2019 |
| Emma Cocker |
Choreo-graphic Figures: Scoring Aesthetic Encounters |
29/06/2019 |
| Katrina Brown |
Translucent surface/Quiet body, redistributed |
28/06/2019 |
| Alexander Nevill |
Passages of Light: Analogue and Digital Moving Image Installation. |
28/06/2019 |
| Christine Hansen |
50 Billion Micrograms. In the Search of the Aftermath of an Event |
28/06/2019 |
| Usoa Fullaondo |
What can a process do? A passage from ritual to rituality |
28/06/2019 |
| Eugene A. Kim |
On intimacy, |
28/06/2019 |
| Jonas Howden Sjøvaag |
Commuter Music |
25/06/2019 |
| Tero Nauha |
Episodi vol 6 Introduction |
24/06/2019 |
| etherlinna |
What colour is Signature? |
24/06/2019 |
| ©Olga Spyropoulou 2019 |
Μηspace (mespace) ontology |
24/06/2019 |
| Juanito Ocampo |
Simulacra |
24/06/2019 |
| Katriina Kettunen |
Revisiting LAPSody through video and editing |
24/06/2019 |
| Harold Hejazi |
Dear _____, Please Imagine my Birthday |
24/06/2019 |
| ludmila steckelberg |
FAUNA - Défaroucher |
22/06/2019 |
| Ingfrid Breie Nyhus |
Tradisjoner på spill - Refleksjon |
20/06/2019 |
| Concha García |
Sonoqualia 2.0 |
19/06/2019 |
| Daniela Pascual |
What's it like? |
14/06/2019 |
| Gian Luigi Biagini |
THE BLACK MANA AND THE EVIL SPIRIT OF THE COBBLESTONES |
14/06/2019 |
| Scott Andrew Elliott |
The event of disorientation: artistic methods of immanent critique |
14/06/2019 |
| Anna Maria Orru |
Body Weathering - poetic nebular intentions |
14/06/2019 |
| Julia Valle-Noronha |
The body within the clothes |
14/06/2019 |
| Shibboleth Shechter |
Mapping Methods of the Millbank Atlas |
14/06/2019 |
| Bilge Merve Aktaş |
Using wool’s agency to design and make felted artefacts |
14/06/2019 |
| Anna Kholina |
Maps, space and body: connecting mental representations of space to the production of space |
14/06/2019 |
| Tero Heikkinen |
Searching for Catalysts in the Practice of Drawing |
14/06/2019 |
| Andrew Brooks |
The Murmur of the Crowd |
13/06/2019 |
| Anders Muskens |
Approaching a Rhetorical Performance of Late 18th Century Keyboard Music from the Methods of john Walker |
03/06/2019 |
| Niels Pfeffer |
The Art of Arpeggiation |
03/06/2019 |
| Anu Vehviläinen |
Quest for a Breathing Performance |
23/05/2019 |
| Mieko Kanno |
Algorithmic Thinking and Musical Performance |
23/05/2019 |
| Elina Seye |
Practices of Performing at Senegalese Sabar Dance Events |
23/05/2019 |
| Hanna Järvinen |
Re-imagining: A Case Study of Exercises and Strategies |
23/05/2019 |
| Stephen Bain |
Strategies of Fiction |
23/05/2019 |
| Lea Kantonen |
Indigenous Knowledge, Performance Art and the Faltering Act of Translation |
23/05/2019 |
| Elisabeth Laasonen Belgrano |
A Singing Orna/Mentor's Performance or Ir/rational Practice |
23/05/2019 |
| Annette Arlander |
Return to the Site of the Year of the Rooster |
23/05/2019 |
| Tero Nauha |
The experience of ‘something’ in performance |
23/05/2019 |
| Pilvi Porkola |
Objects that Matter - Performance Art and Objects |
23/05/2019 |
| Stephen Roddy |
Addressing the Mapping Problem in Sonic Information Design through Embodied Image Schemata, Conceptual Metaphors, and Conceptual Blending |
16/05/2019 |
| Jennifer Torrence |
Percussion Theatre: a body in between |
10/05/2019 |
| Martin Tröndle |
The Entanglement of Arts and Sciences. On the Transaction Costs of Transdisciplinary Research Settings |
29/04/2019 |
| Paula Guzzanti |
The Emergence of Choreographic Material in 'Silent Pact' (2018) |
10/04/2019 |
| Fredrik Rysjedal |
Frozen Moments in Motion – An Artistic Research on Digital Comics |
08/04/2019 |
| Silje Marie Aker Johnsen |
En søken etter en utvidet fysisk tolkning av vokal samtidsmusikk og av opera |
05/04/2019 |
| Andreas Aase |
Eon: Blurring lines on a small (time-) travel guitar |
30/03/2019 |
| Morten Qvenild |
Morten Qvenild – The HyPer(sonal) Piano Project |
28/02/2019 |
| Julian Klein |
Hans Schleif |
17/02/2019 |
| William Smart |
they didn't bring enough water |
15/02/2019 |
| Sepideh Karami |
Black Lungs |
06/02/2019 |
| Alex Nowitz |
Monsters I Love: On Multivocal Arts |
04/02/2019 |
| Mariella Greil |
Digital Anarchive: Being in Contact - Encountering a Bare Body |
28/01/2019 |
| Nat Grant |
Momentum: experiential development in sound composition |
25/01/2019 |
| Mariana Nobre Vieira |
Graduation Piece |
24/01/2019 |
| Jenny Sunesson |
The Lost and Found project: Imagineering Fragmedialities |
24/01/2019 |
| Asle Nilsen |
Oppdagelse og navngivning |
24/01/2019 |
| Michelle Teran |
A Few Notes on Getting Lost (Once Again) |
24/01/2019 |
| Livia Daza-Paris |
(Not so) Casual Conversations: Experiments in Attunement as Method in Investigative Art Practice |
24/01/2019 |
| Kaisu Koski |
“On whose side are you?”: Artist-researcher positionality in a global public health challenge |
24/01/2019 |
| Edvard Haraldsen Valberg |
VOLDELIG LYD |
24/01/2019 |
| Joanna Sperryn-Jones |
The Risk of Breaking |
24/01/2019 |
| Geir Harald Samuelsen |
Tracing gravity |
24/01/2019 |
| Henrik Hellstenius |
Music with the Real |
24/01/2019 |
| Kate McCallum |
FanFutures |
18/01/2019 |
| Ives Maes |
Additive Photography |
18/01/2019 |
| Tyler Payne |
The Body + The Lens: Shrink, Wax, Purge, Bleach. |
18/01/2019 |
| Otso Tapio Lähdeoja |
IN SITU: Sonic Greenhouse. Composing for the intersections between the sonic and the built |
18/01/2019 |
| Scott Andrew Elliott |
Building Material Conversations |
18/01/2019 |
| Johan Jutterström |
Ng revisited |
29/12/2018 |
| Federico Forla |
Performing the 'Group of the Six' |
19/11/2018 |
| Lisa Salamandra |
Ecorchées |
16/11/2018 |
| Johanna Lecklin |
PERFORMED REALNESS: On Participatory Art and its Ethics |
12/11/2018 |
| ingrid cogne |
Format Exhibition - Schallwirkungen auf Mensch und Tier |
04/11/2018 |
| Anabela Marcos |
Monteverdi and the architecture of emotions |
02/11/2018 |
| Juriaan Achthoven |
Performative Symposium for Ecological Spectatorship |
30/10/2018 |
| Vincent Meelberg |
The Dominant Eye |
10/10/2018 |
| Milena Droumeva |
Sonifying for Public Engagement: A Context-Based Model for Socially Relevant Data |
10/10/2018 |
| Keith Nesbitt |
Informative Sound Assists Timing in a Simple Visual Decision-Making Task |
10/10/2018 |
| William L. Martens |
Sonic Information Design for the Display of Proteomic Data |
10/10/2018 |
| Stephen Barrass |
Sonic Information Design |
10/10/2018 |
| Stephen Barrass |
Editorial: On Sonic Information Design |
10/10/2018 |
| R. Michael Winters |
The Planetorium: Sonic Information Design for Earthling Audiences |
10/10/2018 |
| Christopher Williams |
Anarchiving (in) Ben Patterson's Variations for Double-Bass |
28/09/2018 |
| Lise Hovik |
The Red Shoes Project Revisited |
28/09/2018 |
| Barbara Macek |
Between Agony and Ecstasy: Investigations into the Meaning of Pain |
28/09/2018 |
| Eric Souther |
Responsive Aesthetics: Remediating Digital-to-Analog Television Converters as Artist Tools |
28/09/2018 |
| Heidi Marika Fast |
Vocal Nest – non-verbal atmospheres that matter |
28/09/2018 |
| Natasza Kurek |
Entwine – finding music within a poem. |
23/09/2018 |
| Sharon Stewart |
Listening to Deep Listening. Reflection on the 1988 Recording and the Lifework of Pauline Oliveros |
21/09/2018 |
| Lea Kantonen |
Miten voimme antaa museoesineidän puhua? – osallistavan esityksen käsikirjoitus |
30/08/2018 |
| Alexander Komlosi |
Performative Well-Being: Conditions of Sharing |
29/08/2018 |
| Andrew Bracey |
An Obstract for Midpointness |
29/08/2018 |
| Pilvi Porkola |
Pyykkiä - Näkökulmia uusmaterialismiin ja performanssiin |
29/08/2018 |
| Assi Karttunen |
The aural garden of sounding materials: performing within the materiality of Et in Arcadia ego-music performance |
29/08/2018 |
| Dion Star |
Various Writings: Chapter One |
29/08/2018 |
| Petri Kaverma, Kirsi Heimonen, Anu Vehviläinen |
Silence Ensemble |
29/08/2018 |
| Ruben Sverre Gjertsen |
Between instrument and everyday sound |
21/08/2018 |
| Patti Fraser |
HISTORY NOTEBOOK |
03/08/2018 |
| Elif Özcan |
The Harley Effect: Internal and external factors that facilitate positive experiences with product sounds |
29/06/2018 |
| Isabelle Delmotte |
Tuned In and Hands On: Sound Designers Beyond Technical Expertise |
29/06/2018 |
| James Batcho |
The Sonic Lifeworld: A Phenomenological Exploration of the Imaginative Potential of Animation Sound |
29/06/2018 |
| Axel Volmar |
SONIC FACTS FOR SOUND ARGUMENTS: MEDICINE, EXPERIMENTAL PHYSIOLOGY, AND THE AUDITORY CONSTRUCTION OF KNOWLEDGE IN THE 19TH CENTURY |
29/06/2018 |
| Florian Hollerweger |
STRAßENMUSIK AND EARDVERTS: PUBLIC LISTENING INTERVENTIONS AS AN ARTISTIC PRACTICE FOR ENCOURAGING AURAL AWARENESS IN AN EVERYDAY CONTEXT |
29/06/2018 |
| Walter Gershon |
RESOUNDING SCIENCE: A SONIC ETHNOGRAPHY OF AN URBAN FIFTH GRADE CLASSROOM |
29/06/2018 |
| Budhaditya Chattopadhyay |
AUDITORY SITUATIONS: NOTES FROM NOWHERE |
29/06/2018 |
| Marinos Koutsomichalis |
ON SOUNDSCAPES, PHONOGRAPHY, AND ENVIRONMENTAL SOUND ART |
29/06/2018 |
| Katharine Norman |
WINDOW - AN UNDECIDED SOUND ESSAY |
29/06/2018 |
| Barry Truax |
FROM EPISTEMOLOGY TO CREATIVITY: A PERSONAL VIEW |
29/06/2018 |
| Marcel Cobussen |
EDITORIAL: TOWARDS NEW SONIC EPISTEMOLOGIES |
29/06/2018 |
| James Deaville |
The Envoicing of Protest: Occupying Television News through Sound and Music |
29/06/2018 |
| Elen Fluegge |
The Consideration of Personal Sound Space: Toward a Practical Perspective on Individualized Auditory Experience. |
29/06/2018 |
| Michael Butera |
Music City Excesses: Phenomenological Thresholds and Nashville Noise Regulations |
29/06/2018 |
| Vincent Meelberg |
Breaching Sonic Barriers? Sound Studies as a Transdiscipline |
28/06/2018 |
| Marcel Cobussen |
Editorial: One Month in the Life of the JSS Editors |
28/06/2018 |
| Vincent Meelberg |
Editorial: Aiming for an Impossibility? |
28/06/2018 |
| Iain McGregor |
Using Participatory Visualization of Soundscapes to compare Designers’ and Listeners’ Experiences of Sound Designs |
27/06/2018 |
| Karen Collins |
Sound Design for Media: Introducing Students to Sound |
27/06/2018 |
| Daniel Hug |
From Foley to Function: A Pedagogical Approach to Sound Design for Novel Interactions |
27/06/2018 |
| Marie Koldkjær Højlund |
Alarming Atmospheres - Embodied Sound Habituation as Design Strategy in a Neuro-Intensive Care Unit |
27/06/2018 |
| Vincent Meelberg |
Editorial: Designing Our Sonic Lives |
27/06/2018 |
| Michelle Lewis-King |
TOUCHING AS LISTENING: PULSE PROJECT |
27/06/2018 |
| Holger Schulze |
ADVENTURES IN SONIC FICTION: A HEURISTIC FOR SOUND STUDIES |
27/06/2018 |
| Justin Patch |
CAUGHT IN THE CURRENT: WRITING ETHNOGRAPHY THAT LISTENS |
27/06/2018 |
| Maarten Walraven |
HISTORY AND ITS ACOUSTIC CONTEXT: SILENCE, RESONANCE, ECHO AND WHERE TO FIND THEM IN THE ARCHIVE |
27/06/2018 |
| J. Milo Taylor |
OA#1: LISTENING AND MAPPING THE SONIC. PLURALITY AND WAYFARING: WRITING THE OPENSOUND PROJECT |
27/06/2018 |
| Anthony Enns |
The Acoustic Space of Television |
27/06/2018 |
| Cormac Deane |
The Hiss of Data |
27/06/2018 |
| Svein Høier |
The Relevance of Point of Audience in Television Sound: Rethinking a Problematic Term |
27/06/2018 |
| David Sedman |
The Legacy of Broadcast Stereo Sound: The Short Life of MTS, 1984-2009 |
27/06/2018 |
| Justin St. Clair |
White Noise and Television Sound |
27/06/2018 |
| Carolyn Birdsall |
Introduction: Rethinking Theories of Television Sound |
27/06/2018 |
| Vincent Meelberg |
Reflections on Sonic Environments |
27/06/2018 |
| Jacqueline Waldock |
SOUNDMAPPING: Critiques And Reflections On This New Publicly Engaging Medium |
27/06/2018 |
| Evy Schubert |
On the Performance of Sound. The Acoustic Territory of Post-War Sarajevo |
27/06/2018 |
| Isaac Vayo |
We Three, Kinged: Crowning the Aural on 9/11 |
27/06/2018 |
| Björn Hellström |
Modelling the Shopping Soundscape |
27/06/2018 |
| Julian Henriques |
Auditory and Technological Culture: the Fine-tuning of the Dancehall Sound System “Set” |
27/06/2018 |
| Jean-Paul Thibaud |
A Sonic Paradigm of Urban Ambiances |
27/06/2018 |
| R. Murray Schafer |
On Listening Keynote Speech at the 2011 World Forum for Acoustic Ecology in Corfu, Greece |
27/06/2018 |
| Joshua Banks Mailman |
SEVEN METAPHORS FOR (MUSIC) LISTENING: DRAMaTIC |
27/06/2018 |
| Paul Vickers |
Ways of Listening and Modes of Being: Electroacoustic Auditory Display |
27/06/2018 |
| Ruth Herbert |
Modes of Music Listening and Modes of Subjectivity in Everyday Life |
27/06/2018 |
| Huw Hallam |
The Production of Listening: on Biopolitical Sound and the Commonplaces of Aurality |
27/06/2018 |
| Salomé Voegelin |
Ethics of Listening |
27/06/2018 |
| Isobel Anderson |
Voice, Narrative, Place: Listening to Stories |
27/06/2018 |
| Adel Wang Jing |
AFFECTIVE LISTENING: China’s Experimental Music and Sound Art Practice |
27/06/2018 |
| Marcel Cobussen |
EDITORIAL: Listenings |
27/06/2018 |
| Nathalie Blanc |
Environmental forms, from a theoretical perspective to concrete case studies in urban planning |
05/06/2018 |
| Caleb Kelly |
Editorial: Materials of Sound |
08/05/2018 |
| Heather Contant |
Not at Home: The Uncanny Experiences of Radio Home Run |
08/05/2018 |
| Pia van Gelder |
Bodies and Energy, Circuits and Sound: Rethinking and Listening to Leon Ernest Eeman’s Relaxation Circuit with a Bio-synthesizer |
08/05/2018 |
| Sarah Wall |
Len Lye’s Kinetic Experiments: Sounds of Sculpture |
08/05/2018 |
| Caleb Kelly |
Materials of Sound: Sound As (More Than) Sound |
08/05/2018 |
| Vincent Wozniak O'Connor |
Silviphonics: Sound in timber |
08/05/2018 |
| Elena Biserna |
“Step by Step” Reading and Re-writing Urban Space Through the Footstep |
08/05/2018 |
| Lindsay Balfour |
Traumatic Ruins and The Archeology of Sound: William Basinski’s The Disintegration Loops |
08/05/2018 |
| Adam Kraft |
Under the Mirroring Surface |
07/05/2018 |
| Antonio Olaio |
ANYWHERE ELSE BUT ME, art and introspection |
28/04/2018 |
| Antonio Olaio |
La Prospettiva is sucking reality |
28/04/2018 |
| Adrianna van Leeuwen-Steghaus |
Emancipation of the Clarinet (1720-1760) |
26/04/2018 |
| David Roesner |
The Document as Music. Exploring the musicality of verbatim material in performance |
11/04/2018 |
| William Platz |
Can a drawing be rehearsed?; or, There's no bowing in performance art |
11/04/2018 |
| Vahri McKenzie |
Only the Envelope: artistic interpretations of eye-tracking imagery |
11/04/2018 |
| Alexandros Papadopoulos |
How to Use Gay Nazis in Job Interviews: Queer Media, Striptease-Lectures and the Art of Existential Sodomism |
10/04/2018 |
| Jenny Brown |
Exploring the Principles of Allodoxic Art (in dialogue with Baroness Elsa) |
10/04/2018 |
| Bjørnar Habbestad |
Å LAGE ET LEMURIA |
09/04/2018 |
| Christine Petersen |
1 place 33 rooms – Portrait of a house |
08/04/2018 |
| Anne Marthe Dyvi |
This is not / Dette er ikke |
08/04/2018 |
| Jennifer Torrence |
Rethinking the Performer: Towards a Devising Performance Practice |
08/04/2018 |
| sten sandell |
V e r t i k a l a k u s t i k med horisontell prosodi |
08/04/2018 |
| Anna Kholina |
Urban fishing |
05/04/2018 |
| Katve-Kaisa Kontturi |
Exhibition Intra-Actions: Experiences, Identities, and Texts in the Making |
16/03/2018 |
| mirko nikolić |
Aesthetics of inhuman touch: notes for 'vegetalised' performance |
16/03/2018 |
| Dorota Golanska |
GEOART AS A NEW MATERIALIST PRACTICE. INTRA-ACTIVE BECOMINGS AND ARTISTIC (KNOWLEDGE) PRODUCTION. |
16/03/2018 |
| Elisabeth Laasonen Belgrano |
Ornamenting Vocality. Intra-active methodology for Vocal Meaning-Making. |
16/03/2018 |
| Fiona MacDonald |
Ant-ic Intra-Actions |
16/03/2018 |
| Mika Elo |
Some works and their afterlife |
16/03/2018 |
| Heidi Tikka |
Enacting Agential Cuts - Notes on the Untitled 1-3 (2014) |
16/03/2018 |
| Jane Vuorinen |
Surface Tension: Material Intra-Actions within Photography |
16/03/2018 |
| Anna Catherine Hickey-Moody |
Materialising the Social |
16/03/2018 |
| Helen Palmer |
Situated Knowledge, Transmissions of Practice and Parasitic Endeavors |
16/03/2018 |
| Milla Kristina Tiainen |
Trans-becomings in Western classical singing: An intra-active approach |
16/03/2018 |
| Zoe Panagiota (aka Betty) Nigianni |
Novel |
04/02/2018 |
| Isabela Grosseova |
GRAVITY OF ARTISTIC COMPETENCE |
29/01/2018 |
| Ellen Kristine Ugelvik |
The soloist in contemporary piano concerti |
19/01/2018 |
| Emily Huurdeman |
PER-FORM - the performative essay and the essayistic performance |
29/12/2017 |
| Christopher Hollins |
Redundant Perception: An Artist's Enquiry |
24/12/2017 |
| Ivar Grydeland |
Ensemble & Ensemble of Me - What I Think About When I Think About Improvisation |
21/12/2017 |
| Kjell Tore Innervik |
Quartertone marimba |
21/12/2017 |
| Vincent Meelberg |
Editorial: Sound as/in/on Culture |
14/12/2017 |
| Riita Rainio |
Recapturing the sounds and sonic experiences of the hunter-gatherers at Ajvide, Gotland, Sweden (3200‒2300 cal BC) |
14/12/2017 |
| Artur Szarecki |
Managing the Sonic Environment: Ambient Noise, Creativity and the Regime of Ubiquitous Work |
14/12/2017 |
| Petter Snekkestad |
The Cave and Church in Tomba Emmanuelle. Some Notes on the Ritual Use of Room Acoustics. |
14/12/2017 |
| D. Linda Pearse |
Historically Informed Soundscape: Mediating Past and Present |
14/12/2017 |
| Pieter Verstraete |
The Secret Theatre Revisited: Eavesdropping on Locative Media Performances |
14/12/2017 |
| Lutfi Othman |
The Relationality of the Adhaan: A Reading of the Islamic Call to Prayer Through Adriana Cavarero’s Philosophy of Vocal Expression |
14/12/2017 |
| Matilde Meireles |
Trigger Place - A Game of Sound and Architecture |
10/12/2017 |
| Joanne Scott |
The Salford samples |
10/12/2017 |
| Susannah Gent |
Exorcising Unhomely Street: Filmic Intuition and the Representation of Post-concussive Syndrome |
10/12/2017 |
| Michael Zinganel |
Stop and go: nodes of transformation and transition |
10/12/2017 |
| Meghan Moe Beitiks |
Systems of Pain/Networks of Resilience (First Compilation) |
10/12/2017 |
| Ingolv Haaland |
Cross cultural meetings: Traditional music from Setesdal and world musicians |
03/12/2017 |
| Paul Landon |
Intersecting travelogues: Wandering through practices and archaeologies of space, place and image. |
16/11/2017 |
| Elina Saloranta |
Laatukuvia ja kirjallisia kokeiluja / Genre pictures and experiments in writing |
06/11/2017 |
| Elina Saloranta |
Hienopesu 40 astetta / Delicate wash 40 degrees |
05/11/2017 |
| Elina Saloranta |
An archive of consolation |
05/11/2017 |
| Elina Saloranta |
Tangon oppitunti / Tango Lesson |
05/11/2017 |
| Elina Saloranta |
Lohdutusten arkisto (An Archive of Consolation) |
27/10/2017 |
| Hannah Rose (Kit) Spencer |
Squalid and Obscure: Timbral Word Painting at the Arpa Doppia |
11/09/2017 |
| Claudio jr de Rosa |
The Sound of the Big Band: Between evolution and continuity |
11/09/2017 |
| Pieter Koster |
George Lloyd - Music for Brass, from symphony to test-piece |
11/09/2017 |
| Maria Florencia Gomez |
The characters of the flute. A performer’s exploration of the dramatic roles of the baroque flute |
11/09/2017 |
| Jean-Loup Gagnon |
To beat or not to beat |
11/09/2017 |
| Gregor Desman |
Adapting live classical music performance for different venues |
11/09/2017 |
| Eirik Brandal |
On Electronic Sound Sculptures: Circuits and Aesthetics |
11/09/2017 |
| Liesbeth Ackermans |
Harmony on the violin - internalising harmony for violinists and the role of (tonal) improvisation |
04/09/2017 |
| Wouter Verschuren |
Fast Notes! |
19/07/2017 |
| Jan Willem Nelleke |
From Phrase to Phrasing - a Classical Perspective |
19/07/2017 |
| Timothy Dowling (KC) |
Searching for Sattler |
19/07/2017 |
| Lex van den Broek |
CompLex - an OSC and Voltage controlled Signal Path Generator (VC-SPG) |
19/07/2017 |
| Vincent Meelberg |
Editorial: Sound Studies and Politics |
04/07/2017 |
| Bryce Peake |
Listening like White Nationalists at a Civil Rights Rally |
04/07/2017 |
| Tara Brabazon |
The sounds of food: Defamiliarization and the blinding of taste |
04/07/2017 |
| Frans Ari Prasetyo |
“City Noise”: Sound (Art) and Disaster |
04/07/2017 |
| Nicola Di Croce |
“You can hear them before you see them” Listening through Belfast segregated neighborhoods |
04/07/2017 |
| Jordan Lacey |
Silencing Urban Exhalations: a case study of student-led soundscape design |
04/07/2017 |
| Hugh Pickering |
Noise as “sound out of place”: investigating the links between Mary Douglas’ work on dirt and sound studies research |
04/07/2017 |
| Juriaan Achthoven |
Still Moving |
27/06/2017 |
| Lucie Strecker |
“The Performative Biofact” |
27/06/2017 |
| Jan Schacher |
Sound Presence (Media Portfolio) |
14/06/2017 |
| Pekka Kantonen |
Generational Filming. Video Diary as Experimental and Participatory Research |
08/06/2017 |
| Otso Kautto |
Kuvitelmassa ei ole mitään kuvitteellista |
07/06/2017 |
| Minna Heikinaho |
Harjoitus, jossa tekijä vapautuu ja eettinen yhteisöruumis astuu esiin |
07/06/2017 |
| Per Anders Nilsson |
Deliberately Practicing the Saxophone |
07/06/2017 |
| Tero Heikkinen |
Drawing Exercises |
07/06/2017 |
| Annette Arlander |
Practicing art - as a habit? / Att utöva konst - som en vana? |
07/06/2017 |
| Gert Germeraad |
Self Portrait Battered |
30/05/2017 |
| Christopher Williams |
Tactile Paths: on and through Notation for Improvisers |
04/05/2017 |
| Kit Hammonds |
This exhibition is an island |
27/04/2017 |
| Rob van Leijsen |
Copy, tweak, paste: methods of appropriation in facsimile artists' books |
27/04/2017 |
| Tim Ridlen |
If film is a language, can birds make movies? An essay and two heretical descriptive systems |
27/04/2017 |
| Budhaditya Chattopadhyay |
Talking field: listening to the troubled site |
27/04/2017 |
| Daša Spasojevic |
Creative practices and public engagement |
27/04/2017 |
| glad fryer |
images and their agency |
22/03/2017 |
| Andrea Pagnes |
NOTES ON PERFORMANCE ART, THE BODY AND THE POLITICAL |
12/03/2017 |
| Lucy Willow |
The Last Portrait: A microscopic view of transience, mourning and loss |
02/03/2017 |
| Norwegian Artistic Research Programme |
Bulletin No. 3 - NARP |
17/02/2017 |
| Marianne Sommer |
Animal Sounds against the Noise of Modernity and War: Julian Huxley (1887–1975) and the Preservation of the Sonic World Heritage |
19/01/2017 |
| Michel Roth |
Smorzando. Chopin on the MP3 player |
19/01/2017 |
| Janina Wellmann |
Listening to the Body Moving: Auscultation, Sound, and Music in the Early Nineteenth Century |
19/01/2017 |
| Monika Dommann |
Record, Rewind, Rewrite. Acoustic Historiography with the Presidential Tapes |
19/01/2017 |
| Julia Kursell |
Experimental Cylinders – Experiments in Music Psychology around 1900 |
19/01/2017 |
| Britta Lange |
Archive, Collection, Museum: On the History of the Archiving of Voices at the Sound Archive of the Humboldt University |
19/01/2017 |
| Boris Previsic |
Sound-Essay 2 |
18/01/2017 |
| Boris Previsic |
Acoustic Micro- and Macroephemeralities in Literature. Robert Walser’s Microscript 364 (1925) and Peter Weber’s Silber und Salbader (1999) |
18/01/2017 |
| Thomas Forrer |
Phonograph, symbolic. Acoustic Evidence in Arno Holz’ Phantasus |
17/01/2017 |
| Boris Previsic |
Acoustic Ephemeralities: Introduction |
14/01/2017 |
| Dieter Mersch |
At the Margins of the Audible. Morton Feldman’s Ephemeral Compositions |
12/01/2017 |
| Simon Aeberhard |
Writing the Ephemeral. John Cage’s Lecture on Nothing as a Landmark in Media History |
12/01/2017 |
| Andreas Aase |
V. Bach - Sheets and tablatures |
10/01/2017 |
| Jan Schacher |
Moving through the double vortex |
06/01/2017 |
| Joe Graham |
ANCHORAGE: a phenomenology of outline |
06/01/2017 |
| Anik Fournier |
Rudimentariness: a concept for artistic research |
06/01/2017 |
| Cécile Colle |
cONcErn: towards a 'mesology' of art, for art, and through art |
06/01/2017 |
| Lisa Stuckey |
Haunted by last season's video letters: amateur films performing spectrality |
06/01/2017 |
| Priska Falin |
In Between |
21/12/2016 |
| Julian Klein |
Hans Schleif - Stations of the Biography of an Architecture Historian in German National Socialism – Addenda and Register |
01/12/2016 |
| Marcus Maeder |
trees: Pinus sylvestris |
08/11/2016 |
| Nandita Dinesh |
Information for foreigners: chronicles from Kashmir |
08/11/2016 |
| Jean-Marie Clarke |
The Rembrant Search Party |
08/11/2016 |
| Tormod Dalen |
Zum Spielen und zum Tantzen |
08/11/2016 |
| Julian Klein |
Artistic Research Does Not Exist … And How She Managed Not to Be Afraid |
26/10/2016 |
| Yvonne Freckmann |
Catch and Release: Field Recordings as Source for Instrumental Composition |
13/10/2016 |
| Satu Miettinen |
Sosiaalisen muutoksen muotoilua |
03/10/2016 |
| Denise Ziegler |
A City Never Lies – Situational Irony and the Political Impact of Public Urban Space. |
03/10/2016 |
| Tero Nauha |
Speculation on change from the posture of performance art practice |
03/10/2016 |
| Kalle Lampela |
Poliittisen utopian sinnikkyys – Representaatioanalyysiä piirtämällä |
03/10/2016 |
| Maria Huhmarniemi |
Taideperustainen toimintatutkimus Lapin ympäristökonflikteissa |
03/10/2016 |
| Barbara Lueneburg |
From 'Highbrow Art' to Participatory Culture – A Potential for Change |
03/10/2016 |
| Susanna Helke |
Osallisuus ja Poliittiset Eleet |
03/10/2016 |
| Minna Rainio |
Globalisaation varjoisat huoneet. Liikkuvan kuvan installaatiot eettisen ja poliittisen kohtaamisen tiloina. |
03/10/2016 |
| Patrick van Deurzen |
Referential Networks, Composing and the "Outside World" |
29/08/2016 |
| Koske Nozaki |
A practical exploration of the historical fingerings of Baroque Recorders in England, France and Germany |
23/08/2016 |
| Andreas Siqueland |
A Place for Painting |
28/07/2016 |
| Håkon Austbø |
The Reflective Musician |
28/07/2016 |
| Marcel Cobussen |
Editorial - Encounters With Southeast Asia Through Sound |
18/07/2016 |
| Mark van Tongeren |
Taiwanese Bush Warblers imitating garbage trucks: a mutual affair? |
11/07/2016 |
| Andy Fuller |
Football Soundscapes of Java |
10/07/2016 |
| Darren Moore |
Experimental Music in Singapore |
10/07/2016 |
| Lonan O Briain |
Domesticated Noise: The Musical Reformation of Identity in Urban Vietnam |
10/07/2016 |
| Stefan Östersjö |
The sounds of Hanoi and the after-image of the homeland |
10/07/2016 |
| Anja Kanngieser |
A brief proposition toward a sonic geo-politics: Rajarhat New Town |
10/07/2016 |
| Max Haberl |
SOUNDMEMORIES OF ASIA |
10/07/2016 |
| KA HO CHEUNG |
What do the urban soundscapes of a city represent? Case studies in Bangkok and Hong Kong ／ 都市聲音有何個性？ 考察曼谷和香港之城市聲景 |
10/07/2016 |
| Mariko Goto |
Forbidden Beauty: Performance Practice of un-notated arpeggio in fortepiano music in late 19th Century |
13/06/2016 |
| Eszter Viczian |
Practical Solfège and Music Theory in Violin Education |
17/05/2016 |
| Itay Ziv |
"Disabled Art" Escapism as Artistic Tactic |
02/05/2016 |
| Danny Butt |
Colonial hospitality: rethinking curatorial and artistic responsibility |
28/04/2016 |
| Bart L. Decroos |
The Fourth Wall of Architecture |
28/04/2016 |
| Elisavet Kalpaxi |
Self-portraiture: on photography’s reflexive surface |
28/04/2016 |
| Heath Schultz |
Notes on Red76's Occupy Yr. Home |
28/04/2016 |
| Christopher Lee Kennedy |
Mycological provisions |
28/04/2016 |
| Rania Lee Khalil |
Palestinian Wildlife Series: embodiment in images, critical abstraction |
28/04/2016 |
| Adesola Akinleye |
Untitled: Women's Work |
22/04/2016 |
| Gert Germeraad |
About exchanging a portrait • |
14/04/2016 |
| Annie Abrahams |
Trapped to Reveal - On webcam mediated communication and collaboration. |
06/04/2016 |
| Gascia Ouzounian |
Editorial: Recomposing the City: New Directions in Urban Sound Art |
09/03/2016 |
| Sarah Lappin |
Sonic Places: In Conversation with Peter Cusack |
09/03/2016 |
| Tero Nauha |
Documentation for the dissertation |
08/03/2016 |
| Norwegian Artistic Research Programme |
Bulletin No. 2 - NARP |
25/02/2016 |
| Michael Schwab |
Nietzsche 5 : The Fragmentary |
05/02/2016 |
| Falk Hubner |
Hard Times. Lecture Performance as Gestural Approach to Develop Artistic Work-in-Progress |
05/02/2016 |
| Tuomo Rainio |
Reconfigured Image |
05/02/2016 |
| Otso Huopaniemi |
Dear Rita |
05/02/2016 |
| Sepideh Karami |
Interruption as Dissenting Gesture |
05/02/2016 |
| Sven Anderson |
The Incidental Person: Reviewing the Identity of the Urban Acoustic Planner |
03/02/2016 |
| Tero Nauha |
Performance documentations for the dissertation |
21/01/2016 |
| Francisco Lopez |
Sonopolis |
20/01/2016 |
| Isobel Anderson |
Soundmapping Beyond The Grid: alternative cartographies of sound |
14/01/2016 |
| Andrea Pagnes |
sin ∞ fin - The Movie | A performance-based art film project by VestAndPage (Andrea Pagnes & Verena Stenke) |
14/01/2016 |
| Christabel Stirling |
Sound Art / Street Life: Tracing the social and political effects of sound installations in London |
13/01/2016 |
| Conor McCafferty |
Sound Art and Public Engagement in the Built Environment: Reflections from an Architecture Center |
13/01/2016 |
| Colin Ripley |
Instrumental Operations in the Urban Assemblage |
13/01/2016 |
| Tero Nauha |
Research Appendices |
02/01/2016 |
| Markéta Dolejšová |
A taste of big data on the global dinner table |
24/12/2015 |
| Mick Douglas |
Shuttling |
20/12/2015 |
| Karen Savage |
The slippery trail: The mollusc as a metaphor for creative practice |
20/12/2015 |
| David Prescott-Steed |
Intersections of creative praxis and urban exploration |
20/12/2015 |
| Nicole De Brabandere |
Sticky currents: Drawing folds in serial exhaustion |
20/12/2015 |
| Tero Nauha |
Schizoproduction: Artistic Research and Performance in the Context of Immanent Capitalism |
10/12/2015 |
| Amanda Steggell |
Mind, the Gap. Synaesthesia and contemporary live art practice. |
16/11/2015 |
| Karoblis Gediminas |
Performer - audience interaction. A potential for dance art? |
12/11/2015 |
| Trond Engum |
Beat The Distance - Musictechnological strategies for composition and production |
12/11/2015 |
| Norie Neumark |
Mapping Soundfields: A User’s Manual |
28/10/2015 |
| Anna Symanczyk |
The Sound of Stuff – Archetypical Sound in Product Sound Design |
28/10/2015 |
| Thomas Bjørnsten |
From Particle Data to Particular Sounds: Reflections on The Affordances of Contemporary Sonification Practices |
28/10/2015 |
| Marcel Cobussen |
Editorial: Mapping the Field |
28/10/2015 |
| Morten Riis |
Where are the Ears of the Machine? Towards a sounding micro-temporal object-oriented ontology |
28/10/2015 |
| Anahid Kassabian |
Sound and Immersion in Timekiller Games |
28/10/2015 |
| Nicola Gess |
Ideologies of Sound: Longing for presence from the eighteenth century until today |
28/10/2015 |
| Martine Huvenne |
Auditory filmic space as a sphere, the audiovisual chord, and the intentional archpassive synthesis in Submarino by Thomas Vinterberg |
28/10/2015 |
| Leo Murray |
Peirce and sound design practice |
28/10/2015 |
| Deborah Middleton |
'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre |
31/08/2015 |
| Hilde Blix |
Divergent voices – Different dialogues in the artistic research project Wikiphonium |
31/08/2015 |
| Anna Laine |
Migration research in collaboration with Tamil Sri Lankan artists in the British diaspora |
31/08/2015 |
| Espen Lunde Nielsen |
Hinges of correlation: Spatial devices of social coexistence |
31/08/2015 |
| Anna Walker |
In and out of memory: exploring the tension when remembering a traumatic event. |
31/08/2015 |
| Andreas Aase |
FolkImproV |
24/08/2015 |
| Tone Åse |
The voice and the machine- and the voice in the machine - now you see me, now you don’t- |
13/08/2015 |
| Andrea Pagnes |
Selected Interviews (2009-2015) |
06/08/2015 |
| Andrea Pagnes |
Reconfiguring Think Tanks as a discursive, social model in contemporary art | Residencies as places of continuity, mutuality, free thinking and independent research |
05/08/2015 |
| Andrea Pagnes |
SPACED, Art Out Of Place |
05/08/2015 |
| Andrea Pagnes |
Interviews with Massimo Cacciari and Franco Rella |
05/08/2015 |
| Andrea Pagnes |
My Body Asking Your Body Questions: VestAndPage (Verena Stenke & Andrea Pagnes) interviewed by Valeria Romagnini & Karlyn De Jong (Personal Structures |GAA Foundation) |
04/08/2015 |
| Andrea Pagnes |
TWO BODIES IN SPACE | DURATIONAL PERFORMANCE: The Quest for Authenticity in the VestAndPage Experience |
31/07/2015 |
| Andrea Pagnes |
In Conversation with Ron Athey |
30/07/2015 |
| Maggie Urquhart |
The Early Violone |
14/07/2015 |
| Karst de Jong |
Navigating through Harmony |
14/07/2015 |
| Johanna Pentikäinen |
Miksi minun piti kirjoittaa juuri ruusuista? Autoritaarisuus, autenttisuus ja autoetnografisuus kirjoittamisessa |
02/07/2015 |
| Hanna Kuusela |
Collaborative Processes and the Crisis of Attentiveness |
02/07/2015 |
| Marika Orenius |
Keinuva käynti ja muutoksen tila |
02/07/2015 |
| Assi Karttunen |
Can one wade twice into the same Seine? |
02/07/2015 |
| Anna Einarsson |
We Can Work It Out - Calibration as Artistic Method |
02/07/2015 |
| Katja Hilevaara |
Making Making Matter: Paper as Paradox in Practice-as-Research |
02/07/2015 |
| Emma Cocker |
Choreo-graphic Figures: Beginnings and Emergences |
02/07/2015 |
| Michael Duch |
Free Improvisation - Method an Genre |
29/06/2015 |
| Norwegian Artistic Research Programme |
Bulletin No. 1 - NARP |
22/06/2015 |
| David Reschofsky |
Modern vertical thinking (Triad pairs over seventh chords) |
28/05/2015 |
| Pauls Pokratnieks |
"Art of drumming within jazz piano trio" |
28/05/2015 |
| Barbara Bekhof |
How to use feedback, advice and judgement after an exam |
28/05/2015 |
| Mariana Andrade Pimenta |
The use of Bel Canto singing in the Italian opera of the XVIII century |
28/05/2015 |
| Alistair Sung |
Performing Classical Music in the 21st Century |
27/05/2015 |
| Alex Kolassa |
Composing for the Memory Dealer: New Paradigms for the Immersive Soundtrack |
07/05/2015 |
| Rik Lander |
Experiments in Intimacy and Immersion |
07/05/2015 |
| Eva Giraud |
The cultural politics of pervasive drama: aural narrative, digital media and re-compositions of urban space |
07/05/2015 |
| Sarah Hibberd |
Immersion and proximity: music, sound, and subjectivity in The Memory Dealer |
07/05/2015 |
| Elizabeth Evans |
“It’s probably just me”: The Literacies of Pervasive Sound Narratives |
07/05/2015 |
| Nanette Nielsen |
Preludium: The Memory Dealer |
07/05/2015 |
| Michael Schwab |
Drawing the Trans-body |
01/04/2015 |
| Riikka Makikoskela |
Experience of Resistance -The Potential of Materiality and Spatiality in Artistic Research |
01/04/2015 |
| gilda mautone |
Collision |
31/03/2015 |
| Annette Arlander |
Working With a Witches’ Broom / Att Arbeta med en Markvast |
30/03/2015 |
| Esa Kirkkopelto |
VIRTUAALISEN MATERIAN JÄLJILLÄ |
29/03/2015 |
| Ari Kakkinen |
Co-relation that is not – photography and coming into the materiality |
29/03/2015 |
| Monica Raya |
Spacing matters: Alternative Thinking about the Nature of Space |
29/03/2015 |
| Lucie Tuma |
it's doing it – the force of passivity |
24/03/2015 |
| Caroline Picard |
Ghost Nature |
24/03/2015 |
| Ainara Elgoibar |
One Motorbike, One Arm, Two Cameras |
24/03/2015 |
| Cynthia Kros |
A consideration of projects from the FUNDBÜRO art research initiative |
24/03/2015 |
| Andreas Aase |
Transcribing Johann Sebastian Bach's Lute Music for Guitar Bouzouki |
23/03/2015 |
| Elina Saloranta |
Videoteos laatukuvana/ A videowork as a genre picture |
13/03/2015 |
| Claudia Hansen |
What is Music Theater? |
18/01/2015 |
| Julian Klein |
Music is not a Language |
31/12/2014 |
| Marc Goodwin |
Primary |
18/12/2014 |
| William Ray Macauley |
Altisonans |
02/12/2014 |
| Douglas Kahn |
On the Aelectrosonic and Transperception |
02/12/2014 |
| Peter Pesic |
Pythagorean Longings and Cosmic Symphonies: The Musical Rhetoric of String Theory and the Sonification of Particle Physics |
02/12/2014 |
| James Wierzbicki |
The Imagined Sounds of Outer Space |
01/12/2014 |
| William Ray Macauley |
Editorial: Venturing into Sounds of Space |
01/12/2014 |
| Trevor Pinch |
Space is the Place: The Electronic Sounds of Inner and Outer Space |
01/12/2014 |
| Tim Boon |
Music for Spaces: Music for Space - An argument for sound as a component of museum experience |
01/12/2014 |
| Johan Stenstrøm |
The Significance of Electro-acoustic Music in the Space Opera Aniara |
01/12/2014 |
| Stefan Helmreich |
Remixing the Voyager Interstellar Record: Or, As Extraterrestrials Might Listen |
01/12/2014 |
| Mäki Teemu |
A PRACTICAL UTOPIA |
20/10/2014 |
| Mäki Teemu |
KÄYTÄNNÖLLINEN UTOPIA |
20/10/2014 |
| Mika Elo |
What calls for thinking? |
13/10/2014 |
| Arild Berg |
Tactile Resonance in Art |
13/10/2014 |
| girija kaimal |
Being an A-R-T-I-S-T: Challenges and Opportunities of Connecting Art, Research, Transformation, Imagery & StoryTelling |
13/10/2014 |
| Christopher Hollins |
Echo Theory |
13/10/2014 |
| Massimo Pianese |
Complete research 2006 2014 |
26/09/2014 |
| Daphne Plessner |
What is a University? |
22/09/2014 |
| Jan Schacher |
sonozones |
22/09/2014 |
| Paulo de Assis |
Con Luigi Nono: Unfolding Waves |
22/09/2014 |
| Kaisu Koski |
Anatomical Self-Portraits as Fieldwork: Observations, Improvisations, and Elicitations in the Medical School |
22/09/2014 |
| Vappu Jalonen |
Stained Black Mirror |
22/09/2014 |
| Henrique Gomide |
Reading Garoto – a study over the legendary musician who changed Brazilian music. |
09/09/2014 |
| Massimo Pianese |
YOU ARE NOT A SALMON |
06/09/2014 |
| Steven Zwanink |
How Do You Swing a Quarter Note? An Analysis of the Great Walking Bassists of the 1950s and 60s. |
05/09/2014 |
| Radka Kubinova |
Italian elements in French music for traverso by J.M.Laclair and M.Blavet |
05/09/2014 |
| Mario Garcia Cortizo |
Proposing Live Electronics as an Alternative to Larger Performance Set-Ups |
05/09/2014 |
| Kristen Huebner |
Comparisons of Perspective in the Empfindsamer Stil: How the music of Carl Philipp Emmanuel Bach represents a microcosm of an emerging cultural initiative |
05/09/2014 |
| Martin van Hees |
A Musicians’ View on Cooperating with Composers: The influence of composers on the performance practice |
05/09/2014 |
| Christopher Hollins |
Abating Aesthetic character |
01/09/2014 |
| Christopher Hollins |
Two Ways of Seeing: Looking to Recognise or Looking to Unkowing |
25/08/2014 |
| Enno Voorhorst |
how musicians use their brains |
07/08/2014 |
| Héctor García-Jorquera |
Autenticitet i Det Offentliga Rummet |
04/07/2014 |
| Melle Kromhout |
An Exceptional Purity of Sound: Noise reduction technology and the inevitable noise of sound recording |
26/06/2014 |
| Julia Krause |
Editorial - Functional Sounds in Sound Art and Popular Culture: Proceedings of the First International ESSA Conference 2013, part I |
26/06/2014 |
| Mehdi Mark Nazemi |
Affective Soundscape Composition for Evoking Sonic Immersion |
26/06/2014 |
| Neil Verma |
A Paleontology of Quiet |
26/06/2014 |
| Jeremy Woodruff |
Remaking Pittsburgh: Permaculture soundscapes |
26/06/2014 |
| Francisco Lopez |
Music Dematerialized? |
26/06/2014 |
| Olivia Lucas |
MAXIMUM VOLUME YIELDS MAXIMUM RESULTS |
26/06/2014 |
| James Andean |
Sound and Narrative: Acousmatic composition as artistic research |
26/06/2014 |
| Syed Gowhar Andrabi |
The role of spirituality in art education |
07/06/2014 |
| Mäki Teemu |
Art and Research Colliding |
26/05/2014 |
| Jaimie Henthorn |
Movement Intervention within British Post-War Architecture |
26/05/2014 |
| Amber Yared |
Talking in Circles: Interview, Conversation, Metalogue |
26/05/2014 |
| Sheilah Wilson |
The Invisible Inside the Visible |
26/05/2014 |
| Juliet MacDonald |
Alpha |
26/05/2014 |
| Christopher Hollins |
Do Ideas Contaminate the Art Experience? |
07/05/2014 |
| Corina Caduff |
Approaching the Essay as Artistic Research |
01/05/2014 |
| Leone Contini |
TuscanChinese |
11/04/2014 |
| Dominic Redfern |
Located Identity: Finding the Mallee |
16/12/2013 |
| Paul Landon |
Mapping a Modern Diegesis: Terre des Hommes and Robert Altman's Quintet |
16/12/2013 |
| Eivind Buene |
Delirious Brahms |
16/12/2013 |
| Pamela Salen |
The Photogram as a Domestic Diary |
16/12/2013 |
| Rory Harron |
Towards a Non-Identity Art |
16/12/2013 |
| Don Asker |
Latitudinal Conversations |
16/12/2013 |
| Taina Riikonen |
Those Lips Were Made to Suck that Button |
08/12/2013 |
| Pasi Lyytikäinen |
Kokemuksen symbolit – pohdintoja nuotinnoksen ja soivan välisestä suhteesta |
08/12/2013 |
| Elina Lifländer |
Tilakokemuksia esitysinstallaatiossa |
08/12/2013 |
| Tero Nauha |
Life in Bytom: Plasticity and schizoanalytic performance practice / Plastisiteetti ja skitsoanalyyttinen esitystyöskentely |
08/12/2013 |
| Annette Arlander |
WIND RAIL - Sort of a Beginning / TUULIKAIDE - Eräänlainen alku |
08/12/2013 |
| Jaakko Nousiainen |
Mediatisoitunut ooppera - johdanto tutkimukseen |
08/12/2013 |
| Zygmunt Piotrowski |
INVISIBLE MATTER OF FINE ART |
29/10/2013 |
| Sara Benaglia |
telepathy |
24/10/2013 |
| Sara Benaglia |
GjokeGojani interview from Peje |
22/10/2013 |
| Sara Benaglia |
The cousin of the North |
19/10/2013 |
| Christopher Hollins |
PRIMALISM |
03/09/2013 |
| Christopher Hollins |
Trace Element 2013 |
03/09/2013 |
| Christopher Hollins |
THE THEORY AND PRACTICE OF ORBS IN ART. |
21/06/2013 |
| Michael Kahr |
Upper Styrian Big Band Folk: Exploring Local Identity and Authenticity in Jazz |
18/06/2013 |
| Miriam Ewers |
Doha |
18/06/2013 |
| Gert Germeraad |
Rationality, Intuition and Emotion - Exploring an Artistic Process |
18/06/2013 |
| Simon Granell |
10 Diary Entries [2010-12] |
18/06/2013 |
| Tero Nauha |
Schizoanalysis as a Method in Artistic Research |
18/06/2013 |
| Neil Mulholland |
Shift Happens |
18/06/2013 |
| Carolina Goradesky |
Innerground_ an Exploration of a Disused Mine Through the Memories of Former Miners |
18/06/2013 |
| Marc Goodwin |
A Hinge: Field-testing the Relationship Between Photography and Architecture |
18/06/2013 |
| Paul Draper |
Toward a personal understanding of ‘artistic research’ through musical improvisation, performance, and the production of sound recordings |
01/06/2013 |
| Gerhard Eckel |
In the prison of permanent change |
12/02/2013 |
| Klaus Hu |
LANDSCAPE, THE ARCHIVE AND ESCAPE |
09/02/2013 |
| Lucy Bleach |
FOREPLAY -Group exhibition |
18/12/2012 |
| Brita Lemmens |
The learning process in fado through artistic research |
21/11/2012 |
| Krien Clevis |
Crossing: Between the Italic Domus and the Artistic Environment |
05/11/2012 |
| Ruby Wallis |
'Unfixed Landscape' - Is it possible to define 'place' through artistic practice? |
05/11/2012 |
| Juan Carlos Castro |
Playing the Spiral Jetty |
05/11/2012 |
| Vida Midgelow |
Voice (a retracing) |
05/11/2012 |
| E. T. Hetzler |
Actor Self vs. Character Self: An Empirical Exploration |
05/11/2012 |
| Deborah Harty |
The taste of tree? |
05/11/2012 |
| Christopher Hollins |
A LETTER FROM A MODERN ARTIST |
05/10/2012 |
| Alberto Magrin |
The theory of coincidences |
25/09/2012 |
| Alberto Magrin |
The theory of coincidences |
25/09/2012 |
| Bas Kalle |
Ik hou van jou |
10/09/2012 |
| Pasquale Petrucci |
The contemporary nuraghe |
09/09/2012 |
| Renate Quehenberger |
QUANTUM CINEMA - a digital vision |
13/07/2012 |
| Sabina Pfenninger |
The Exhibition as Performance. Performance as Research. |
26/04/2012 |
| Ruth Benschop |
I'll be Gone Again: Documenting the Virtual Body |
06/04/2012 |
| Florian Dombois |
Luginsland (Sound and Score) |
12/03/2012 |
| Julian Klein |
The Other Side of the Frame - Artistic Experience as Felt Framing. Fundamental principles of an artistic theory of relativity |
02/03/2012 |
| Martin Nachbar |
choreographic things, dancing |
28/02/2012 |
| Branka Zgonjanin |
ONE DOUBLE BODY |
25/02/2012 |
| Diego Gil |
BSIDES |
22/02/2012 |
| Patrick Bobilin |
Ghetto Child |
20/02/2012 |
| Julian Klein |
What is Artistic Research? |
12/02/2012 |
| Mark Fleishman |
Cargo: Dwelling in the Archive of Slavery at the Cape |
20/11/2011 |
| David Overend |
A Work on Progress |
20/11/2011 |
| Vincent Meelberg |
Moving to Become Better: The Embodied Performance of Musical Groove |
20/11/2011 |
| Laura F. Gibellini |
A Place, Constructed |
20/11/2011 |
| Nell Breyer |
Motion Perception: Interactive Video and Spatial Awareness |
20/11/2011 |
| Sarah Alford |
Taking the Book Apart |
20/11/2011 |
| Laura Maes |
Oorwonde - a tactile experience |
20/11/2011 |
| Sarah Breen Lovett |
Expanded Architecture 01-06 |
20/11/2011 |
| Sher Doruff |
Diagrammatic Praxis |
20/11/2011 |
| Otto von Busch |
Research Navigations |
20/11/2011 |
| Daniel Kötter |
staats-theater |
20/11/2011 |
| Cathy van Eck |
Song No 3 – Singing through Gestures |
20/11/2011 |
| Elina Saloranta |
Miltä hiljaisuus kuulostaa? What does silence sound like? |
20/11/2011 |
| Sissel Tolaas |
An Alphabet for the Nose. |
20/11/2011 |
| Tuija Kokkonen |
A Performance with an Ocean View (and a Dog/for a Dog) - II Memo of Time |
20/11/2011 |
| Richard Blythe |
Glide: design, indeterminacy and the specificity of the contingent |
20/11/2011 |
| Bertha Bermudez (Collaborator) |
The Double Skin/Double Mind Interactive Installation |
20/11/2011 |
| Abhishek Hazra |
Thanks to Lysenko, we got Haldane |
20/11/2011 |